The Venice Biennale has announced the five-member jury for its 2026 edition, which will award the prestigious Golden Lion prizes. The jury president is Solange Oliveira Farkas, founder of the Videobrasil Biennial, and she will be joined by curators and academics Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi.
MoMA PS1 has opened its major quinquennial exhibition "Greater New York," a sprawling survey featuring early-career artists based in the city. The show, which fills three floors of the former public school, is noted for its gritty, immersive portrayal of contemporary New York life, capturing everyday textures from delivery drivers to urban wildlife.
Andrew Durbin's new book, 'The Wonderful World that Almost Was,' is a double biography of painter and sculptor Paul Thek and photographer Peter Hujar. It chronicles their artistic maturation, their open and unapologetic gay relationship, and their central role in defining the 'cool' of the New York creative scene from the 1950s to the mid-1970s, before their deaths from AIDS.
An article by Laura Carlotta Cortoni on Artribune reports that Pino Pascali's iconic 1967 work "32 mq di mare circa" ("32 square meters of sea approximately"), on display at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, is covered in mold, dust, and insects due to a total lack of maintenance. The author describes the installation as resembling a neglected warehouse and notes that visitors unfamiliar with the piece mistake the decay for an intentional environmental statement, creating a critical paradox given Pascali's own series of works titled "Muffe" (Molds).
Turkish artist Nilbar Güneş will represent Türkiye at the 61st Venice Biennale (May 9–November 22, 2026) with her exhibition "A Kiss on the Eyes" in the Arsenale's Türkiye Pavilion. Güneş, born in Istanbul in 1977 and educated at Marmara University, the Academy of Fine Arts Vienna, and the University of Applied Arts, works across photography, film, painting, performance, and mixed media. Her practice draws on personal biography to address societal issues, and she has shown internationally at venues including Osmos in New York and Vortic Art in London.
Kultursenatorin wegen Rechnungshofberichts unter Druck
Berlin's Court of Audit has issued a scathing report accusing Culture Senator Sarah Wedl-Wilson (independent) of serious legal violations in the allocation of €2.6 million in anti-Semitism prevention grants for 2025. The audit found that the selection process was arbitrary, lacked transparent criteria, and violated state budget regulations. Six of the 13 funded projects—receiving €2 million—were deemed ineligible for the specific budget line, and some recipients were newly founded entities that were not properly vetted. The report warns that the grants may need to be repaid.
A Manhattan jury has ordered art publisher Michael McKenzie to pay $102.2 million in damages for creating unauthorized or adulterated versions of works by the late Pop artist Robert Indiana. The lawsuit, brought by Indiana’s former business partner the Morgan Art Foundation, alleged that McKenzie produced Indiana-related junk products that infringed trademark and copyright, including reproductions of Indiana’s iconic “LOVE” design and the artworks *The Ninth American Dream* (2001) and *USA FUN* (1965). The jury found McKenzie liable for exploiting Indiana in the final years of his life, after the artist granted power of attorney to his caretaker, Jamie Thomas.
At 77, painter Archie Rand continues to create vibrant, narrative-driven works from his expansive Brooklyn studio. A new exhibition of his "Heads" series at Jarvis Art, co-curated by Max Werner and Lindsay Jarvis, features paintings that plunge viewers into the middle of unfolding stories, such as "Duck" (2025), where children sail a catboat through rough seas. Rand describes his process as chasing what lies "around the corner" in his compositions, prioritizing the mystery of the background over the central figures.
A New York jury has awarded $102.2 million in damages to the Morgan Art Foundation in a long-running copyright and forgery case against art publisher Michael McKenzie. The jury found that McKenzie created unauthorized and altered versions of works by Pop artist Robert Indiana, including multiple iterations of Indiana's iconic LOVE prints and sculptures, as well as works such as *The Ninth American Dream* (2001), *USA FUN* (1965), and a sculpture titled *BRAT*. The lawsuit, which began in 2018 shortly before Indiana's death at age 89, alleged that McKenzie and others sought to isolate the artist and profit from selling forged works. McKenzie's lawyer indicated he may appeal.