The Interview: Steven Soderbergh

Steven Soderbergh discusses his new film *The Christophers* (2025), which follows a cantankerous artist and his young assistant tasked with forging his unfinished works, exploring themes of authorship, originality, and the ethics of art-making. In an interview with ArtReview, Soderbergh also addresses his recent use of AI in a documentary about John Lennon, defending the technology as a creative tool akin to his own filmmaking process, and reflects on his career spanning genres from indie dramas to studio blockbusters.

Art Fair Report: Stress Test

Art Basel Hong Kong 2026 drew 91,500 visitors and featured 240 galleries at the Convention and Exhibition Centre, alongside over 100 galleries at Art Central, three new boutique fairs, four new art spaces, multiple auction previews, and dozens of institutional shows and gallery openings. Despite a challenging 2025 that saw mega-galleries Pace and Perrotin close their Hong Kong spaces and auction results hit an eight-year low, blue-chip galleries reported strong sales, including David Zwirner’s USD 3.8 million sale of Liu Ye’s "Snow White" (2006) and Hauser & Wirth’s USD 2.95 million sale of a Louise Bourgeois work. The prevailing sentiment among collectors and gallerists was cautious optimism, with the phrase "Are you surviving?" overheard frequently.

New Zealand's Venice Biennale pavilion explores the secret life of birds

New Zealand returns to the Venice Biennale in 2025 with Fiona Pardington’s solo exhibition *Taharaki Skyside* at the Istituto Provinciale per l’Infanzia Santa Maria della Pietà. The show features 17 large-scale photographic portraits of taxidermied birds from the South Canterbury Museum Timaru’s collection, including the extinct whēkau (laughing owl) and the critically endangered kākāpō. Pardington, an artist of Māori and Scottish descent, draws on Māori cosmology in which birds serve as spiritual messengers, and her work continues a long-standing photographic investigation of objects that hold “mana” (power) for Māori people.

Ed Ruscha | A Particular Kind Of Heaven (1983) | Art & Prints

Ed Ruscha's 1983 work "A Particular Kind Of Heaven" is being offered at auction through Tate Ward, with current bidding at £100. The piece is an exhibition poster from the Fine Arts Museums of San Francisco, measuring 61 x 92 cm, and is part of Tate Ward's Urban and Contemporary Art London sale. The listing also shows multiple other Ruscha works available from various sellers, including posters and prints from EHC Fine Art Auction, Blond Contemporary, and Baldwin.

Phillips Collection’s new ‘Miró and the United States’ exhibit focuses on transatlantic cultural exchange rather than conflict

The Phillips Collection in Washington, D.C., has opened a new exhibition titled 'Miró and the United States,' curated by Elsa Smithgall. The show features 75 works by Joan Miró alongside pieces by more than 30 other artists, including Alexander Calder, Rufino Tamayo, and Arshile Gorky. Rather than framing the relationship as a cultural clash between European modernism and American art, the exhibition emphasizes transatlantic artistic exchange during the mid-20th century, particularly in the shadow of World War II and the Spanish Civil War. Key works include Miró's 'Constellations' series and 'Still Life with Old Shoe' (1937), which are presented in dialogue with American contemporaries who responded to his visual language.

Fotografia Europea returns to Reggio Emilia. Program, appointments, hundreds of widespread exhibitions

A Reggio Emilia torna la grande rassegna Fotografia Europea. Programma, appuntamenti, centinaia di mostre diffuse

Fotografia Europea, the major photography festival in Reggio Emilia, returns for its 21st edition from April 30 to June 14, 2026, under the theme "Fantasmi del quotidiano" (Ghosts of the Everyday). The official circuit features twenty exhibitions across historic venues such as Chiostri di San Pietro, Palazzo da Mosto, and Palazzo dei Musei, as well as modern spaces like Spazio Gerra and Collezione Maramotti. Highlights include works by Felipe Romero Beltrán (winner of the KBr Photo Award 2025), Mohamed Hassan, Salvatore Vitale, Marine Lanier, Ola Rindal, Tania Franco Klein, Giulia Vanelli, Frédéric D. Oberland, and Simona Ghizzoni, with curatorial contributions from Tim Clark and Luce Lebart. Over three hundred off-circuit exhibitions will also be held throughout the city.

8 Art Films Worth Watching in May

8 Kunstfilme, die sich im Mai lohnen

Monopol magazine presents eight art films worth streaming in May, including a documentary featuring 40,000 slides from critic Jerry Saltz capturing the 1990s New York art scene, Shirin Neshat's film "Women Without Men" about women in 1953 Tehran, Christian Petzold's new film "Miroirs No. 3," and a documentary on the Shroud of Turin. The roundup also includes a politically charged drama directed by Yael Bartana and a Dada-metal film, offering a diverse selection of art-related cinema.

What Is the 2026 Met Gala Exhibit “Costume Art” All About?

The Metropolitan Museum of Art's Costume Institute will unveil its 2026 exhibition, “Costume Art,” on May 4, 2026, coinciding with the Met Gala. Curated by Andrew Bolton, the show explores the relationship between fashion and the human body, juxtaposing garments like Rei Kawakubo's bulbous Comme des Garçons ensemble with artworks such as Hans Bellmer's “La Poupée” and Albrecht Dürer's “Adam and Eve.” Mannequins cast from real bodies and mirrored heads by artist Samar Hejazi will enhance the immersive experience. The exhibition runs from May 10, 2026, to January 10, 2027, in the new Condé M. Nast Galleries.

Koyo Kouoh’s Venice Biennale Looks to Ancient Wisdom to Mend a Fractured Present

Koyo Kouoh's Venice Biennale, titled after ancient wisdom, opens with a focus on healing and historical reimagination. The exhibition features works by artists such as Alexa Kumiko Hatanaka, Khaled Sabsabi, Daniel Lind-Ramos, Guadalupe Maravilla, Kennedy Yanko, and Ayrson Heráclito, alongside a strong emphasis on artist-led schools and institutions like Denniston Hill, blaxTARLINES KUMASI, and RAW Material Company. During the opening, the Koyo Kouoh Foundation was announced, set to launch in Basel to support Pan-African cultural infrastructure. The show includes Refaat Alareer's poem "If I Must Die" and addresses political realities, blending spiritual, ecological, and technological themes to explore collective care and restoration.

This Museum Show Will Make You Question Whether You’re Still Human

The New Museum in New York has opened "New Humans: Memories of the Future," an exhibition curated by Chief Curator Massimiliano Gioni that explores a century of art predicting the fusion of humans and machines. The show features works by artists including Anicka Yi, Francis Picabia, Constantin Brancusi, and Marcel Duchamp, alongside robots and technological artifacts that blur the boundaries between bodies and technology. The exhibition is housed within OMA's newly expanded museum space on the Bowery.

Beyond Body-Con: In the the Met’s Spectacular New Exhibition, “Costume Art,” the Human Form Connects Fashion and Art

The Metropolitan Museum of Art has opened a new fashion exhibition titled "Costume Art" in its newly established Condé M. Nast Galleries. Curated by Andrew Bolton, the show features faceless mannequin heads by sculptor Samar Hejazi that reflect visitors' own images, encouraging self-reflection and empathy. The exhibition is structured around a typology of bodies, using mannequins of diverse body types modeled after named individuals to challenge traditional beauty standards. It explores the connection between fashion and the human form, positioning the dressed body as a unifying thread across the museum's collections.

Language Games in a Haunted Present.

Ndéyé Kouagou has opened her first solo exhibition in Italy at Collezione Maramotti, presented in conjunction with the Fotografia Europea 2026 festival. The exhibition, titled 'Ghosts of the Moment', features recent works and new commissions that showcase her language-driven practice, blending text, performance, and image to explore unstable meaning and contemporary subjectivity.

GaHee Park: The Exhaustion of Distance

GaHee Park's solo exhibition "Half-Looking, Half-Seen" is on view at Perrotin New York from April 24 to May 30, 2026. The show presents paintings that destabilize perception, using light and shadow to fragment figures and objects, with works like "Seafood Heaven," "Wetland at Dusk," and "Creeping Shadow" exploring themes of visibility, identity, and temporal collapse. The exhibition marks a trajectory toward Park's institutional debut at Yerba Buena Center for the Arts.

Exhibition | GaHee PARK, 'Half-Looking, Half-Seen' at Perrotin, New York, United States

Perrotin New York presents 'Half-Looking, Half-Seen', a special exhibition of new paintings by GaHee Park, featuring still lifes and portraits set within seascapes and landscapes that explore psychological dynamics of perception and coexistence. The show precedes Park's first institutional solo exhibition in the United States, opening in August 2026 at the Yerba Buena Center for the Arts in San Francisco. Works such as 'Seafood Heaven', 'Wetland at Dusk', and 'Creeping Shadow' depict ambiguous scenes where figures, animals, and natural elements blur boundaries between perceiving and being perceived, with influences including Joan Jonas's performance art.

Shoot the Shit With Jack Kerouac

An exhibition at the Grolier Club in New York City, titled "Running Through Heaven: Visions of Jack Kerouac," presents over 60 pieces of ephemera and unpublished correspondence from the Beat Generation icon's life. Curated by antiquarian collector Jacob Loewentheil, the show includes first editions, a Buddhist mala, a tobacco pouch, and a signed 1964 portrait of Kerouac, organized thematically around religion, jazz, and family. The exhibition runs through May 16 and offers an intimate look at the man behind the myth.

Met Gala 2026: Everything to Know About the Theme, Co-Chairs, Dress Code and More

The 2026 Met Gala will take place on May 4 at the Metropolitan Museum of Art in New York City, with the theme "Costume Art" and a dress code of "Fashion Is Art." The event honors the spring 2026 exhibition of the same name, which inaugurates the Costume Institute's first permanent galleries, the nearly 12,000-square-foot Condé M. Nast Galleries. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour. The red carpet livestream will be hosted by Ashley Graham, La La Anthony, Cara Delevingne, and Emma Chamberlain on Vogue's digital platforms.

At the Baths of Diocletian in Rome, a show by a Chinese artist is a hit. The curator explains why

Alle Terme di Diocleziano di Roma spopola la mostra di un’artista cinese. Il curatore spiega perché

Chinese artist Wu Jian'an (born 1980, Beijing) is the subject of a major solo exhibition at the Baths of Diocletian in Rome, part of the Museo Nazionale Romano. Titled "Metamorphoses. L'arte che trasforma," the show explores connections between Chinese and Italian cultures, as well as broader Eastern and European traditions. Curated by Umberto Croppi, president of the Accademia di Belle Arti di Roma, the exhibition features works such as the monumental leather installation "The Heaven of Nine Levels" (2008–2009) and the series "The Eternal Cycle – Running Through the Seasons" (2024–2025), which combines intricate paper cutouts, silk, wax, and cotton thread. The artist, who represented China at the 57th Venice Biennale in 2017, was inspired by the ancient Roman spaces, creating a dialogue between his contemporary pieces and the site's classical mosaics and architecture.

The Biennale Must Remain Open – Also for Russia

Die Biennale muss offen bleiben – auch für Russland

The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.

Studio Sessions: Raili Jänese

Artist Raili Jänese, an Estonian-born painter now based in Kirkland, Washington, creates colorful acrylic works that capture everyday human and animal behaviors with humor and tenderness. Her practice, which began after a corporate career, focuses on observation of mundane moments—people eating, drinking coffee, riding transit, and animals in urban settings. Her upcoming solo exhibition, "E.L.U," will be on view at Ryan James Fine Arts from May 1–31, 2025, with a Gallery Night on May 22. Jänese has shown work regionally at venues including Happy Time Studio Gallery, Oxbow Montlake, and the Seattle Art Fair, and has completed public art projects in Bellevue, Kent, Kirkland, and Seattle.

Guildford news...

Guildford-based contemporary impressionist artist Ros Mansfield debuted her first solo exhibition, 'Edges of the Day,' on April 22, 2026, with a private viewing at Open Grounds café inside Guildford Baptist Church. The series features paintings inspired by her creative pilgrimages to the Holy Island of Lindisfarne, capturing dawn and dusk scenes she describes as 'the edges of the day.' Mansfield, who considers the island one of the 'holiest places on Earth,' highlighted her favorite piece, 'Quiet Arrival, Pilgrim’s Post,' as the final painting that completed her journey. The exhibition is open to the public until May 24.