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The Box Shutters in Los Angeles After Nearly Two Decades

The Box, a pioneering Los Angeles gallery known for its nonprofit-style support of experimental and performance art, has announced its closure after nearly two decades. Founded in 2007 by Mara McCarthy, the gallery’s final exhibition featured late California painter Wally Hedrick, and a closing event will include a fashion show by Johanna Went. Mara McCarthy cited the shifting market for her father Paul McCarthy’s work and the loss of family homes in the Eaton Fire as factors behind the decision.

'It’s like the natural world. Nothing lasts forever': Tadashi Kawamata on creating his temporary sculptures

Japanese artist Tadashi Kawamata created a temporary wooden vortex sculpture titled "Tornado" inside the Palais de Tokyo in Paris, made from 5,000 individual pieces of wood and installed on the grand staircase for just two weeks in February. The work was commissioned by Ruinart as part of its "Conversations with Nature" series, which presents a piece in Paris before permanently installing it at the champagne house's headquarters in Reims. Kawamata, who has lived in Paris for 18 years, is known for using found materials and creating site-specific, temporary interventions on or inside architecture, emphasizing spontaneity and impermanence.

Diedrick Brackens’s Tapestries Beckon the Light of Freedom

Diedrick Brackens presents his first solo exhibition in the Bay Area, "gather tender night," at Yerba Buena Center for the Arts in San Francisco. Guest-curated by Eungie Joo, the show features 15 tapestries from 2020 onward and three new works from 2026, including the immersive installation "clearing (2026)." Brackens, a Black queer artist and CCA professor, uses hand-dyed cotton and acrylic yarn to weave narratives of personal memory, myth, and the natural world, drawing from West African weaving, California fiber art, European tapestry, and Gee's Bend quilting. His approach, influenced by the "sloppy craft" ethos of his mentor Josh Faught, embraces unfinished edges and visible process as acts of refusal against polished traditions.

Marina Abramović: Historic dell'Accademia Exhibition Announced During Venice Biennale 2026

Marina Abramović will be honored with a major exhibition at the Gallerie dell’Accademia in Venice during the 61st Venice Biennale Arte in 2026, making her the first living woman artist to receive such a show at this historic institution. The exhibition coincides with her eightieth birthday and features works including the 1983 photograph *Pietà (with Ulay)*, placed in dialogue with Titian’s *Pietà*, alongside participatory elements like her Transitory Objects. Curated by Shai Baitel, the show unfolds within the museum’s Renaissance galleries rather than a separate wing.

The Many Forms of Marcel Duchamp

The New Yorker's Hilton Als reviews "Marcel Duchamp," a major retrospective at the Museum of Modern Art (MoMA) in New York, running through August 22, 2026. Curated by Matthew Affron, Michelle Kuo, and Ann Temkin, it is the first North American retrospective of Duchamp's work since 1973, organized in collaboration with the Philadelphia Museum of Art. The exhibition spans MoMA's entire sixth floor, showcasing Duchamp's shape-shifting practice—from iconic works like "Nude Descending a Staircase (No. 2)" (1912) and "Bicycle Wheel" (1951) to his readymades and conceptual pieces—emphasizing his rejection of commodification and embrace of intellectual freedom, play, and queer sensibilities.

The Revolutionary Tapestry of Nigerian Modernism

The exhibition "Nigerian Modernism" at Tate Modern in London is the first show of its kind in the UK, surveying how Nigerian artists forged a postcolonial identity across the 20th century. It features works by pioneers such as Aina Onabolu, Benedict Enwonwu, and members of the radical Zaria Art Society, including Uche Okeke, Jimo Akolo, and Clara Etso Ugbodaga-Ngu, highlighting their break from British artistic traditions and embrace of local visual heritage.

Dataland, World's First A.I. Arts Museum, Will Open in June, and Other News.

Dataland, billed as the world's first museum dedicated to AI-generated art, will open June 20 at The Grand LA in downtown Los Angeles, founded by Refik Anadol and Efsun Erkılıç. Its inaugural exhibition, 'Machine Dreams: Rainforest,' uses vast environmental datasets to create multi-sensory AI interpretations of nature. In other news, Tuan Andrew Nguyen's 27-foot-tall sandstone Buddha sculpture has been installed on New York's High Line Plinth; Chanel is launching its first-ever Coco Beach pop-up in Shanghai; Kengo Kuma collaborated with Jaipur Rugs on a carpet collection unveiled at Milan Design Week; and Pittsburgh's new $31 million Arts Landing civic space opened in the Cultural District.

Philadelphia Museum of Art exhibit featuring Rocky Balboa statue gets underway

The Philadelphia Museum of Art has opened a new exhibition titled "Rising Up: Rocky and the Making of Monuments," centered on the iconic bronze statue of fictional boxer Rocky Balboa that sits at the bottom of the museum's steps. Guest-curated by Paul Farber, the show explores the statue's transformation from a movie prop into a real-world symbol of perseverance and public devotion, tracing over 2,000 years of boxing imagery through works by artists such as Keith Haring, Jean-Michel Basquiat, and Andy Warhol. The museum, which once fought to have the statue removed, now embraces it as part of Philadelphia's identity.

Museum of Art brings Rocky statue inside

The Philadelphia Museum of Art is opening a new exhibition titled "Rising Up: Rocky and the Making of Monuments" that brings the iconic bronze statue of fictional boxer Rocky Balboa inside the museum for the first time. Guest curator Paul Farber organized the show, which spans over 2,000 years of boxing imagery and places the statue within art history and Philadelphia's identity. The museum, which had a historically rocky relationship with the statue—initially fighting to have it removed from its steps—has now embraced it, with plans to permanently install the statue at the top of the museum's steps after the exhibition closes in August.

GEORGE FEBRES: TRANSLATION, IRONY, AND LIBERATION. AN ECUADORIAN ARTIST IN THE DIASPORA

The article examines the life and work of George Febres (1943–1996), an Ecuadorian artist who spent most of his career in the United States, primarily in New Orleans. Febres’s practice blends Pop Art, Neo-Surrealism, and Southern US culture with his experiences as a migrant and queer subject, using bilingualism and ironic tropical imagery to create a hybrid, irreverent body of work. Despite his significance, no works by Febres exist in Ecuadorian public collections, and no major retrospective has been held in his home country, reflecting a broader erasure of queer narratives from national art history.

9 Spectacular Art and Fashion Exhibitions You Can’t Miss in 2026

The article previews nine major art and fashion exhibitions scheduled for 2026 across Europe and the United States. Highlights include the V&A's first UK survey of Elsa Schiaparelli, tracing her radical approach to couture; ICA Miami's immersive Dolce&Gabbana showcase celebrating Italian craftsmanship; the Met's comprehensive Raphael exhibition featuring over 170 works; the Musée d'Orsay's exploration of Renoir's joyful modernity; and Palais Galliera's look at 18th-century fashion's lasting influence.

Victorien Bornéat : « De l’échec de la démocratisation culturelle est né un sentiment d’exclusion »

Victorien Bornéat has published a manifesto arguing that French cultural democratization policy, rooted in André Malraux's vision of making masterworks accessible to all, has failed. He cites budget cuts by regional presidents Laurent Wauquiez and Christelle Morançais, police raids on bookshops like Violette and Co, and statistical studies showing that working-class audiences still do not spontaneously attend theaters, museums, or opera. Bornéat contends that the policy's emphasis on direct confrontation with canonical works ignored the need for cultural codes and institutional literacy, creating an exclusion that politicians now exploit for electoral gain.

“Drifting Until Caught” at Brooklyn Navy Yard: Three Artists and the Objectivity of Method

Three artists—Veronika Georgieva, Stephen j Shanabrook, and Shura Skaya—have transformed an industrial venue at the Brooklyn Navy Yard into a pop-up exhibition titled “Drifting Until Caught.” The show, accessible only by appointment, features works that range from pressed plastic sculptures and chocolate casts to wax crayon drawings and acrylic paintings, all exploring the boundary between figuration and abstraction. Each artist employs mechanical or chance-based methods, such as Shanabrook’s hydraulic press or Georgieva’s video projections, to create images that embrace distortion and materiality.

100 anni tra arte e poesia per annullare i confini. Intervista a Lamberto Pignotti

Lamberto Pignotti, the 100-year-old Florentine artist and poet and a leading figure in visual poetry, is celebrated with two concurrent exhibitions: "Pignotti 100. Pop-esie visive" at the Mart in Rovereto (in collaboration with the Collegio Cairoli of Pavia) and the dual solo show "Identikit di Pignotti e Hogre" curated by Marco Giovenale at Galleria Bianco Contemporaneo in Rome. The latter exhibition, born from a dialogue between Pignotti and the anonymous artist Hogre, centers on a collection of envelopes Pignotti has saved for over fifty years—each addressed to him with varying titles (architect, artist, poet, professor) or altered names (Alberto, Lorenzo, Mario, Giuseppe)—revealing his fragmented identity. Pignotti co-founded the Gruppo '70 in Florence in 1963 with Eugenio Miccini, a movement that brought together multidisciplinary artists including Lucia Marcucci, Ketty La Rocca, and musicians Giuseppe Chiari and Sylvano Bussotti.

5 Standout Shows to See at Small Galleries in May 2026

Artsy Editorial highlights five standout exhibitions at small and rising galleries for May 2026. Among them is British-born, Amsterdam-based painter K. T. Kobel's first major Swiss show, "Hand, Body, Object, Sin," at Kutlesa in Goldau, Switzerland, running through May 29. Kobel, who has exhibited from Los Angeles to Milan since 2022, presents cinematic, storyboard-like paintings that embrace fragmentation and loose ends.

‘Embrace of the Earth’: Rajib Ahasen’s debut solo exhibition opens at AFD

Rajib Ahasen's debut solo exhibition, 'Embrace of the Earth', opened on April 24, 2026, at La Galerie, Alliance Française de Dhaka (AFD). The show features around 36 works in watercolour and acrylic, rooted in the artist's memories of rural Bangladesh and his transition to urban life. Scenes of earthen roads, canals, riverbanks, and agrarian life dominate the collection, reflecting a personal narrative shaped by observation and recollection. Ahasen, who earned a Mawlana degree from a Qawmi madrasah in 2014 without formal fine arts training, has previously participated in national and international exhibitions including the Friendship Art Exhibition and Kahal International Art Fair.