Inside ‘Prince of Prints’ Jordan Schnitzer’s Sprawling Collection

Jordan Schnitzer, the Portland-based philanthropist often called the 'Prince of Prints,' recently provided a rare tour of his massive 50,000-square-foot art warehouse. The facility utilizes a sophisticated 'floating bin' logistics system, similar to those used by major retailers, to manage over 22,000 works, including extensive holdings by Andy Warhol, Joseph Beuys, and Richard Prince. Schnitzer’s foundation operates as a lending library, frequently shipping works to museums and hosting educational tours for students from districts where arts funding has been eliminated.

15th Shanghai Biennale Review: Code Switching

The 15th Shanghai Biennale, titled 'Code Switching,' has opened at the Power Station of Art (PSA). The exhibition, centered on the theme of what hears and what can be heard, features immersive installations like Allora & Calzadilla's floating yellow synthetic flowers in the atrium, which create a striking yet artificial environment that visitors eagerly photograph. The experience is framed by promotional gestures, such as free manuka honey samples, blurring lines between art, commerce, and audience participation.

Salvador Dalí’s Frustrating Vision of the Divine

A feature article examines Salvador Dalí's controversial religious painting "Christ of Saint John of the Cross" (1951), which was physically attacked by vandals on two separate occasions—once with a rock in 1961 and later with an air rifle. The painting, part of Dalí's "Nuclear Mysticism" phase, depicts a floating, unblemished Christ from an aerial perspective, based on a drawing by the mystic St. John of the Cross and modeled by a Hollywood stunt double.

Cameron Art Museum to launch immersive inflatable sculpture exhibition this summer

The Cameron Art Museum in Wilmington, North Carolina, has announced its upcoming summer exhibition, "Fresh Air: Inflatable Sculptures," opening June 19. The show features large-scale, interactive works including Nick Cave’s "Augment," a vibrant installation made from repurposed lawn ornaments, and Andy Warhol’s historic 1966 floating installation "Silver Clouds." Other participating contemporary artists include Claire Ashley, Nicole Banowetz, Nancy Davidson, Tamar Ettun, and Momoyo Torimitsu.

Meaningful projects

Detroit-based artist Elonte Davis and Hungarian curator Kriszti Sarusi are among several creatives reflecting on the personal and social impact of their recent projects. Davis highlighted his 2026 community-centered initiatives, including his solo exhibition 'Homeroom: Detroit Taught Me First' and workshops at the Detroit Institute of Arts, while Sarusi discussed 'Floating Reality,' an exhibition series designed to provide space for underrepresented artists through a collaborative collective.

A Parade of Floating Artworks Honors Hieronymus Bosch in the Netherlands

The 2026 Bosch Parade will return to the Dommel river in ’s-Hertogenbosch from June 18 to 21, featuring nineteen new floating artworks inspired by the theme "Powered by Defects." This biennial event pays tribute to the surrealist legacy of Hieronymus Bosch, the city's most famous son, by inviting international artists to create fantastical aquatic installations. The program includes the "Garden of Earthly Delights," an open-air studio at the Citadel where visitors can interact with artists as they develop their contemporary interpretations of Bosch’s fascination with human imperfection and the absurd.

Kyoto Art Center Exhibition Series 'FOCUS' Vol. 6: Hana Sawada Solo Exhibition 'Attentive Sideways Glances' @ Kyoto Art Center

京都芸術センター展覧会シリーズ「FOCUS」第6回 澤田華個展「まめによそ見する足」@ 京都芸術センター

The Kyoto Art Center has announced the sixth installment of its "FOCUS" exhibition series, featuring a solo exhibition by Kyoto-based artist Hana Sawada titled "Attentive Sideways Glances." Running from April to May 2026, the show highlights Sawada’s practice of deconstructing everyday actions through photography, video, and installation. Key works include a new entry in her "Floating Video" series, where she filmed the center’s grounds using only the light of a projector playing a zombie movie, and a new installation that translates visual observations into linguistic records.