Book offers fresh perspectives on why Cubism came into being

Christopher Green, a leading scholar of Cubism, has published a new book titled *Cubism and Reality*, which reexamines the origins and intentions of early Cubism through the works of Georges Braque, Pablo Picasso, and Juan Gris. The book focuses on the years immediately before World War I, arguing that Cubism was not a step toward abstraction but a deliberate reinvention of reality based on lived visual experience. Green draws on decades of research, including his own earlier works and the foundational 1959 study by John Golding, and contrasts the movement with mass-produced imagery in chapters on Roy Lichtenstein and Francis Picabia.