The IFPDA Print Fair is returning to the Park Avenue Armory from April 9–12, featuring 80 international exhibitors presenting 500 years of prints and drawings. The fair highlights the historical and conceptual relationship between the two mediums, with notable works including an Edward Hopper charcoal study and unique or hybrid pieces by artists like Françoise Gilot and Edgar Degas.
A new book titled *Hidden Portraits: The Untold Stories of Six Women Who Loved Picasso* by Sue Roe (published by Faber and W.W. Norton) examines the lives of Picasso's six most significant partners: Fernande Olivier, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, and Jacqueline Roque. The book challenges the narrative that these women were passive muses, instead revealing their personal ambitions and reasons for entering relationships with the artist, drawing on journals and historical context to present their perspectives.
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Spanish pop star Rosalía issued a public apology on TikTok after facing backlash for comments regarding Pablo Picasso. During a podcast interview with writer Mariana Enriquez, the singer initially stated she did not care to differentiate Picasso’s art from his personal life; however, she later retracted those statements, admitting she was unaware of the artist's well-documented history of physical and emotional abuse toward women.
The National Gallery of Ireland is opening an exhibition titled "Picasso: From the Studio" that shifts focus from the artist's famous subjects—such as weeping women and bullfighting—to the physical spaces where he created his work. Curated by Janet McLean and Joanne Snrech, the show draws heavily from the Musée Picasso in Paris and includes over 100 works, ranging from early pieces made from scraps to late paintings like *Musician* (1972). The exhibition recreates the atmosphere of key studios through paintings, film, and photographs, including iconic images by Dora Maar of Picasso painting *Guernica* (1937). The gallery owns only one Picasso painting, *Still Life with a Mandolin* (1924), which is included.
Quinze œuvres offertes au Musée des Beaux-Arts d'Orléans
The Musée des Beaux-Arts in Orléans has received a donation of fifteen artworks from art historian Françoise Heilbrun. The gift includes two drawings by Eugène Delacroix, which are immediate donations, and additional drawings, paintings, and a sculpture by artists like Louis Boulanger, which are given with a usufruct clause.
A survey exhibition titled "Françoise Sullivan: Le temps du geste" is on view at Galerie Simon Blais in Montreal, showcasing the multidisciplinary career of French Canadian artist Françoise Sullivan. The show spans works from the 1940s to the present, including painting, sculpture, photography, and choreography, and highlights dialogues between different phases of her practice. Sullivan, who signed the Refus Global manifesto in 1948, is the only active member of that group, and the exhibition features pieces such as the watercolor "Sans titre – Turquie, Ruines de Commagène à Nemrut Dağ" (1996) and the geometric abstraction "Les damiers no. 4" (2018). The exhibition runs through June 14, 2025.
Dans l’ombre des génies
A podcast episode from France Culture's "Affinités Culturelles" series, titled "Ces femmes d'artistes à l'ombre de l'histoire de l'art," examines the lives and artistic contributions of women who were partners to 20th-century masters Edward Hopper and Pablo Picasso. It focuses on figures like Joséphine Hopper, Françoise Gilot, and Dora Maar, exploring how they were often relegated to the roles of muses and models, with some sacrificing their own creative careers for their relationships.
Théâtre à Paris : le Studio Hébertot fait revivre les compagnes de Pablo Picasso, de Fernande Olivier à Françoise Gilot
A theatrical production titled 'Les Amours de Pablo' is being staged at the Studio Hébertot in Paris until the end of May 2026. The play, created by the Compagnie Bille en Tête, focuses on the intimate and tumultuous relationships of Pablo Picasso, but primarily aims to give voice and substance to seven of his romantic partners, portraying them as complex individuals and artists in their own right.
The group exhibition 'To Paint Is To Love Again' at Crèvecoeur gallery in Paris explores the theme of artistic freedom, play, and a childlike approach to creation. The article examines this through the lens of Henry Miller's writings on painting, the influence of Jean Dubuffet's Art Brut, and the practices of contemporary artists Whitney Clafin, Sadie Benning, and Françoise Lapeyre, who incorporate found objects, toys, and a 'Sunday painter' ethos into their work.
Tracing Time, a London drawing fair organized by Trois Crayons, returns for its second edition from 26 June to 5 July at No. 9 Cork Street. The selling exhibition features drawings spanning 500 years, with 35 participating galleries—double the number from its debut—including works by Giovanni Domenico Tiepolo, Gustav Klimt, and Françoise Gilot. Unlike traditional fairs, it operates without stands: dealers pay a flat fee for logistics, retain 100% of sales, and the space functions as a social hub without booths or dealers present.
Un portrait de Gauguin pour Budapest
The Szépművészeti Múzeum (Museum of Fine Arts) in Budapest has acquired a portrait by Paul Gauguin. The painting was part of the collection of André and Françoise Kostolany, which was recently dispersed at auction by De Baecque & Associés in Versailles. The sale saw strong results, particularly for Hungarian paintings from the late 19th and early 20th centuries, with works by József Rippl-Rónai fetching high prices.
Angélique Delorme prend du galon au Quai Branly
Angélique Delorme has been appointed as the new Deputy Director General of the Musée du Quai Branly in Paris. She succeeds Jérôme Bastianelli and will be responsible for defining and implementing the museum's strategy, particularly in the lead-up to its 20th anniversary celebrations in June.