NEYRA PÉREZ: RETURN TO ROEBIRI

NEYRA PÉREZ: RETORNO A ROEBIRI

Neyra Pérez, an Iskonawa artist, presents her exhibition "El retorno del Roebiri" at the Centro Cultural Ricardo Palma in Lima, Peru, running until May 9, 2026. The show features her distinctive kené designs, which she creates using natural materials like yakuchapana resin and virgin clay on raw canvas, fixed through sunlight and river washing. The works reference Roebiri, a mountain in the Amazonian Sierra del Divisor that was the ancestral territory of the Iskonawa people, from whom they were displaced in the late 1950s by missionaries and the military. Since 2018, Pérez has been part of a cultural revitalization effort led by anthropologist Carolina Rodríguez to recover these traditional designs and practices.

Parallax(e): Perspectives on the Canada–US Border

The exhibition "Parallax(e): Perspectives on the Canada–US Border" at The Reach Gallery Museum in Abbotsford, British Columbia, brings together archival materials from the Northwest Boundary Survey (1857–62) with new works by five Indigenous artists. The show features photographs, maps, and watercolors from British and American surveyors alongside commissions by Dr. Shawn Brigman, Dr. Michelle Jack, Deb Silver, Xémóntalot Carrielynn Victor, and Dr. T’uy’t’tanat Cease Wyss, who respond to the legacy of the border's creation through canoe culture, transboundary identity, and place-based knowledge.

First Indigenous Representative of Peru at the Venice Biennale, Sara Flores Opens the Doors of Her Studio in the Heart of the Amazon

Première représentante autochtone du Pérou à la Biennale de Venise, Sara Flores ouvre les portes de son atelier au cœur de l’Amazonie

Sara Flores, a 76-year-old artist from the Shipibo-Konibo Indigenous community in the Peruvian Amazon, has been selected as the first Indigenous artist to represent Peru at the Venice Biennale. In her open-air studio deep in the rainforest, she creates large-scale geometric compositions in the kené ("true drawing") tradition, using natural dyes from local plants. She is also co-founder of the Bakish Mai Multiversity, an educational institution dedicated to Indigenous knowledge and artist residencies, alongside Matteo Norzi, one of the two curators of the Peruvian pavilion. The article offers an intimate portrait of her life, her matriarchal family, and her creative process.

Harmony Korine Makes Sense of His Shape-Shifting Art: ‘It’s Really One Whole Work’

Harmony Korine's first-ever U.S. retrospective, titled "Perfect Nonsense," has opened at the Institute of Contemporary Art, Miami. The exhibition gathers over 50 pieces spanning his career, including adolescent writings, zines, collages from the 1990s, figurative paintings, and recent works using game engines. Korine, known for transgressive films like *Gummo* (1997) and *Spring Breakers* (2012), also founded EDGLRD, a studio producing experimental content with cutting-edge tech, such as his 2023 project *AGGRO DR1FT*, which premiered at the Venice International Film Festival.

Latefa Wiersch “Atlas Studios“ at Istituto Svizzero, Rome

Istituto Svizzero in Rome presents "Atlas Studios," the first solo exhibition in Italy by Swiss-based artist Latefa Wiersch. The show is specifically designed for the spaces of Villa Maraini and evokes the famous Atlas Studios film sets located on the edge of the Moroccan desert, which have been used by international film productions.

Sarzana failed to become Capital of Culture 2028 but relaunches: 'The dossier will be implemented anyway'

Sarzana non è riuscita a diventare Capitale della Cultura 2028 ma rilancia: “Il dossier sarà realizzato ugualmente”

Sarzana, a city in Liguria, Italy, failed to win the title of Italian Capital of Culture for 2028, which was awarded to Ancona. However, instead of shelving its candidacy dossier, the city has decided to implement its strategic cultural plan, titled "L'Impavida," as its official cultural governance program for 2026-2028. The plan treats culture as a permanent infrastructure, integrating urban planning, tourism, welfare, and economic development, and was developed through a decade-long process involving co-design with associations and citizens.

Dataland, the world’s first museum of AI arts, sets opening date and first exhibition

Dataland, the world's first museum dedicated to AI arts, will open on June 20 in downtown Los Angeles. Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the 35,000-square-foot museum anchors the $1-billion Frank Gehry-designed Grand LA complex. Its inaugural exhibition, "Machine Dreams: Rainforest," created by Refik Anadol Studio, uses vast data sets from partners including the Smithsonian and London's Natural History Museum to immerse visitors in a machine-generated sensory experience of the Amazon rainforest. The museum features five immersive galleries, a 30-foot ceiling, and is powered by an open-access AI model called the Large Nature Model, which runs on Google Cloud servers using 87% carbon-free energy.

À Annecy, le cinéma d’animation célébré toute l’année grâce à l’ouverture d’un lieu hybride et ambitieux en juin

A new permanent home for animation cinema, the Cité internationale du cinéma d'animation, will open in Annecy, France, on June 19, 2025, just before the annual Annecy International Animation Film Festival. Housed in a restored 19th-century horse stable (haras) listed as a historic monument, the 54-million-euro project includes a 450 m² permanent museum, a 332-seat cinema, temporary exhibition spaces, educational workshops, artist residencies, and image-education facilities. The city of Annecy contributes 30 million euros, with additional funding from the Haute-Savoie department, the state, and the Auvergne-Rhône-Alpes region. Designed by architecture firm dd.a and landscape architect Philippe Deliau, the center aims to be a hybrid, year-round hub for animation, blending heritage, creation, and transmission.

Les vernissages cette semaine dans les galeries parisiennes

This week, several Parisian galleries are opening new exhibitions, with a concentration in the Marais district. Highlights include Olivier Kaeppelin's group show of four female painters at H Gallery, Mamma Andersson's works on paper at David Zwirner, Lucio Fontana's ceramics at Karsten Greve, Michel François's entropic ensembles at Art: Concept, and Anselm Kiefer's show at Thaddaeus Ropac in Pantin. Other notable openings include Linda Sanchez at Galerie Papillon, Chechu Álava at Galerie Xippas, and group exhibitions at Galerie Allen and Galerie The Pill.

A new director for the Smithsonian American Art Museum

Une nouvelle directrice pour le Smithsonian American Art Museum

Lynda Roscoe Hartigan, 75, has been appointed director of the Smithsonian American Art Museum (SAAM), succeeding Stephanie Stebich after a vacancy of nearly 17 months. Hartigan, who began her career at SAAM in the 1970s and rose to chief curator before leaving in 2003, most recently served as executive director of the Peabody Essex Museum, becoming its first woman to lead the institution. She will assume her new role on September 8.

In Venice, the Wagner Museum changes status

À Venise, le Musée Wagner change de statut

The Wagner Museum in Venice, currently a discreet institution housed within the Casino di Venezia in the Ca' Vendramin Calergi palace on the Grand Canal, is set to join the network of the Fondazione dei Musei Civici di Venezia (MUVE) by 2027. An agreement signed in March 2025, after thirty years of discussions, between MUVE, the Casino, and the Richard Wagner Association will make the museum the fourteenth institution under MUVE's management, alongside the Museo Correr, Ca' Pesaro, and the Museo Fortuny. The museum, established in 1995 in the rooms where Richard Wagner stayed and died in 1883, holds significant collections including the Josef Lienhart and Walter Just collections, making it one of the most important private Wagnerian collections outside Bayreuth, Germany.

Story of the designer who transformed MotoGP by designing Valentino Rossi's bikes and suits

Storia del designer che ha trasformato la MotoGP disegnando moto e tute di Valentino Rossi

Aldo Drudi, the influential designer who transformed the visual aesthetics of MotoGP, created a special site-specific livery for the Pertamina Enduro VR46 Racing Team's presentation at The Edge in Hudson Yards, New York. The livery, unveiled on March 24, 2026 for the United States Grand Prix, is a complex graphic composition that references team history, Valentino Rossi, and American culture, elevating motorcycle design to a form of moving art.

Lies, Virtual Reality, and Conceptual Art—Spring/Summer 2026 Exhibitions at PHI

PHI in Montreal presents two spring/summer 2026 exhibitions: "Come See, Lies Lies" by Paola Pivi and "Other Worlds" by Jakob Kudsk Steensen. Pivi's show features surreal installations including wall-mounted shoes, suspended velvet mattresses, and a metal house with TV screens broadcasting false statements, blending fairy tale and satire. Steensen's exhibition comprises six major works from the past decade, using virtual reality, video games, and sound installations to explore ecological themes and digitized environments like Bora Bora and volcanic seabeds. Both exhibitions open April 23, 2026, and run through September 13, 2026.

Tale of a Riderless Horse

The National Gallery in London is hosting an exhibition titled "Stubbs: Portrait of a Horse," focusing on the 18th-century artist George Stubbs and his masterful equine paintings. The show features studies, drawings, and key works like "Whistlejacket" (c. 1762) and "Scrub" (c. 1762), highlighting Stubbs's unique anatomical knowledge gained from dissecting horses.

Artist-run gallery in Old Town Scottsdale’s Art District among best in Valley

On The Edge Gallery, an artist-run collective in Old Town Scottsdale's Arts District, has been named one of the top 10 galleries in the Phoenix metropolitan area by Modern Luxury Magazine. The gallery operates as a co-op where local Arizona artists create the work, set their own prices, and often work on-site, allowing visitors to interact directly with the creators.

In Milan, the Italian Renaissance Meets Artificial Intelligence: An Interview with Refik Anadol

A Milano il Rinascimento italiano incontra l’intelligenza artificiale: intervista a Refik Anadol

Refik Anadol's immersive AI artwork, 'Renaissance Dreams,' is on extended daily view at Milan's MEET Digital Culture Center during Design Week. The piece uses artificial intelligence to process a dataset of Italian Renaissance visual and written works from 1300-1600, generating ever-changing audiovisual environments for visitors.

Peabody Essex Museum director steps down to lead Smithsonian American Art Museum

Lynda Roscoe Hartigan is stepping down as director and CEO of the Peabody Essex Museum (PEM) in Salem, Massachusetts, to become the director of the Smithsonian American Art Museum (SAAM) in Washington, D.C., starting September 8. Hartigan, who began her career as an intern at SAAM, previously served as PEM's first chief curator in 2003, deputy director in 2016, and returned as director in 2021 after a brief stint at the Royal Ontario Museum. During her tenure at PEM, she oversaw the reinstallation of a 40,000-square-foot wing, guided a five-year strategic plan, and expanded programs in global fashion, contemporary art, photography, and American art.

Coming to campus this spring? Check out these exhibitions.

The University of Chicago is hosting a diverse slate of art exhibitions across its campus this spring. Highlights include 'A Bestiary of Ancient Nubia' at the Institute for the Study of Ancient Cultures, 'Beyond Boundaries: Three Decades of Contemporary Chinese Art' and 'Composing Color: Paintings by Alma Thomas' at the Smart Museum of Art, the photography exhibition 'Black Culture in Chicago' at the Logan Center, and 'History on the Edges: Michel-Rolph Trouillot’s Caribbean' at the Regenstein Library.