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Machteld Rullens, a Dutch artist based in The Hague, is presenting her second solo exhibition with Page (NYC) titled “Beacon Road,” jointly staged at Andrew Kreps Gallery in New York. The show features works created during a residency at the Josef and Anni Albers Foundation in Connecticut, using discarded cardboard boxes that Rullens collects from recycling bins and other sources. Her sculptures, which initially appear ceramic or metallic, are actually intricate assemblages of cardboard, exploring form, commodity, and waste. The exhibition marks a departure from her earlier work, with crushed and folded forms and exposed bolts conveying a sense of restrained energy.

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Kim Gordon, the co-founder of Sonic Youth, is currently the subject of two major exhibitions at Amant in Brooklyn. The first, a solo survey titled "Count Your Chickens," showcases two decades of her multidisciplinary practice including painting, ceramics, and film, while the second, "Folded Group," is a group show she co-curated with Bill Nace featuring artists who bridge the gap between music and visual art.

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Painter Amy Sherald has publicly explained her decision to withdraw from a solo exhibition at the Smithsonian’s National Portrait Gallery, citing censorship concerns. In an interview with Anderson Cooper on CBS’s “60 Minutes,” Sherald revealed that the museum considered removing her painting *Trans Forming Liberty*, which depicts a Black transgender Statue of Liberty, from the show “American Sublime.” Smithsonian secretary Lonnie G. Bunch III proposed replacing the painting with a video contextualizing trans issues, which Sherald feared would include anti-trans views. She stated that any such contextualization would deviate from her original artistic vision, leaving her “only choice” to cancel the show. The controversy unfolded amid reports that the White House had ordered a review of Smithsonian exhibitions for alleged “anti-American ideology.”

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A new exhibition titled “Drop, Cloth,” co-curated by Glenn Adamson and Severin Delfs, explores how contemporary artists have reimagined drapery over the past 50 years. The show features 30 works by 25 artists, spanning two Chelsea galleries—Hollis Taggart (through January 10, 2026) and Susan Inglett Gallery (through January 30, 2026). Works range from Sam Gilliam’s seminal *Little Dude* (circa 1972) to recent pieces by Kennedy Yanko, Jenny Morgan, and Chellis Baird, alongside historical pieces by Nina Yankowitz, Lynda Benglis, and Rosemary Mayer. The exhibition traces a lineage of drapery as both subject and material, including shaped canvas, paint skin, ceramic, metal, embroidery, and weaving.

Director of Contemporary Istanbul urges Turkish art to remain ‘radical and clever’ in face of political tension

Contemporary Istanbul (CI) opened its 20th anniversary edition at the Tersane Istanbul complex, a restored Ottoman shipyard, bringing together 51 galleries from 16 countries. The fair coincided with the Istanbul Biennial, drawing a larger crowd of collectors and museum groups than the previous year. Works by leading Turkish artists such as Nil Yalter, Güneş Terkol, and Azade Köker were on view, with prices ranging from €1,000 for emerging artists to over €2m for a James Rosenquist painting. Despite high spirits, the event unfolded against a backdrop of political tension following the arrest of Istanbul mayor Ekrem İmamoğlu and ongoing protests.

Director of Contemporary Istanbul urges Turkish art to remain ‘radical and clever’ in face of political tension

Contemporary Istanbul (CI) opened its 20th anniversary edition at the Tersane Istanbul complex, a restored Ottoman shipyard, bringing together 51 galleries from 16 countries. The fair coincided with the Istanbul Biennial, drawing a larger crowd of collectors and museum groups than the previous year. Works by leading Turkish artists such as Nil Yalter, Güneş Terkol, and Azade Köker were on view, with prices ranging from €1,000 for emerging artists to over €2m for a James Rosenquist painting. Despite high spirits, the fair unfolded against a backdrop of political tension following the arrest of Istanbul mayor Ekrem İmamoğlu, ongoing protests, and increasing censorship. Galleries displayed politically and socially engaged works, including Rasim Aksan's homoerotic triptych and Fatoş İrwen's prison-made fabric piece, while collectors sought discounts amid Turkey's high inflation and economic volatility.

Angela de la Cruz review – wonky chairs and busted pianos are monuments to resilience

Angela de la Cruz's solo exhibition "Upright" at Birmingham's Ikon gallery presents a collection of broken and mended artworks. Her canvases are crumpled, folded, and snapped, while sculptures are assembled from precarious junk like a three-legged chair on a stool and a piano stacked atop another. The works, though appearing on the verge of collapse, are all repaired and propped back up, reflecting a state of post-collapse resilience.

On the ground at Art Week Tokyo: amid shifting national politics, Japan’s ‘sleeping beauty’ art scene is waking up

The fifth edition of Art Week Tokyo (AWT) took place from November 5-9, bringing together over 50 commercial galleries and museums across the city in a hybrid "post-art fair" model. The event unfolded against the backdrop of Sanae Takaichi becoming Japan's first female prime minister, a political shift that has sparked mixed reactions in the Japanese art world, with calls for improved tax incentives, international promotion, and stronger public collections. AWT, directed by Atsuko Ninagawa and organized in collaboration with Art Basel, featured museum shows including "What is Real?" at the Okura Museum of Art, curated by Adam Szymczyk, and "Prism of the Real: Making Art in Japan 1989-2010" at the National Art Center, Tokyo.

Gustav Klimt portrait sells for about R4 billion, breaking modern-art auction records

Gustav Klimt's portrait "Portrait of Elisabeth Lederer" (1914–1916) sold for $236.4 million (about R4 billion) at a Sotheby's auction in New York, becoming the most expensive modern artwork ever sold at auction and the second most expensive painting in history, behind only Leonardo da Vinci's "Salvator Mundi." The sale, which featured works from the estate of billionaire collector Leonard Lauder, unfolded in a tense 20-minute bidding war among six collectors. The painting had been hidden from public view since the 1980s. The same auction also saw Maurizio Cattelan's 18-karat gold toilet "America" sell for over $12 million.

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A wave of significant art world events has unfolded globally, led by a high-profile heist at Italy’s Magnani Rocca Foundation where thieves stole masterpieces by Renoir, Matisse, and Cézanne. Simultaneously, the international community is monitoring the secret trial of artist Gao Zhen in China, who faces imprisonment for sculptures created over 15 years ago that allegedly mock Mao Zedong. Other notable developments include the early closure of Amir Fattal’s exhibition in Mexico City due to antisemitic vandalism and the opening of a landmark LGBTQ-themed exhibition at the Art Sonje Centre in Seoul.

Peter Blake’s studio brought to life at Pitzhanger Manor & Gallery

Pitzhanger Manor & Gallery in West London has announced a major retrospective of Sir Peter Blake, scheduled to open in November 2026. The exhibition, titled 'Peter Blake: In the Studio,' features a full-scale reconstruction of the artist's Hammersmith workspace, providing an immersive look at the environment where his seven-decade career unfolded. The show will display a wide range of media, including his iconic Pop Art paintings, sculptures, and recent collages that respond to the works of William Hogarth.

Through Reverie: Love and Memory | A Duo-solo Exhibition by Clasutta and C.K.Koh

Whitestone Gallery Singapore will present a duo-solo exhibition titled "Through Reverie: Love and Memory" opening on 9 May 2026. The show features Indonesian artist Clasutta and Malaysian artist C.K. Koh, each presenting a solo component: Clasutta's "Roommates?" explores the emotional stages of a relationship through fragmented, intimate gestures, while Koh's "Folded Glimpses" draws from his personal photographic archive to evoke memory as impression rather than documentary record.

Cyanotypes of Folded Paper Tessellations Unveil Crystal Patterns With Sunlight

Artist Fritz Horstman has opened a solo exhibition titled 'Folded Worlds,' featuring his Folded Cyanotypes and a new series of Folded Palladiums. These camera-less photographic works are created by exposing folded, chemically coated paper to sunlight or UV light, resulting in abstract images that suggest crystalline landscapes and architectural forms.

Tonika Lewis Johnson: Segregation and How to Disrupt It

Hyperallergic is hosting an online member event on April 15 featuring a conversation with social justice artist and 2025 MacArthur Fellow Tonika Lewis Johnson. The event will focus on her community-driven projects, including the "Folded Map Project," and will include readings from her 2024 book, *Don’t Go: Stories of Segregation and How to Disrupt It*.

Elevating High Fashion. Issey Miyake and Ensamble Studio Together at Fuorisalone 2026

Valorizzare l’alta sartoria. Issey Miyake e Ensamble Studio insieme al Fuorisalone 2026

Satoshi Kondo, a director at the Miyake Design Studio, has partnered with the Madrid-based architecture firm Ensamble Studio to explore the creative potential of the Paper Log, a byproduct of Issey Miyake's signature pleating process. The collaboration will culminate in an exhibition titled 'The Paper Log: Shell and Core' during the 2026 Fuorisalone in Milan, featuring prototype furniture and sculptural forms made from the compressed paper rolls and unfolded pleated paper.

DON NADIE: The Latin American Project at Milano Design Art Week

DON NADIE THE LATIN AMERICAN PROJECT AT MILANO DESIGN ART WEEK

The design and art collective DON NADIE, founded by Ecuadorian industrial designers Lisandro Carrasco and Mono Alvarado, is presenting its project '1 m² / 1 second' at Milano Design Week. The work, part of the IN BETWEEN collective exhibition within the Fuorisalone circuit, consists of sixteen folded-paper pieces within a cubic meter, each referencing native plant morphology. The project translates the rate of deforestation into a tangible measure of time, with each second representing one square meter of lost forest.

NOBODY: The Latin American Project at Milano Design Art Week

DON NADIE THE LATIN AMERICAN PROJECT AT MILANO DESIGN ART WEEK

The design collective DON NADIE, founded by Ecuadorian industrial designers Lisandro Carrasco and Mono Alvarado, is presenting its project "1 m² / 1 second" at Milano Design Week. The installation, part of the IN BETWEEN collective at the Fuorisalone circuit, consists of sixteen folded-paper pieces within a cubic meter, each referencing native plant morphology. It translates the rate of deforestation into a tangible measure of time, representing one square meter of forest lost every second.

Seoul Museum of Craft Art opens two exhibitions centered on brief but ambitious Korean Empire

The Seoul Museum of Craft Art opens two special exhibitions on Tuesday, both centered on the Korean Empire (1897-1910), a brief period when Korea sought to modernize through craft and industrial innovation. The larger exhibition, “The Hybrid,” marks 140 years of diplomatic relations between Korea and France, gathering 24 objects from European collections—23 from France and one from Germany—some not displayed in Korea in over 120 years. The second, “Folded Time, Unfolded Memory: Andong Palace,” focuses on the royal women who lived on the museum’s grounds, particularly Empress Sunjeonghyo and Princess Kim Deok-su. Museum director Kim Soo-jung described the two shows as “almost like an omnibus,” connected through the Korean Empire period.

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Amy Sherald's exhibition "American Sublime" will now open at the Baltimore Museum of Art (BMA) in November, after the artist canceled its planned iteration at the Smithsonian's National Portrait Gallery in July over censorship concerns. The show, which features some 50 works and is one of the largest presentations of Sherald's work, was originally organized by the San Francisco Museum of Modern Art and is currently on view at the Whitney Museum through August 10. Sherald, who attended the Maryland Institute College of Art and previously served on the BMA's board, called the BMA presentation a homecoming.