The National Gallery in London will host "Van Eyck: The Portraits" in November, a landmark exhibition uniting all nine of Jan van Eyck's surviving portraits for the first time. This includes masterpieces like *The Arnolfini Portrait* (1434) and loans from the Gemäldegalerie in Berlin, the Groeningemuseum in Bruges, and the Kunsthistorisches Museum in Vienna, alongside the recently conserved *Portrait of a Man (Self Portrait?)* (1433).
Bruges' new city art gallery, BRUSK, opens on Friday in a substantial new building designed by architects Robbrecht and Daem and Olivier Salens. Located in the museum quarter, the gallery features two enormous first-floor exhibition spaces and a light, open ground floor. It debuts with two simultaneous exhibitions: 'Breedbeeld' ('Wide Angle'), a historical show curated by Oxford professor Peter Frankopan and Sibylla Goegebuer, exploring Bruges' medieval global connections through 250 objects including Hans Memling's 'The Passion of Christ'; and 'Latent City', a data-driven installation by Turkish-American artist Refik Anadol that delves beneath the city's surface.
London's National Gallery has acquired a mysterious altarpiece, "Virgin and Child with Saints Louis and Margaret and Two Angels" (1500-10), for just over $20 million in a private sale arranged through Sotheby's. The painting, funded by the American Friends of the National Gallery London, was sold by a descendant of the Blundell family and had been kept on the Lulworth Estate in Dorset. The artist remains unknown, with proposed names including Jan Gossaert, Jean Hey, and the Master of Saint Giles, and no other works by the same hand are known. The altarpiece was last publicly exhibited in 1960 and has only recently been shown privately to specialists, who remain divided on its attribution.