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consignors revealed new york auctions may 2025

The article reports on the upcoming May 2025 marquee auctions in New York at Christie’s, Sotheby’s, and Phillips, which carry a combined low estimate of about $1.2 billion—similar to last year. However, the market faces headwinds from U.S. trade wars, stock market volatility, high interest rates, and ongoing global conflicts. Major consignors include estates (Len Riggio, Anne Bass), living patrons (Tiqui Atencio, Norman Braman), dealers (Daniella Luxembourg, Barbara Gladstone, Enrico Navara), and institutions (SFMOMA, Virginia Museum of Fine Arts, Phillips Collection). Notable lots include Sheldon Solow’s $70 million Alberto Giacometti at Sotheby’s and Riggio’s $50 million Mondrian at Christie’s. Collector Peter M. Brant is revealed as the seller of Basquiat’s Baby Boom (1982) and a John Currin painting at Christie’s.

They Painted the American West. History Painted Them Out

The exhibition "Women Artists of the American West: Colorado and Utah: 1885–1935" at History Jackson Hole spotlights seven forgotten female artists, including the adventurous mountaineer and painter Helen Henderson Chain. Curated by the founders of the Paris-based nonprofit AWARE, the show uncovers the lives of women who documented the Rocky Mountains and local communities while navigating the restrictive social norms of the late 19th century. Through paintings and photographs, the exhibition challenges the traditional, male-dominated "heroic" narrative of Western expansion.

11 art exhibits across Maine you shouldn’t miss this fall - Portland Press Herald

The Portland Press Herald highlights 11 art exhibitions across Maine for fall, including shows at Bates College Museum of Art, Bowdoin College Museum of Art, Center for Maine Contemporary Art, and Colby Museum of Art. Featured exhibitions include "Shelburne Thurber: Full Circle" and "Precision and Expression: American Studio Ceramics from the E. John Bullard Collection" at Bates; "Gordon Parks: Herklas Brown and Maine, 1944" and "Medieval Art from the Wyvern Collection" at Bowdoin; the CMCA 2025 Biennial with 29 selected artists; and "Gertrude Abercombie: The Whole World Is a Mystery" and "Is anything the matter? Drawings by Laylah Ali" at Colby.

Women on the Verge: Five Museums in Maine Showcase Nicole Wittenberg and Ann Craven

Five museums across Maine are simultaneously presenting exhibitions featuring the work of painters Nicole Wittenberg and Ann Craven, in a coordinated initiative titled "Women on the Verge." The participating institutions include the Portland Museum of Art, the Center for Maine Contemporary Art in Rockland, the Colby College Museum of Art in Waterville, the Bowdoin College Museum of Art in Brunswick, and the Farnsworth Art Museum in Rockland. Each venue is showing a distinct body of work by either Wittenberg or Craven, highlighting their vibrant, often nature-inspired paintings that explore themes of femininity, perception, and the natural world.

Summer shows include multiple exhibitions viewing nature through 2 artists’ work - Portland Press Herald

Multiple Maine museums are collaborating this summer to present simultaneous exhibitions of two mid-career gestural painters, Nicole Wittenberg and Ann Craven, whose work deeply engages with nature and landscape painting. Wittenberg's shows include "A Sailboat in the Moonlight" at the Ogunquit Museum of American Art (through July 20), "Nicole Wittenberg: Cheek to Cheek" at the Center for Maine Contemporary Art (through Sept. 14), and a Paris exhibition at the Fondation Le Corbusier. Craven's exhibitions span the Farnsworth Art Museum ("Ann Craven: Painted Time," through Jan. 4, 2026), the Portland Museum of Art ("Spotlight: Ann Craven," May 14 to Sept. 14), and Bowdoin College Museum of Art (starting May 22).

Multi-Museum Exhibition Spotlights Legacy of Betsy James Wyeth

A major multi-museum exhibition titled *By Design: The Worlds of Betsy James Wyeth* will open across three U.S. institutions in 2026, re-examining the life and legacy of Betsy James Wyeth. The collaborative project—organized by the Farnsworth Art Museum, Colby College Museum of Art, and Brandywine Museum of Art—is the first to fully explore her role as an innovative designer of immersive spaces and key creative collaborator to her husband, Andrew Wyeth. Each venue highlights a different aspect of her work: the Farnsworth focuses on her built environments in Maine; Colby examines Allen and Benner Islands with new commissions by contemporary artists; and Brandywine centers on Brinton’s Mill and the Wyeths’ creative partnership, drawing from the Wyeth Foundation for American Art.

Studio house museum

Hillsboro Fine Art in Dublin announces 'Studio house museum', a solo exhibition by Irish artist Eamon O’Kane, running from 5 February to 7 March 2026. The show features new paintings from his ongoing Ideal collection series, inspired by residencies and visits to iconic studios and houses of artists, collectors, and architects, including Francis Bacon’s Reece Mews studio, Eileen Gray’s E-1027, the Edith Farnsworth House, Philip Johnson’s Glass House, and others. O’Kane explores creative spaces as living archives, reconstructing environments that blend Modernist aesthetics, architectural clarity, and painterly intuition, mapping networks of influence across generations.

Maine: A Force Within American Art (1890-2026) At Farnsworth Art Museum

The Farnsworth Art Museum in Rockland, Maine, has opened a year-long exhibition titled "Maine: A Force Within American Art (1890-2026)" in honor of America's 250th anniversary. The show presents 150 works across media, highlighting the state's artistic legacy from the late 19th century to the present. It features leading modernists such as Marsden Hartley, John Marin, Charles Demuth, and Georgia O'Keeffe, who found inspiration in Maine's landscapes, as well as contemporary artists like Theresa Secord. The exhibition is curated by Jaime DeSimone and Francesca Soriano, in collaboration with multiple institutions including the Ellis-Beauregard Foundation and Skowhegan School of Painting and Sculpture.

Class Notes

Boston University's College of Fine Arts (CFA) published its 2025 alumni class notes, featuring updates from graduates spanning the 1950s to the 1980s. Notable entries include Mark Mobius (’58) releasing a book on wealth, Cynthia Close (’67,’69) completing a memoir about her time in an artists' commune, and Jane O’Hara (’78) exhibiting a 51-painting series on animal rights at the New Bedford Art Museum. Other alumni activities range from radio documentaries and theatrical performances to gallery shows, poetry albums, and consulting work.

Maine Institutions Dissect the American Semiquincentennial

Boston Art Review (BAR) has published an article examining how Maine-based cultural institutions are approaching the American Semiquincentennial, the 250th anniversary of the United States in 2026. The piece explores the programming, exhibitions, and institutional strategies being developed by museums and art centers across Maine to mark this milestone, focusing on how they interpret American history and identity through contemporary art.

Maine art museums overflow with summer exhibits

Maine's art museums are presenting a packed summer season with numerous exhibitions, including the collaborative show "By Design: The Worlds of Betsy James Wyeth" organized by the Colby College Museum of Art, Farnsworth Art Museum, and Brandywine Museum, which explores the design influence of Andrew Wyeth's wife. Other highlights include the largest survey of Carl Spinchorn at the Ogunquit Museum of American Art and Bates College, "Shadow of the Eagle" at the Abbe Museum examining Native American perspectives on the Revolutionary War, and retrospectives of Phyllis Graber Jensen and Spindleworks Art Center at Bates College and Bowdoin College respectively. The Center for Maine Contemporary Art features new abstract sculptures by Bianca Beck, while Colby Museum also presents "Imagining an Archipelago" focusing on art from Cuba, Guam, the Philippines, Puerto Rico, and their diasporas.

Brandywine Museum of Art Collaborates with Maine Museums to Highlight Overlooked Wyeth Designer

The Brandywine Museum of Art is partnering with the Colby College Museum of Art and the Farnsworth Art Museum to launch a major exhibition series titled “By Design: The Worlds of Betsy James Wyeth.” Opening in June 2026, the multi-venue showcase highlights the creative legacy of Betsy James Wyeth, who was a prolific landscape designer, architectural restorer, and interior designer. The exhibition will feature archival materials and physical design elements that illustrate her profound influence on the environments that served as the primary subjects for her husband, Andrew Wyeth.

Two Maine museums will explore influence of a lesser-known Wyeth

The Farnsworth Art Museum, Colby College Museum of Art, and Brandywine Museum of Art are launching a collaborative exhibition titled "By Design: The Worlds of Betsy James Wyeth." This landmark show is the first to focus exclusively on the creative legacy of Betsy James Wyeth, the wife of Andrew Wyeth, highlighting her work as a designer of immersive environments and her role in restoring historic properties like the Olson House and Brinton’s Mill. The exhibitions will feature Andrew Wyeth’s paintings alongside Betsy’s archival materials, maps, and collected objects.

The Brandywine Museum offers a tiny peek into a Wyeth family Christmas

The Brandywine Museum in Chadds Ford, Pennsylvania, has opened its "Home for the Holidays" exhibition, featuring a custom-made dollhouse built by Ann Wyeth McCoy and her husband John McCoy from a repurposed tool shed. Two of the dollhouse's six modular rooms are on display, showcasing miniature furniture handcrafted by Ann's brother Nathaniel Wyeth and tiny paintings by Andrew Wyeth, Henriette Wyeth, and Jamie Wyeth. The dollhouse includes hidden family references, such as a miniature six-pack of Coca-Cola and a bottle labeled "Lucy Juice," a nod to benefactor Lucy Farnsworth.

"East-Northeast: Charting Moments in Maine" Presents Four Different Exhibitions of Maine-Focused Artists in Summer 2025

The Bowdoin College Museum of Art (BCMA) presents "East-Northeast: Charting Moments in Maine," a series of four exhibitions running in summer 2025 that highlight artists inspired by Maine. The shows include Gordon Parks’s previously unseen 1944 photographs of rural life, John McKee’s coastal series "As Maine Goes" (first public viewing since 1966), Ann Craven’s lunar paintings from 2020 and 2024, and films by Swiss-American artist Rudy Burckhardt. The exhibitions span from June 28 to November 9, 2025, with a keynote lecture by Philip Brookman on June 28.

Maine’s Ann Craven spotlighted at Farnsworth Art Museum

The Farnsworth Art Museum in Maine will host a major exhibition titled *Ann Craven: Painted Time (2020–2024)*, showcasing approximately 30 paintings by the celebrated Maine-based artist Ann Craven. The exhibition, running from May 3, 2025, through January 4, 2026, is organized into four thematic sections—moons, trees, flowers, and birds—highlighting Craven's exploration of seriality, repetition, time, and the natural world. It will be accompanied by a fully illustrated catalogue and a film by Fiumi Studio. The exhibition anchors the 2025 Maine in America Award, a lifetime achievement honor recognizing Craven's contributions to Maine's arts and culture, with companion presentations at the Bowdoin College Museum of Art and the Portland Museum of Art.

This Month the Museum Will Open "Ann Craven | Painted Time: Moons (Laboratory)"

The Bowdoin College Museum of Art (BCMA) will open "Ann Craven | Painted Time: Moons (Laboratory)" on May 22, 2025, featuring Ann Craven's moon paintings created between 2020 and 2024. The exhibition highlights Craven's direct observation of the moon, with each work documenting the date, time, and place of creation. The show includes a "laboratory" of lunar studies stored in labeled cardboard containers, offering insight into her process. It will be presented in three rotations curated by Anne Collins Goodyear, Jay Sanders, and Adam Weinberg, with about 20 paintings per rotation selected from over 150 compositions. The exhibition runs until August 17, 2025, and is accompanied by a digital catalogue. It coincides with two concurrent solo shows of Craven's work in Maine: at the Farnsworth Art Museum and the Portland Museum of Art.

Steve La Riccia’s journey through Eugene’s art scene

Steve La Riccia, gallery coordinator for the New Zone Art Gallery in Eugene, Oregon, is profiled for his decades-long journey through the local art scene. After traveling the West Coast and settling in Eugene in the 1970s, he worked at a food processing plant and sold illegal fireworks to buy a home. In 1991, after the Mayor's Art Show rejected many artists, La Riccia helped organize Eugene's first 'Salon De Refusés,' a show for rejected works, which shifted his focus from promoting his own art to supporting other artists. He later co-ran the New Zone gallery and became known for his SX-70 Polaroid manipulations until the company ceased film production in 2009.

Art at Bartlett Presents BARTLETT ART TALK: Janice Kasper

Maine-based environmental painter Janice Kasper will headline the first Bartlett Art Talk of the 2026 season at Bartlett Woods Retirement Community on April 22. The event coincides with the exhibition "Chickadees, Alligators and Stonehenge," which features Kasper’s work alongside pieces by Cicely Aikman and Dirk McDonnell, all on loan from the Caldbeck Gallery. Kasper, whose work is held in major collections like the Portland Museum of Art, is known for dramatic oils that explore the tension between wildlife and human technology.

Environmental painter Janice Kasper to speak at 'Bartlett Art Talk' series

Maine-based environmental painter Janice Kasper will headline the first 'Bartlett Art Talk' of the 2026 season on April 22 at the Bartlett Woods Retirement Community. The event coincides with the exhibition "Chickadees, Alligators, and Stonehenge," which showcases Kasper’s dramatic oil paintings alongside works by Cicely Aikman and Dirk McDonnell. Kasper’s practice focuses on the tension between human technology and the preservation of wildlife and natural landscapes.

Two exhibits trace the origins of the Sarasota Artist Colony

Two exhibitions in Sarasota trace the origins of the Sarasota Artist Colony, which flourished between 1945 and 1965. One is at Ringling College of Art and Design, titled “Origins: Sarasota Artist Colony, 1945-1965,” co-curated by Tim Jaeger and Bill Hartman. The other is at the downtown offices of Michael Saunders & Co. The Ringling College show features 36 works by colony artists, including Jon Corbino, Ben Stahl, Syd Solomon, and Craig Rubadoux, and places them in the context of post-World War II America, when the GI Bill and cheap rents attracted hundreds of artists to the small beach community.