Backflips, boulders and dancing dogs: the images that shaped art photography – in pictures

A new exhibition at the Princeton University Art Museum, titled "Photography as a Way of Life," celebrates the photographers who helped establish art photography as a serious movement from the 1940s to the 1970s. The show features works by Minor White, Aaron Siskind, Harry Callahan, and others, including images by Ming Smith, Donna-Lee Phillips, and Walter Chappell. The exhibition runs until September 7 and highlights how these educators and artists transformed photography's role in both the art world and higher education.

Taiwan Presents “Screen Melancholy: Li Yi-Fan” at the Venice Biennale

The Taipei Fine Arts Museum (TFAM) presents the collateral event "Screen Melancholy: Li Yi-Fan" at the 61st Venice Biennale, held at the Palazzo delle Prigioni from May 9 to November 22, 2026. The exhibition features a new video installation and mixed-media work by Taiwanese artist Li Yi-Fan, curated by Raphael Fonseca, curator of visual arts at Culturgest in Lisbon and Porto. The installation integrates large-scale sculptural fragments with video and sound, exploring how screens mediate perception and emotional experience, in dialogue with the Biennale's theme "In Minor Keys."

The Clark presents exhibition of Giorgio Griffa

The Clark Art Institute in Williamstown, Massachusetts, presents "Giorgio Griffa: Paths in the Forest," the first solo museum exhibition in the United States dedicated to the Italian artist Giorgio Griffa (born 1936). On view from June 13 to October 12 at the Lunder Center at Stone Hill, the exhibition features works spanning nearly six decades, including highlights such as "Sessanta frammenti" (1980), "Rosa" (1968), and "Narciso" (1986). Griffa is known for his use of diluted acrylics on unstretched, unprimed canvases, and his practice emphasizes the intelligence of materials and an ecological ethic. The exhibition is curated by Robert Wiesenberger, John and Barbara Vogelstein Senior Curator of Contemporary Art at the Brooklyn Museum and former curator of contemporary projects at the Clark.

UAE unveils ‘Washwasha’ at Venice Biennale

The article reports on the UAE Pavilion's presentation at the Biennale Arte 2026 in Venice, titled 'Washwasha'. It also covers several art exhibitions in Dubai, including 'In Abstracto, In Concreto' at Efie Gallery featuring artists like Tunji Adeniyi-Jones and Ludovic Nkoth, the 'White' faculty exhibition at XVA Gallery, and the inaugural exhibition at Tatintisian Gallery's new Dubai space with works by Ron Arad, Peter Saul, and Tony Matelli. Additionally, it mentions a book of the week and a photo of the UAE Pavilion.

Art Gallery of Burlington to host inaugural exhibition for emerging artists

The Art Gallery of Burlington (AGB) will host the inaugural Henry Goodman Exhibition for Emerging Artists starting May 21, presented by the arts charity FUSION. The traveling show features over 25 emerging artists working in ceramic and glass under the theme 'gathering,' curated by 2025 Sobey Award finalist Chukwudubem Ukaigwe. Artists include Laura Wagner, Thomas Paik, Deborah Hatanaka, and Ryan Nesbitt. The exhibition will later travel to Rails End Gallery in Haliburton and Neilson Park Creative Arts Centre in Mississauga.

Il Padiglione Italia alla Biennale è il più internazionale di sempre

Chiara Camoni presents the Italian Pavilion at the 2026 Venice Biennale with her exhibition "Con Te Con Tutto" in the Arsenale. The show is divided into two sections: the first features monumental yet intimate sculptures, including her signature "sister" figures made from necklaces and terracotta fragments, while the second section continues the installation with a focus on circular production and zero waste. Camoni emphasizes a return to front-facing statuary, avoiding the gigantism of past editions, and works with sustainable, handmade processes.

Coastal Bodies: Camille Guichard's exhibition at the Rachel Hardouin Gallery

Camille Guichard presents 'Corps littoral' (Coastal Bodies), her first solo exhibition in Paris, at the Rachel Hardouin Gallery from May 21 to June 21, 2026. The show blends contemporary photography, poetic texts, and the artist's own nude body against coastal landscapes, exploring themes of vulnerability, erosion, and the relationship between the body and the living world. Guichard, who also works as a filmmaker and writer, includes series such as 'Ces rivages perdus' documenting the Aquitaine coast and 'Pulsions, corps et figures' focusing on bodily fragments.

The Fabric Workshop and Museum presents Jesse Krimes: Elegy Quilts by Bucks County artist

The Fabric Workshop and Museum (FWM) in Philadelphia, in partnership with Mural Arts Philadelphia, presents "Jesse Krimes: Elegy Quilts," an exhibition featuring works from the artist's ongoing Elegy Quilt series (2020-present). The show debuts a newly commissioned quilt, "Riverside" (2026), created from used clothing collected from incarcerated people. Krimes, a Bucks County-based multidisciplinary artist who experienced incarceration himself, gathers donated clothing and textile fragments from currently and formerly incarcerated individuals and reconstitutes them into patterned quilts that meditate on memory, loss, and resilience. The exhibition also includes collages made during workshops with graduates of Mural Arts' Restorative Justice reentry program, which informed both the quilt and a forthcoming public mural in Philadelphia's Spring Arts District, to be unveiled June 3.

At the 2026 Venice Biennale, Spain transforms its Pavilion into a museum of accumulation with artist Oriol Vilanova

Alla Biennale Arte 2026 la Spagna trasforma il suo Padiglione in museo dell’accumulo con l’artista Oriol Vilanova

Spain has announced its participation in the 61st Venice Biennale Arte 2026, selecting Catalan artist Oriol Vilanova to represent the country in its newly renovated national pavilion. The project, titled "Los restos," transforms the pavilion into a pseudo-museum of accumulation, featuring Vilanova's vast personal archive of postcards collected over twenty years from flea markets and secondhand circuits. The installation presents these ephemeral fragments as an infinite, non-narrative mural, exploring themes of accumulation and loss. Curated by Carles Guerra, the project also includes a performative intervention titled "Il fantasma della libertà" (2026), which will unfold across the Giardini and Arsenale during the Biennale.

Les États-Unis restituent près de 300 biens culturels à l’Italie

Italy presented 337 cultural artifacts repatriated from the United States at the Caserma "La Marmora" in Rome, following operations between December 2025 and April 2026. The objects span from the 5th century BCE to the 3rd century CE, including Roman sculptures, bronze works, pottery, jewelry, coins, and architectural fragments. Among the notable pieces is a marble head attributed to Alexander the Great, stolen from a Roman museum in 1960, and a bronze sculpture looted from Herculaneum. The recovery involved the Manhattan District Attorney's office, the FBI, Homeland Security Investigations, and Christie's New York, with 221 items seized through the DA's collaboration and 116 returned in April.

Al Museo Egizio di Torino ora c’è un centro di ricerca per studiare la scrittura dell’Antico Egitto attraverso tremila anni di storia

The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.

Forest Tales: Lélia Demoisy's exhibition at Domaine de Chamarande

Lélia Demoisy presents 'Forest Stories' (Récits de forêts), a solo contemporary art exhibition at the Domaine départemental de Chamarande in Essonne, France, from May 10 to August 30, 2026. The exhibition features sculptures and installations across the orangery, park, and domain spaces, using materials such as wood, fibers, organic fragments, hides, charcoal, and animal tracks to explore the forest as a living network of relations, traces, and transformations. Key works include 'Laissés sur la rive', 'Le Foyer', 'Les chairs froides', 'Cedrus deodara – Forêts futures', and 'Créature'.

MARGARET WHYTE TURNS FRAGILITY INTO LANGUAGE AT THE 2026 VENICE BIENNALE

The Uruguay Pavilion at the 2026 Venice Biennale presents "ANTIFRAGIL," a new installation by artist Margaret Whyte, curated by Patricia Bentancur. The work combines textiles with obsolete technological objects such as old machines, motorcycle helmets, and waste fragments, embodying the concept of antifragility developed by Nassim Taleb—systems that grow stronger through disorder and instability. Whyte's practice transforms fragility and vulnerability into poetic resistance, challenging traditional hierarchies between craft and contemporary art.