The Art Newspaper's 2025 survey of the world's 100 most visited art museums reveals a strong but uneven recovery from the pandemic, with total visits reaching over 200 million. New museums in the Middle East, East Asia, and major Western cities have been major hits with the public, driving significant attendance.
MoMA PS1 has launched the sixth edition of Greater New York, its signature quinquennial survey featuring 53 artists living and working across the city's five boroughs. Marking the institution’s 50th anniversary, this iteration was organized entirely by the museum’s internal curatorial staff rather than outside contributors. The exhibition moves away from the introspective, surrealist themes of the pandemic-era 2021 edition, focusing instead on the social fabric of the city and the systemic challenges facing its residents.
French contemporary artist Claire Tabouret has been commissioned to create six new stained-glass windows for the Notre-Dame de Paris cathedral, replacing six existing 19th-century grisaille windows designed by architect Eugène-Emmanuel Viollet-le-Duc. The project, announced by President Emmanuel Macron and the Archbishop of Paris as a "contemporary gesture" following the 2019 fire, has sparked a major public and institutional controversy, with a petition against it gathering over 335,000 signatures.
Fashion photographer Alessio Bolzoni and film director Luca Guadagnino have collaborated on 'Felicità', a new book and exhibition at Thomas Dane Gallery featuring 45 previously unseen color photographs by the late Italian master Luigi Ghirri. The project is divided into two portfolios: the first focuses on intimate, abstract details of found objects and surfaces in Modena, while the second expands into larger vistas and populated spaces across Italy during the 1980s.
Art Basel has announced the 33 medalists for the second edition of its annual awards program, honoring a diverse group of artists, curators, collectors, and institutions. The cohort is divided into categories including emerging, established, and icon artists, as well as cross-disciplinary figures and art-world allies. Notable honorees include Julie Mehretu, Barbara Kruger, and the Studio Museum in Harlem, representing a broad cross-section of the global art ecosystem.
The global art market saw a 4% growth in 2025 according to the latest Art Basel and UBS Art Market Report, yet the industry remains on edge. Despite the headline increase, the report reveals a sharp decline in the average number of buyers per gallery—reaching its lowest level since 2021—and rising operational costs for shipping and logistics. Protectionist trade policies and geopolitical instability, particularly escalating conflicts in the Middle East affecting oil prices, continue to strain the contemporary sector.
New York è così cara che ormai non è più possibile produrre arte e cultura in città
Artist and curator Josh Kline has sparked a significant industry debate with his essay, "New York Real Estate and the Ruin of American Art," which argues that the city's prohibitive real estate market is dismantling its cultural foundation. Kline posits that the financialization of property and the disappearance of affordable lofts and mid-size galleries have created an unsustainable ecosystem where only those with independent wealth can survive. This economic pressure is forcing a generation of creative workers to choose between their practice and basic survival, leading to a stagnation of innovation.
The Ishara Art Foundation in the UAE has launched 'Urdu Worlds,' the region's first contemporary art exhibition dedicated to the Urdu language. Curated by Hammad Nasar, the show features a visual dialogue between the late Indian-born artist Zarina and Pakistani multimedia artist Ali Kazim. The exhibition showcases Zarina’s delicate woodcut prints, including her seminal 'Home is a Foreign Place,' alongside an expansive survey of Kazim’s paintings, sculptures, and his new 'Alphabets' series, marking his institutional debut in West Asia.
Prince Saheed Adelakun has returned to Mydrim Gallery in Lagos for a solo exhibition titled "KókóẸwà" (Essence of Beauty), featuring 45 new works. The exhibition is divided into two distinct series: "Dúdúyẹmí," which celebrates the natural richness of dark skin and traditional adornments, and "Ojú Tó ń Sọ̀rọ̀," a collection of portraits focusing on the expressive power of the human gaze. Utilizing a unique and labor-intensive rope medium, Adelakun explores themes of femininity, resilience, and cultural identity.
Photographer Lee Jung-jin has launched a major solo exhibition titled "Unseen/Thing" at PKM Gallery in Seoul, marking her first solo show in six years. The exhibition is divided into two parts: her latest "Unseen" series, captured during a 2024 trip to Iceland, and her "Thing" series from the early 2000s, which features analog still lifes printed on traditional Korean hanji paper. The new works depart from Lee’s previous focus on the static silence of deserts, instead capturing the volatile, forceful energy of the Icelandic landscape.
Argentine artist Cecilia Bengolea has unveiled her latest project, "El Ruido que Habita" (The Noise That Dwells), at the Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba. Developed during a residency in early 2025, the exhibition features site-specific drawings and ceramic works created in collaboration with the Dionisio Ortiz School of Art. The installation integrates visual art, technology, and performance, inviting visitors to engage with sound as a transformative language that bridges cultural and material divides.
Les écoles d’art privées traversent une zone de turbulence
A wave of bankruptcies and judicial reorganizations is hitting the private art education sector in France. Following the closure of the École d’art de Montreuil, the Académie des arts appliqués (AAA) in Dijon and the École supérieure de design in Troyes have both entered receivership. These institutions are struggling with severe financial deficits, unpaid staff, and a sharp decline in student enrollment, with some schools seeing their student bodies shrink by two-thirds in just four years.
Smithsonian Magazine has announced the winners of its 23rd annual photography contest, selecting top honors from over 17,000 submissions spanning 108 countries. The Grand Prize was awarded to Jacqueline Burke, a veterinarian and photographer, for her image "The Punk Rockers," which captures three egret chicks with mohawk-like plumage at a New Jersey rookery. Other category winners highlighted diverse subjects, including an abstract portrait by Irina Denisova and a spiritual scene of a devotee in Varanasi by Arun Kumar Nalimela.
The Crowsnest Pass Public Art Gallery has issued an open call for its Annual Juried Summer Exhibition, titled "Sight and Sound." This year’s theme celebrates the 100th anniversary of the Crowsnest Pass Community Orchestra by inviting artists to explore the intersection of visual art and music. Submissions are open to all artists until May 31, with a jury selecting approximately 16 participants based on originality, composition, and thematic relevance.
Europe is set to host a series of major exhibitions in 2026 that bridge the cultural divide between the East and West. Key highlights include a massive Yayoi Kusama retrospective at the Stedelijk Museum in Amsterdam, a showcase of Thai royal haute couture and Pierre Balmain’s designs at the Musée des Arts Décoratifs in Paris, and an exploration of ancient Korean gold at the Musée Guimet. Additionally, the Victoria and Albert Museum in London will partner with Australia’s QAGOMA for a large-scale survey of contemporary art from Asia and the Pacific.
The Brandywine Museum of Art has announced a new group exhibition titled "Abundance/Excess: A Contemporary Eye on Still Life," featuring works by 10 contemporary artists. The show is divided into two thematic sections: "Abundance," which examines the history of wealth and commerce in America, and "Excess," which focuses on the environmental and social consequences of overconsumption. Curated by Kerry Bickford, the exhibition includes diverse media ranging from traditional painting to works made from discarded materials like trash-picked toys and grocery flyers.
Artexpo New York has returned to Pier 36 for its 49th annual edition, featuring over 70,000 square feet of exhibition space. Hosted by Redwood Art Group, the fair showcases a diverse range of media from more than 20 countries, divided into the main Artexpo Pavilion for established galleries and the [SOLO] Pavilion for independent artists. The 2026 program includes interactive Art Labs, the affordable Discoveries Collection, and the prestigious Spotlight Program, which honors six selected artists and galleries.
Christie’s and Sotheby’s recently concluded their 2026 mid-season contemporary art auctions, signaling a shift toward higher-value inventory in what were traditionally lower-stakes sales. The standout result was the $7.6 million sale of Jeff Koons’s sculpture 'Winter Bears' (1988) at Christie’s, setting a record for the highest-valued work ever sold in a mid-season auction. Meanwhile, Sotheby’s held its first 'Contemporary Curated' sale at its new Breuer building headquarters, achieving $19.4 million led by a $3.8 million Alma Thomas painting.
The global art market returned to growth in 2025, reaching $59.6 billion in sales according to the latest Art Basel and UBS Art Market Report. This 4 percent increase ended a two-year decline, driven primarily by a 9 percent surge in public auction sales and a significant revival in high-value transactions for works priced over $10 million. While the United States maintained its dominant 44 percent market share, the recovery was uneven, with the Impressionist and Old Masters sectors seeing major gains while Postwar and Contemporary art continued to cool.