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Artist Tarek Atoui has been selected for the next Hyundai Commission in Tate Modern's Turbine Hall, opening October 13 and running into April 2027. The Beirut-born, Paris-based artist is known for complex installations with specially designed instruments incorporating glass, water, or ceramics, activated by touch, breath, or motors. Curators Nabila Abdel Nabi and Dina Akhmadeeva will oversee the exhibition. Atoui has previously shown at S.M.A.K., Luma Westbau, and the Museum of Contemporary Art Australia, and won the Suzanne Deal Booth/FLAG Art Foundation Prize in 2022.

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The FLAG Art Foundation, based in New York, has pledged £1 million ($1.3 million) to London's Serpentine Galleries to establish a new biennial artist prize. Named the Serpentine x FLAG Art Foundation Prize, it will award £200,000 ($265,000) to an international artist who has been exhibiting for fewer than ten years, along with an exhibition at both institutions and a catalog. The first winner will be selected in 2026, with exhibitions at Serpentine in 2027 and FLAG in 2028. The prize is funded by collector Glenn Fuhrman's foundation and is the largest contemporary art prize in the UK.

FAD News: Serpentine x FLAG Art Foundation Prize Announces Star-Studded Selection Committee

The Serpentine x FLAG Art Foundation Prize has announced its selection committee for the inaugural award, the largest contemporary art prize in the UK given to a single artist. The five-person jury includes Michelle Kuo (Chief Curator at Large and Publisher at MoMA), Venus Lau (director of Museum MACAN), Hans Ulrich Obrist, Jon Rider, and artist Rirkrit Tiravanija. The committee met in London on 23rd April to select the first recipient, who will be announced on 12th May. The prize awards £200,000 biennially over ten years, totaling £1 million across five artists, with each recipient developing a new body of work culminating in exhibitions at Serpentine in London and The FLAG Art Foundation in New York.

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The Zero Art Fair, running through Saturday at the Flag Art Foundation in Chelsea, New York, offers visitors the unusual option of taking artworks home for free. Co-founded by artists Jennifer Dalton and William Powhida, the fair operates on a model where buyers can either purchase a piece outright or acquire it at no cost, with the condition that their name appears on a public registry and they agree to lend the work for exhibitions. If no paying buyer emerges after five years, the free acquirer keeps the work permanently. The fair's first edition took place during Upstate Art Week in a Hudson Valley barn, and this second edition is supported by sponsors including collector Glenn Fuhrman's Flag Art Foundation and Gagosian gallery.

The FLAG Art Foundation Named Founding Sponsor of Alchemy with Anthony Mason, Launching May 6

The FLAG Art Foundation has been named the founding sponsor of "Alchemy with Anthony Mason," a new long-form interview series launching May 6, 2026. Hosted by CBS News special correspondent Anthony Mason, the series features intimate 45-minute conversations with artists such as Hozier, Paul Simon, Nile Rodgers, Violet Grohl, and Taj Mahal, focusing on the transformative creative process rather than the finished work. The partnership is integrated into the series' identity, with each episode presented under FLAG's support and connecting viewers to contemporary art exhibitions, including Ellsworth Kelly: Eight Decades at the Parrish Art Museum and the reopening of the David Geffen Galleries at LACMA.

New £200,000 contemporary art prize is biggest in UK

The Serpentine Gallery in London has launched a new contemporary art prize in partnership with the Flag Art Foundation in New York. The Serpentine x Flag Art Foundation Prize will award £200,000 each to five artists over ten years, making it the largest contemporary art prize in the UK. The prize will be given every other year to an international artist who has been exhibiting professionally for less than ten years, with the first winner selected in 2026 and exhibitions at both venues in 2027 and 2028. The Flag Art Foundation was founded by collector Glenn Fuhrman, a trustee of the Museum of Modern Art in New York.

Frank Gehry remembered, Serpentine and FLAG Art Foundation prize, Joan Semmel—podcast

Ben Luke hosts an episode of The Art Newspaper's podcast 'The Week in Art' covering three major stories. First, architect Frank Gehry, known for the Guggenheim Bilbao and Fondation Louis Vuitton, died at age 96; Luke discusses his legacy with architecture critic and Gehry biographer Paul Goldberger. Second, London's Serpentine and New York's FLAG Art Foundation announced a new £1 million prize for artists, awarding £200,000 each to five recipients over ten years—the largest contemporary art prize in the UK for a single artist. Third, the episode features Joan Semmel's painting 'Sunlight' (1978), which is part of a new exhibition at the Jewish Museum in New York, with curator Rebecca Shaykin.

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Ludovic Nkoth is the latest artist featured in the FLAG Art Foundation’s “Spotlight” series, which showcases a single, previously unexhibited work paired with a commissioned text. The featured painting, "Stars under the border" (2026), depicts figures in a quiet, mundane moment of rest or labor, exploring the tension between aspiration and systemic limitation. Nkoth’s practice, rooted in his Cameroonian heritage and New York base, utilizes nuanced brushwork and color to investigate the psychological complexities of the Black diasporic experience.

Serpentine Galleries and FLAG Art Foundation launch U.K.’s biggest contemporary art prize.

Serpentine Galleries in London and the FLAG Art Foundation in New York have announced a new biennial artist prize that will award £200,000 ($264,700) to five artists, one selected every two years, making it the largest single-artist prize in the United Kingdom. The total payout over the next decade is £1 million ($1.32 million). Each winner will receive a solo exhibition at Serpentine, which will then travel to the FLAG Art Foundation in New York. The prize launches in 2026, with the first exhibition scheduled for fall 2027 in London and spring 2028 in New York. Eligible artists must be actively working, have a strong exhibition record, and no more than 10 years of professional show history. A jury of art historians, curators, and artists will select winners from nominations.

‘Free art, with strings attached’: Zero Art Fair’s first edition in New York City puts a new spin on the old fair format

Zero Art Fair held its first New York City edition at the Flag Art Foundation, offering artworks for free under a novel contract system. Instead of paying upfront, collectors took home 179 works valued at $537,500 by presenting a paper card, with artists retaining certain rights. The fair, co-founded by artists William Powhida and Jennifer Dalton, involved over 300 applicants and 90 participating artists, with costs underwritten by Flag Art Foundation and Gagosian.

Zero Art Fair Isn’t Selling Art—It’s Giving It Away, With Just a Few Caveats

Zero Art Fair, debuting its second edition at the FLAG Art Foundation in New York City from July 10 to 12, offers a radical alternative to traditional art fairs: attendees can take home selected artworks for free. The fair uses a "store-to-own" contract developed by artist William Powhida, NYU professor Amy Whitaker, and artist-attorney Alfred Steiner. Participants commit to a five-year vesting period before ownership transfers, during which artists retain rights to sell or borrow the work. After transfer, artists receive 50 percent of any sale price and a 10 percent royalty on subsequent resales. The fair was conceived by Powhida and artist Jennifer Dalton, rooted in their experiences with unsold work and structural gaps in the art market.

"Consequences of being" at The FLAG Art Foundation by Daniel Belasco

Deborah Roberts presents her newest body of work in the exhibition "Consequences of being" at The FLAG Art Foundation, featuring eight canvases and nine mixed-media works on paper that blend collage, painting, and drawing. The works explore the postcolonial landscape of Europe and Africa, using fragmented imagery of Black children against stark-white backgrounds to address themes of colonialism, commerce, and identity. Key pieces include "Have a seat, this may take a while" (2025), which incorporates miniature sailing ships and a collaged tiara from Queen Elizabeth II, and "Hands in the air," which critiques racist packaging from a German ice cream company. The exhibition also includes a series of eight collages titled "Many thousands gone" and a sculptural edition, "Zuri," a ceramic bust with metallic glaze.

Consequences of Being and the Process of Becoming.

Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.