As Cuban crisis deepens, diaspora artists have a message of compassion

Artists Antonia Wright and Ruben Millares are showcasing a salvaged, bullet-ridden Cuban migrant vessel at Miami’s Piero Atchugarry Gallery. The exhibition, titled 'Exile', serves as a visceral focal point for the escalating humanitarian crisis in Cuba, where citizens face systemic collapse, starvation, and political imprisonment. Through the concept of 'embodiment' rather than mere empathy, the artists confront the harrowing 93-mile journey across the Straits of Florida undertaken by those desperate to escape the island's dictatorship.

Ai Weiwei and the Art of Keeping Your Mouth Shut

Dissident artist Ai Weiwei explores the corrosive nature of state control and self-restraint in his new book, "On Censorship" (2026). Drawing from a lifetime of persecution—including his father’s exile to a labor camp, his own 81-day detention in 2011, and recent digital erasure by Chinese AI—Ai argues that censorship fundamentally strips individuals of their humanity. He highlights how the mechanism of silencing has evolved from overt state violence in the East to a more insidious culture of self-censorship in the West, exemplified by the cancellation of his own 2023 exhibition at Lisson Gallery following comments on the conflict in Gaza.

Paul Klee: Other Possible Worlds

The Jewish Museum in New York has launched "Paul Klee: Other Possible Worlds," the first U.S. museum exhibition dedicated specifically to the artist’s late-period works. Featuring 100 paintings and drawings, the show focuses on the final decade of Klee’s life (1930–1940), a period marked by his dismissal from the Düsseldorf Academy by the Nazis, his exile to Switzerland, and his battle with a fatal autoimmune disease.

Theresa Hak Kyung Cha Made Human Again

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is hosting "Theresa Hak Kyung Cha: Multiple Offerings," a comprehensive exhibition that draws from the artist’s complete archives. The show highlights Cha’s multidisciplinary practice, spanning film experiments, performance documentation, and her signature linguistic explorations. By pairing finished artworks with archival materials and personal ephemera, the exhibition reveals a playful, puckish side of the artist that is often obscured by the tragic circumstances of her death and the heavy themes of exile and dislocation in her work.

Of the Love that Moves the Sun and the Other Stars: An Interview with Amalia Cross

DEL AMOR QUE MUEVE EL SOL Y LAS OTRAS ESTRELLAS. ENTREVISTA A AMALIA CROSS

The Museo de la Solidaridad Salvador Allende (MSSA) in Santiago has inaugurated a major collection-based exhibition titled "Del amor que mueve el sol y las otras estrellas," curated by art historian Amalia Cross. The show revisits the museum's unique history—from its origins during Salvador Allende’s presidency and the international "Operation Truth" to its period of exile following the 1973 coup and its eventual return to Chile. Featuring works by global icons such as Alexander Calder, Lygia Clark, and Yoko Ono, the exhibition emphasizes movement and collective action across various mediums including sculpture, video, and installation.

Flying Back With the Birds to My Hometown of Tehran

The author, an Iranian artist living in the diaspora, describes the profound psychological impact of the ongoing war on her homeland. She experiences a constant state of displacement and terror, feeling tethered to Tehran through news of bombings in the Alborz Mountains, which transforms her sense of geography and home into one of anxiety and helplessness.

A recovered ‘balsa’ is the center of an art exhibit in Miami’s Design District

Artists Antonia Wright and Rubén Millares have unveiled a poignant installation titled "Exile" at the Piero Atchugarry gallery in Miami’s Design District. The centerpiece is an authentic 'balsa' (raft) recovered from the shores of Key Biscayne, featuring a 1942 Chevrolet engine and metal barrels marked with the logo of Cuba’s state beekeeping company. The artists preserved the vessel's original state, adding only interior lighting to highlight bullet holes and a soundscape of the roaring sea to immerse viewers in the harrowing experience of Cuban migrants.

It is Naive to Believe that Bombs Bring Freedom

"Es ist naiv zu glauben, dass Bomben Freiheit bringen"

Iranian-born artist Peyman Rahimi discusses the profound impact of his childhood experiences during the Iran-Iraq War and his subsequent mandatory military service on his creative practice. Breaking a long-held silence, Rahimi argues against the naivety of believing that military interventions or foreign bombings can bring true freedom to Iran, emphasizing that war only generates new trauma and suffering. He highlights the central role of Iranian women in the struggle for change, noting that their resilience remains the most potent threat to the current regime.

One of Napoleon’s Sweaty Hats Was Just Rediscovered After a Century in Storage

A distinctive bicorne hat belonging to Napoleon Bonaparte, worn during his final exile on Saint Helena, has been rediscovered after more than a century in storage at the Condé Museum. Curators found the beaver pelt hat, made by his official hat-maker Poupard, while preparing for an upcoming exhibition, and its provenance has been confirmed through extensive study.

Golnar Adili’s Family Archive

Artist Golnar Adili presents a solo exhibition at Smack Mellon in New York, centered on her family's archive of letters. The show features large-scale text-based sculptures and installations, such as 'Ye Harvest From the Eleven-Page Letter–Installation,' which transforms Persian script from her father's letters into architectural forms, alongside new plaster casts of her body. These works explore the aftermath of her parents' separation due to political exile following the 1979 Iranian Revolution.

Hugo the Decorator

Hugo décorateur

An exhibition and accompanying book explore Victor Hugo's lesser-known role as an interior decorator, focusing on the elaborate interiors he created for his homes in Paris and during his exile on the island of Guernsey. Curator Gérard Audinet conducted extensive research to reconstruct these lost environments, which were filled with eclectic objects, artworks by friends, and prestigious gifts.

The forest hears, the field sees: Liavon Volski presents new art project in Poland

Renowned Belarusian musician and writer Liavon Volski has debuted his first solo painting exhibition, titled "The Forest Hears, the Field Sees," at the Museum of Free Belarus in Warsaw. The exhibition features 11 conceptual works characterized by misty landscapes and surrealist elements, each inspired by traditional Belarusian proverbs. The opening event was a multi-sensory experience, incorporating fog machines and a musical performance by Volski to complement the atmospheric nature of the canvases.

Her Museum Was Surviving in Russia. Then the Threats Became Too Much.

Nailya Allakhverdiyeva, the longtime director of the PERMM Museum of Contemporary Art in Perm, Russia, has fled the country following escalating intimidation and a raid by security forces. Despite her efforts to maintain the institution's integrity through strategic compromises and "Aesopian language" to navigate tightening censorship, the pressure became untenable after she was interrogated and her home was searched by the F.S.B. in connection with activist Pyotr Verzilov.

Inside a Black Panther Family Album

Scholar Leigh Raiford examines the personal family archives of Black Panther Party leaders Kathleen and Eldridge Cleaver, specifically focusing on photographs taken during their period of exile in the 1970s. The analysis centers on how domestic objects, such as a zebra-print carver chair and various African artifacts, transitioned from private household items to iconic symbols of Black Power and cultural nationalism in the public sphere.

MEMORY MOURNING AND REBELLION BETTINI AT DA2

DA2 Domus Artium in Salamanca has opened the first Spanish retrospective of Gabriela Bettini, titled "Cierta tarde, la más bella de las tardes de mi vida." The exhibition surveys the Spanish-Argentine artist's career, centering on themes of memory, exile, and the trauma of the Argentine military dictatorship. A focal point is the work "Memoria del agua," inspired by an unfinished poem found in a book belonging to her grandfather, who was disappeared during the regime.