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hot lots and top flops 6 artworks that had shocking results at the marquee may auctions 2646787

Artnet News analyzed six standout lots from the marquee May auctions at Christie's and Phillips, highlighting both surprising successes and failures. Among the 'hot lots,' Mark Tansey's study for "The Enunciation" (1992–93) sold for $3.2 million at Christie's—over ten times its low estimate—while Henri Matisse's tiny portrait "Henriette, robe jaune" (1923) fetched $1.4 million, nearly quadrupling expectations. Firelei Báez's "Untitled" (2017) also soared, selling for $381,000 at Phillips, more than triple its high estimate. The article contrasts these with 'top flops,' though the provided text focuses on the successes.

Sophie Calle explores the stories we tell ourselves

The UC Irvine Langson Orange County Museum of Art is hosting "Overshare," the first major North American survey of French conceptual artist Sophie Calle. Organized by the Walker Art Center and curated by Henriette Huldisch, the exhibition spans five decades of Calle’s career, utilizing photography, text, and installation to explore the boundaries between public and private life. The show is organized into thematic sections—the Spy, the Protagonist, the End, and the Beginning—highlighting her voyeuristic projects and autobiographical narratives.

The Brandywine Museum offers a tiny peek into a Wyeth family Christmas

The Brandywine Museum in Chadds Ford, Pennsylvania, has opened its "Home for the Holidays" exhibition, featuring a custom-made dollhouse built by Ann Wyeth McCoy and her husband John McCoy from a repurposed tool shed. Two of the dollhouse's six modular rooms are on display, showcasing miniature furniture handcrafted by Ann's brother Nathaniel Wyeth and tiny paintings by Andrew Wyeth, Henriette Wyeth, and Jamie Wyeth. The dollhouse includes hidden family references, such as a miniature six-pack of Coca-Cola and a bottle labeled "Lucy Juice," a nod to benefactor Lucy Farnsworth.

Summer Shows Coming to South & West Texas

Museums and art venues across South and West Texas have announced a series of summer exhibitions opening between May and September 2025. Highlights include "The Wyeths: Three Generations" at the Art Museum of South Texas in Corpus Christi (May 23–Aug 24), featuring works by N.C., Andrew, Henriette, and Jamie Wyeth; "PAINT: Rachelle Thiewes" at the El Paso Museum of Art (May 30–Sep 21), showcasing jewelry and sculpture inspired by lowrider culture and the Chihuahuan desert; "Midland Collects" at the Museum of the Southwest (Jun 3–Sep 21), displaying private and foundation collections; a solo show by Doylene H. Land at the Ellen Noël Art Museum in Odessa (Jun 6–Aug 24); "Visions of the West" at the International Museum of Art & Science in McAllen (Jun 21–Sep 28); and "Los Encuentros" at Ballroom Marfa (July), a group exhibition centered on Latinx culture and community collaboration.

In Venice, a new project aims to transform museums into living, participatory spaces

A Venezia un nuovo progetto punta a trasformare i musei in spazi vivi e partecipati

The Fondazione Musei Civici di Venezia (MUVE) has launched "Performing MUVE," a new program set to begin in spring 2026 that reimagines museums as dynamic, participatory spaces. The initiative, developed by MUVE Academy and MUVE Education, will unfold across three venues: Museo Fortuny, Casa di Carlo Goldoni, and the new MUVEC – Casa delle Contemporaneità in Mestre. The program includes four distinct projects—led by Mattia Berto, choreographer Elena Ajani, actress Sara Urban, and dancer Giulia Gemma Manfrotto—that use dance, theater, and embodied practices to transform visitors from passive observers into active participants.