At a Powerful Carnegie International, Solidarity Is a Means of Survival

The 2026 Carnegie International, titled “If the word we,” opened at the Carnegie Museum of Art in Pittsburgh, featuring 61 artists from around the world. Curated by Ryan Inouye, Liz Park, and Danielle A. Jackson, the exhibition emphasizes collective survival and interdependence, with works including Khalil Rabah’s video about Palestinian resilience, Shala Miller’s abstraction inspired by Toni Morrison, and a performance by Brooke O’Harra and collaborators celebrating teamwork through a historic basketball dunk by Julius Erving. The show extends to three other venues, including the Mattress Factory, where married artists Claudia Martinez Garay and Artur Kameya present a sprawling installation.

New York art world spared worst of logistics woes

New York's spring art fairs—including Frieze, Tefaf, Independent, and Nada—are proceeding largely on schedule despite ongoing disruptions from the war in Iran. Airspace closures, reduced flights, rising fuel costs, and the closure of the Strait of Hormuz have strained global art logistics, forcing rerouting, last-minute cancellations, and cost increases of up to 2,500%. Logistics firms like Hasenkamp and Gander & White report that while shipments are still arriving, the system has become fragile, with clients prioritizing safety and resilience over speed.

Exhibition | Kiki Smith, 'Flight' at Galerie Lelong, 13 Rue de Téhéran, Paris, France

Kiki Smith presents her tenth solo exhibition at Galerie Lelong in Paris, titled 'Flight'. The show features bronze sculptures, two large stained-glass windows, drawings, and an imposing print, all exploring themes of continuity and unity across humans, animals, and plants. Birds such as eagles, doves, and owls carry symbolic weight, reflecting the artist's fears, desires, and dreams.

Artist Henry Ossawa Tanner

This article profiles Henry Ossawa Tanner (1859–1937), the pioneering African American artist who achieved international fame in the 19th and early 20th centuries. Born in Pittsburgh to a bishop father and a mother who escaped slavery, Tanner studied under Thomas Eakins at the Pennsylvania Academy of Fine Arts before moving to Paris to escape racial discrimination. He studied at the Académie Julian, became a mentor to Black artists including Aaron Douglas and Hale Woodruff, and gained renown for his biblical paintings such as "Daniel in the Lions' Den" (1896). Tanner traveled widely—to Egypt, Morocco, and Palestine—and was named a chevalier of the French Legion of Honor in 1927. The article lists numerous works by Tanner held in major collections, including the first painting by an African American artist acquired for the White House Collection.

In Romagna, debate over the artistic legacy of the Fascist era

In Romagna c’è discussione attorno all’eredità artistica del Ventennio fascista

Recent developments in Romagna, Italy, have sparked debate over the artistic legacy of the Fascist era. The 102-meter-long Flight Mosaics at the former Aeronautical College in Forlì are now open to the public, and the Conad-Città di Forlì Auditorium, converted from a former GIL cinema, will inaugurate on May 13, 2026. Regional President De Pascale has announced initial funding to secure the Colonia Varese in Cervia, a Rationalist masterpiece, while long-awaited consolidation work has begun on the Casa del Fascio in Predappio, Benito Mussolini's birthplace. A 2010 plan to turn the Casa del Fascio into a cultural center documenting Fascism has stalled due to political changes and bureaucratic hurdles.

❤️ Atlanta, with love

This article from Rough Draft's Sketchbook newsletter highlights two Atlanta-focused art stories. Painter Carlos Solis, who left Venezuela for Kennesaw nearly two decades ago, curates "In the Beginning," a group exhibition opening May 9 at the Hudgens Center's Fowler Gallery in Duluth, featuring 15 artists from around the world who now call Georgia home. Separately, designer and illustrator George F. Baker III, originally from Nebraska and shaped by Detroit, was commissioned by the Mayor's Office of Cultural Affairs to create the key art for the 49th annual Atlanta Jazz Festival, and he discusses how the musical souls of both Detroit and Atlanta influenced his design.