The Antwerp Six and the Problem of Now

A new exhibition at MoMu in Antwerp, guest-curated by Geert Bruloot, explores the enduring legacy of the 'Antwerp Six'—a group of visionary designers who graduated from the Royal Academy of Fine Arts in the 1980s. The show features dedicated rooms for members including Walter Van Beirendonck and Dirk Van Saene, showcasing their distinct aesthetics ranging from maximalist rave-wear to surrealist runway recreations. It traces their journey from a self-funded trip to a London trade fair in 1986 to becoming global icons who challenged the dominance of Parisian couture.

François Ozon’s 'The Stranger': A Film Between Surface Aesthetics and Political Reinterpretation

“Lo straniero” di François Ozon. Un film tra estetica delle superfici e rilettura politica

Director François Ozon has adapted Albert Camus’s existentialist masterpiece 'The Stranger' into a new feature film, premiering at the 82nd Venice Film Festival. Shot in stark black and white by cinematographer Manuel Dacosse, the film departs from the 1967 Luchino Visconti adaptation by leaning into a cold, clinical aesthetic inspired by Michelangelo Antonioni. The narrative follows Meursault, an emotionally detached clerk in colonial Algiers, whose impassive reaction to his mother's death and the subsequent senseless murder of an Arab man leads to his legal and moral condemnation.

Kent art exhibition slammed as antisemitic and reported to police

Artist and former art critic Matthew Collings has sparked intense controversy with his exhibition 'Drawings Against Genocide' at Joseph Wales Studios in Margate. The show features provocative imagery, including a Star of David juxtaposed with Nazi symbols and depictions of IDF soldiers, which critics argue cross the line into antisemitism. The backlash intensified after Sunday Telegraph columnist Zoe Strimpel reported a hostile confrontation with the artist, leading to public condemnation from figures such as Dover MP Mike Tapp and Israel’s charge d’affaires, Daniela Grudsky.

Texas university's sudden cancellation of exhibition with works critical of Ice sparks censorship row

The University of North Texas (UNT) abruptly shuttered a solo exhibition by Brooklyn-based artist Victor Quiñonez just nine days after its opening at the College of Visual Art & Design Gallery. The show, titled "Ni de Acquí," featured sculptures from the artist’s "I.C.E. Scream" series, which utilizes Mexican popsicle motifs to critique the enforcement tactics of U.S. Immigration and Customs Enforcement. Following the closure, university staff covered the gallery windows with brown paper and terminated the loan agreement with Boston University without providing a detailed public explanation.