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How taboo-breaker Robert Crumb’s surreal cartoons mock an absurd world—and himself

A new biography, *Crumb: A Cartoonist's Life* by Dan Nadel, examines the life and work of Robert Crumb, the taboo-breaking underground cartoonist who rose to fame in the 1960s with surreal, satirical comics like *Head Comix*. The book details Crumb's troubled family history, his early career at American Greetings, and his creation of iconic characters such as Fritz the Cat and the Keep On Truckin' images, while also addressing persistent criticisms of sexism and racism in his work.

Inside the Brighton studio of painter David Shrigley, as an exhibition of his work opens in London

The article offers a behind-the-scenes look at British artist David Shrigley’s Brighton studio, where he prepares for a London exhibition titled 'Exhibition of Old Rope' at Stephen Friedman Gallery. Shrigley, known for his humorous, naive-style paintings and conceptual approach, describes his process of working from word lists generated by assistants, producing up to 12 paintings a day, and embracing absurdity and chance. The studio, a former office building he bought two years ago, is filled with recent large-scale works, a guitar collection, and studio paraphernalia, reflecting his playful yet disciplined practice.

Beijing exhibition exploring Xinjiang heritage accused of ‘slipping into cultural appropriation and misrepresentation’

A group of artists, curators, and gallerists from Xinjiang, operating anonymously as the collective Yixak, has publicly criticized the Beijing exhibition "Greetings" by artist Dan Er, held at the Maca Art Center from March to June 2025. The exhibition focused on Dan's travels through Xinjiang and its heritage arts, but Yixak accuses it of cultural appropriation, misrepresentation, and reinforcing ethnic stereotypes, including conflating distinct ethnic cultures, stripping traditional Adras textile patterns of context, and mislabeling Xinjiang traditions. The collective also claims the show failed to credit local collaborators and excluded Xinjiang communities. Both Dan Er and Maca declined to comment, citing "irresistible factors."

Beijing exhibition exploring Xinjiang heritage accused of ‘slipping into cultural appropriation and misrepresentation’

A group of artists, curators, and gallerists from Xinjiang, operating anonymously as the collective Yixak, have publicly criticized the Beijing exhibition "Greetings" held at the Maca Art Center from March to June 2025. The show, featuring works by Han Chinese artist Dan Er, focused on her travels through Xinjiang and its heritage arts. Yixak accuses the exhibition of cultural appropriation, misrepresentation, and reinforcing ethnic stereotypes, including conflating distinct ethnic cultures, stripping traditional Adras textile patterns of context, and mislabeling Xinjiang traditions. The collective also claims the show failed to credit local collaborators and excluded Xinjiang communities. Both Dan Er and Maca declined to comment, citing "irresistible factors."

banksy loan dispute brandler metamorfosi 1234753077

John Brandler, a British street art specialist, loaned three Banksy works to Metamorfosi, a Rome-based touring exhibition company, for shows in Italy and Switzerland. After a two-year contract expired and was extended with a monthly fee, Brandler claims Metamorfosi has fallen behind on payments and has not returned the artworks, including the mural "Season's Greetings" (2018), "Heart Boy," and "Computer Robot." Another Banksy dealer, Acoris Andipa, says he is owed £45,000 for curatorial services. Metamorfosi disputes the claims, stating it has paid monthly installments and attempted to return the works, blaming storage issues for the delay.

NMSU Art Museum to introduce three exhibitions September 19

New Mexico State University's Art Museum (UAM) will open three exhibitions on September 19, 2025: “Necessary Futures,” featuring New Mexico-based artists sheri crider, Haley Greenfeather English, and Szu-Han Ho; “Greetings from Tijuana,” a solo show by Mexican artist Georgina Treviño; and “Jennifer Ling Datchuk: RIPENING,” which examines women's labor and Asian American histories. A free public reception will be held from 5:30 to 7:30 p.m. on opening night, and all exhibitions run through March 7, 2026.