Alma Allen Speaks Out on Backlash Over U.S. Pavilion Commission: ‘A Little Stressful’

Sculptor Alma Allen has spoken out for the first time about the backlash he faced after accepting the commission to represent the United States at the Venice Biennale. In a rare interview on the podcast *Time Sensitive*, recorded at his home in Tepotzlán, Mexico, Allen described the response as “a little stressful” but said he never hesitated when curator Jeffrey Uslip invited him last fall. His selection sparked controversy because the State Department’s requirement that proposals “reflect and promote American values” while not promoting DEI initiatives led higher-profile artists like William Eggleston and Barbara Chase-Riboud to refuse. Allen’s former galleries, Mendes Wood and Olney Gleason, dropped him after he accepted, though he has since joined Perrotin. He also hinted that his exhibition, “Call Me the Breeze,” will include work about conflict and surveillance.

Exhibition | Tristan Unrau, 'Hopes and Fears' at David Kordansky Gallery, Los Angeles, United States

David Kordansky Gallery in Los Angeles presents 'Hopes and Fears,' a solo exhibition of new paintings by Tristan Unrau from March 19 to April 25, 2026. This is the artist's first show with the gallery and his most ambitious presentation to date, occupying three spaces at the venue.

The Dallas Art Fair: A Balance Of Growth And Consistency

The Dallas Art Fair (DAF), founded in 2009 by developer John T. Sughrue and curator Chris Byrne, concluded its eighteenth edition this past weekend. Director Kelly Cornell, who started as an intern and became director in 2016, has strengthened partnerships with the Dallas Museum of Art, Nasher Sculpture Center, and Dallas Contemporary, while securing sponsors like Bank of America. The fair has grown from 35 to over 90 galleries, though it still lacks mega-galleries like Gagosian, Hauser & Wirth, David Zwirner, and Pace. International participation this year included about 20 galleries, with notable names such as Perrotin, Anat Egbi, and Hesse Flatow, while galleries from Germany and China were absent.

Emily Kraus’s Glitchy Paintings Challenge Aesthetic Authority

Emily Kraus’s solo exhibition at Frieze presents a series of glitchy, digitally inspired paintings that disrupt traditional notions of aesthetic authority. The works employ pixelated distortions and vibrant color fields to question the boundaries between digital error and artistic intention, drawing attention to the role of technology in contemporary art-making.

Ai Weiwei to Reenact His Own Detention in 24-Hour Performance in Manchester

Artist and dissident Ai Weiwei will reenact his 81-day detention by China's Ministry of Public Security in a 24-hour performance titled "Sewing a Button" at Factory International's Aviva Studios in Manchester, England. The performance, part of his exhibition "Button Up!" running from July 2, 2025, will take place in a re-creation of his cell and involve Ai sleeping, eating, exercising, writing, washing, and being interrogated, with visitors able to book two-hour slots or a full 24-hour ticket. The work follows his earlier piece "S.A.C.R.E.D." (2013) and is joined by other commissioned works including "Eight-Nation Alliance Flags" and a new version of "History of Bombs."

Jean Katambayi Mukendi “RATIO” at KW Institute for Contemporary Art, Berlin

Congolese artist Jean Katambayi Mukendi has opened a solo exhibition titled "RATIO" at the KW Institute for Contemporary Art in Berlin. The show features works that interrogate fundamental dualities such as the natural versus the artificial, growth versus destruction, and the dynamics between resources and power.

In Naples, an International Exhibition to Map Instability and Deactivate Borders

A Napoli una mostra internazionale per mappare l’instabilità e disattivare i confini

The exhibition "Atlante" at Thomas Dane Gallery in Naples, curated by James Lingwood, brings together works by eight international artists—Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari—to challenge traditional cartographic representations. Through maps, drawings, textiles, and photographs, the show interrogates the ideological and political assumptions embedded in mapping, reframing the Mediterranean not as a border but as a connective space, and exposing the instability and power asymmetries underlying historical worldviews.

Exhibition | Nick DOYLE, 'Collective Hallucinations' at Perrotin, New York, United States

Perrotin gallery in New York presents 'Collective Hallcinations', an exhibition of new works by Brooklyn-based artist Nick Doyle. The show features wall-mounted denim collages and an immersive installation of a psychic parlor, including Doyle's first use of artificial intelligence. The works explore the fraught relationship between land and technology, progress and destruction, using denim as a material that evokes Americana, capitalism, and masculinity. The centerpiece, 'Mirror, Mirror', is a denim-clad structure housing an AI avatar named Ava, who offers sardonic commentary on the American dream and the digital frontier.

'Soulages-Hartung : Affinités électives' at Perrotin, Paris Marais, France on 25 Apr–30 May 2026

Perrotin in Paris Marais is presenting 'Soulages-Hartung: Affinités électives,' an exhibition exploring the friendship and artistic dialogue between Pierre Soulages (1919–2022) and Hans Hartung (1904–1989). The show features a never-before-screened filmed interview from the Fondation Hartung-Bergman, along with archival documents and rarely seen studio tools. It highlights their shared concerns as postwar abstract painters, their mutual support and gift exchanges—such as Soulages's walnut stain piece given to Hartung in 1948—and their contrasting approaches, with Hartung's explosive gestures versus Soulages's measured structures. The exhibition also reveals their lesser-known use of blue in the 1980s.

National Gallery Singapore's 'Passion Is Volcanic' exhibition: 5 works to see

National Gallery Singapore has opened its first R18 exhibition, 'Passion Is Volcanic: Desire In South-east Asian Art', featuring around 60% of works from the national collection, many shown for the first time, alongside regional loans. The show includes a 14th-15th century tantric Buddhist sculpture of kissing buddhas, a pastel painting by pioneering gay Singaporean artist Tan Peng, Liu Kang's 1953 painting 'Scene In Bali', and long-exposure photography by Lavender Chang originally commissioned for a Viagra campaign. Co-curators Adele Tan and Kathleen Ditzig contextualize the exhibition with pre-modern works to demonstrate that artists' interest in the body, desire, and sex is enduring in Asia.

Hannah Black “Harsh Muting” at zaza’, Naples

Hannah Black presents her first solo exhibition, "Harsh Muting," at the zaza' gallery in Naples. The show features five circular oil paintings that draw inspiration from the rotating word-play disks in Marcel Duchamp's surrealist film *Anemic Cinema*.

Exhibition | GaHee PARK, 'Half-Looking, Half-Seen' at Perrotin, New York, United States

Perrotin New York presents 'Half-Looking, Half-Seen', a special exhibition of new paintings by GaHee Park, featuring still lifes and portraits set within seascapes and landscapes that explore psychological dynamics of perception and coexistence. The show precedes Park's first institutional solo exhibition in the United States, opening in August 2026 at the Yerba Buena Center for the Arts in San Francisco. Works such as 'Seafood Heaven', 'Wetland at Dusk', and 'Creeping Shadow' depict ambiguous scenes where figures, animals, and natural elements blur boundaries between perceiving and being perceived, with influences including Joan Jonas's performance art.

Exhibition | Lee Mingwei, 'Lorsque la Beauté Paraît' at Perrotin, Paris Marais, France

Perrotin gallery in Paris is presenting 'When Beauty Appears', the second solo exhibition by Taiwanese artist Lee Mingwei and his first at the gallery's Paris location. The show features seven interactive works created between 1995 and 2025, including 'La fleur en chemin (The Moving Garden)', 'The Mending Project', and 'The Copyist’s Paradox', which invite visitors to engage directly with the art through simple gestures like offering a flower or mending an object.

Exhibition | Jens FÄNGE, 'Antechamber' at Perrotin, New York, United States

Perrotin New York presents 'Antechamber,' an exhibition of over twenty new paintings by Swedish artist Jens Fänge. The works feature distorted, labyrinthine interiors populated by people, animals, and mannequins, using layered materials like oil, vinyl, linen, and burlap to create compositions that blur the line between figuration and abstraction. Recurring motifs such as doors, windows, halos, and locusts shift meaning across the show, which draws inspiration from Hans Christian Andersen's fairytales and Nathanael West's surrealist novels.

Lee Mingwei at Perrotin Gallery in Paris: an exhibition exploring connection, gesture, and ritual

Perrotin Gallery in Paris is presenting "When Beauty Appears," a solo exhibition by Taiwanese artist Lee Mingwei, running from April 25 to May 30, 2026. The show features seven interactive works created between 1995 and 2025, including pieces like "The Moving Garden," where visitors take a flower to give to a stranger, and "The Mending Project," which invites participants to repair garments with colored threads. The exhibition emphasizes ritual, exchange, and lived experience over passive observation.

Navid Baraty’s Atmospheric Photos Explore Contrasting Scales of Time

Navid Baraty's series "The Time Between" combines digital photographs of urban skylines like Manhattan and Chicago with dramatic natural landscapes such as desert dunes and snow-capped mountains. Using a double-exposure technique, the artist blends city lights and skyscraper outlines with geological features to explore contrasts between contemporary urban life and ancient, timeless terrains.

Bondi exhibition ‘Holding Light’ turns grief into collective response

Four months after the Bondi Beach terror attack that killed 15 people during a Chanukah celebration, a major exhibition titled 'Holding Light' has opened at Bondi Pavilion Art Gallery. Curated by Shalom Collective and supported by Waverley Council, the show brings together 29 artists and 28 works selected through a community call-out, spanning visual art, installation, and digital media. Artists including Ella Dreyfus, Munganbana Norman Miller, Beck Feiner, Bibi Solimani, and David Solomons respond to themes of loss, memory, courage, and hope, with works such as Dreyfus's 'Nature Morte – Zikaron' documenting the spontaneous memorial near the beachfront.

Palma: The Conference of the Palm Trees. Artist Mehdi-Georges Lahlou and curator Virginie Puertolas-Syn.

French-Moroccan artist Mehdi-Georges Lahlou opened his first solo exhibition in Singapore and Asia, curated by Virginie Puertolas-Syn. The exhibition, conceptually linked to the 12th-century Sufi poem 'The Conference of the Birds,' uses the palm tree as a central motif to explore themes of displacement, colonial history, and constructed landscapes.

Susumu Kamijo exhibits at the Perrotin Gallery in Paris: a gentle interlude between flowers and animals.

Perrotin Gallery in Paris is presenting a new exhibition titled "When I Think of You in Spring" by Japanese-born artist Susumu Kamijo, running from April 25 to May 30, 2026. This is the artist's second solo show at the venue, following "The Sun Inside" in 2023. The exhibition features a series of paintings populated by large flowers, fruits, birds, butterflies, and animals such as parrots and a sailfish, set against backgrounds of clouds, horizon lines, and hills. Kamijo's work balances abstraction with recognizable forms, focusing on composition, color, and balance rather than narrative.

In Venice, Hernan Bas Paints the Problem With Modern Tourism

American artist Hernan Bas has created a series of 40 paintings critiquing modern tourism, set to open in May at Ca' Pesaro–International Gallery of Modern Art in Venice during the Biennale. Titled "The Visitors," the exhibition depicts young white male American tourists engaging in objectionable behaviors worldwide—from begpacking to visiting disaster sites—painted with Bas's signature attention to clothing details. The works were developed during a residency in Venice, a city emblematic of overtourism, in collaboration with Victoria Miro, Lehmann Maupin, and Perrotin galleries.