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‘Money! Glamour! Yachts! But not for me!’ Adrian Searle relives 30 glorious years as our chief art critic

Adrian Searle, the outgoing chief art critic for The Guardian, reflects on his 30-year career by recounting a vivid, personal montage of the art he has witnessed. He describes unforgettable encounters with works ranging from Vermeer's intimate paintings to Fiona Banner's suspended jet fighter, Roger Hiorns's crystal-filled flat, and Emily Jacir's poignant project on Palestinian displacement, highlighting how these experiences blend memory, story, and direct observation into a critic's life.

How Lillian Bassman Pushed Fashion Photography to the Edge of Abstraction

A new exhibition at the Metropolitan Museum of Art, "Lillian Bassman: Harper's Bazaar and Beyond," highlights the pioneering work of fashion photographer Lillian Bassman. The show reveals how Bassman, through darkroom experimentation like selective exposure and blowing cigarette smoke under the enlarger, created moody, abstract images that often reduced clothing to mere suggestion, pushing the boundaries of commercial fashion photography in the 1940s and 1950s.

See Inside the Long-Lost Lee Miller and Cecil Beaton Album Full of WW2-Era Photographs

The Bodleian Libraries at the University of Oxford has acquired a rare photographic "daybook" compiled by Roland Haupt, a former darkroom assistant at British Vogue. Created between 1943 and 1949, the annotated scrapbook contains hundreds of original photographs and clippings by legendary photographers Lee Miller and Cecil Beaton. The acquisition, brokered by dealer Michael Hoppen, ensures that the album—which includes iconic images of Miller in Hitler’s bathtub and portraits of Picasso—remains intact as a singular historical record rather than being sold piecemeal at auction.

Daniel Sackheim Traverses Los Angeles’ Noir Side in ‘The City Unseen’

Emmy Award-winning director and photographer Daniel Sackheim is set to release a new photography book titled 'The City Unseen,' which explores the noir aesthetic of Los Angeles. Moving away from the city's sunny stereotypes, Sackheim utilizes high-contrast black-and-white photography to capture a gritty, cinematic underbelly inspired by hardboiled detective novels and historic urban architecture. The project features dramatic silhouettes and deep shadows that create a sense of timeless mystery across iconic L.A. locales.

Beneath the Great Wave: Hokusai and Hiroshige review – how two Japanese masters reinvented art

The Whitworth gallery in Manchester is presenting a major exhibition comparing the works of Japanese masters Katsushika Hokusai and Utagawa Hiroshige. The show traces the evolution of ukiyo-e prints from their origins as mass-produced, voyeuristic snapshots of Tokyo's pleasure districts to the profound, psychologically complex landscapes that would later revolutionize Western art.

art world los angeles report 2749426

Frieze Los Angeles 2026 opened amid concerns over the city's cooling art market, following a wave of gallery closures and a shift toward nomadic dealer models. Despite the economic downturn and the lingering shadow of previous regional fires, the fair week saw a resurgence of energy with 32,000 attendees and significant blue-chip sales, including a $3.75 million Ed Ruscha at Gagosian and a $2.8 million Njideka Akunyili Crosby at David Zwirner. The week was characterized by a mix of high-end commerce at the Santa Monica Airport and grassroots vitality at satellite events like Felix and the newly launched Post-Fair.