filter_list Showing 7 results for "Frankenthaler" close Clear
dashboard All 7 museum exhibitions 4trending_up market 2rate_review review 1
date_range Range Today This Week This Month All

Paying tribute to storied printmaker Kenneth Tyler at the IFPDA Print Fair

The International Fine Prints and Drawings Association (IFPDA) Print Fair at the Park Avenue Armory is honoring the legacy of master printer Kenneth E. Tyler. A central highlight of the event is the presentation by the National Gallery of Australia (NGA) of a new three-volume catalogue raisonné documenting Tyler Graphics from 1986 to 2001. The 94-year-old Tyler, a foundational figure in American printmaking, collaborated with titans of Modern art including Robert Rauschenberg, Helen Frankenthaler, and Roy Lichtenstein across his storied career at Gemini GEL and Tyler Graphics.

Paying tribute to storied printmaker Kenneth Tyler at the IFPDA Print Fair

The International Fine Prints and Drawings Association (IFPDA) Print Fair at the Park Avenue Armory is honoring the legacy of master printer Kenneth E. Tyler. A central highlight of the event is the presentation by the National Gallery of Australia (NGA) of a new three-volume catalogue raisonné documenting Tyler Graphics from 1986 to 2001. The 94-year-old Tyler, a foundational figure in American printmaking, is being celebrated for his technical innovations and his historic collaborations with titans of Modern art.

Art Card: Helen Frankenthaler at the Milwaukee Art Museum (Hand Signed by Helen Frankenthaler) , 1985

A rare, hand-signed offset lithograph invitation card from a 1985 Helen Frankenthaler exhibition at the Milwaukee Art Museum has surfaced on the market. The two-sided card, which served as an invitation for the show "Frankenthaler, Works on Paper, 1949-1984," was signed by the artist in ink during her talk at the opening reception on October 3, 1985. It is currently presented in a double-sided frame to preserve the integrity of the signature and the exhibition text.

Irene Monat Stern | Untitled (circa 1970s) | Available for Sale

The estate of Irene Monat Stern has made the painting 'Untitled' (circa 1970s) available for sale, highlighting the artist’s unique contribution to the Color Field movement. A Holocaust survivor who settled in Southern California, Stern developed a signature technique of staining unprimed canvas with acrylics to create organic, blossom-like forms. Her work is characterized by a sense of weightlessness and spatial depth that distinguishes her from contemporaries like Morris Louis and Helen Frankenthaler.

In “Discipline,” Larissa Pham Explores Predatory Art-World Mentorship

Larissa Pham’s debut novel, Discipline, follows Christina, a young writer and former painter grappling with the psychological aftermath of a formative affair with her art professor, Richard. Set against the backdrop of a book tour for her own autofictional novel, the narrative uses Christina’s observations of art—ranging from Helen Frankenthaler to Edward Hopper—to slowly peel back the layers of a relationship defined by power imbalances and predatory mentorship.

Artist relationship between Helen Frankenthaler and Anthony Caro examined

Yares Art in New York is hosting "SIMILITUDES: Color, Form, Friendship," a landmark exhibition exploring the creative dialogue between American painter Helen Frankenthaler and British sculptor Anthony Caro. Spanning nearly five decades of friendship that began in 1959, the show juxtaposes Frankenthaler’s soak-stained canvases with Caro’s steel armatures. The presentation includes archival letters and photographs that highlight their mutual influence, including a 1972 proposal from Frankenthaler to collaborate on a sculpture.

Spring/summer 2026 program

The Henry Art Gallery at the University of Washington has unveiled its spring/summer 2026 exhibition schedule, featuring a diverse lineup of solo and group presentations. Highlights include a major exhibition by Diné artist Eric-Paul Riege exploring Indigenous cosmology and institutional knowledge, a showcase of Helen Frankenthaler’s experimental printmaking alongside works by Analia Saban, and the annual University of Washington MFA and MDes thesis exhibition. The season also features "Day-to-Day: Rhythm, Routine, Resistance," a collection-based show examining the intersection of personal life and structural social forces.