Fondazione Bvlgari Bets on the Venice Biennale: Beyond the Pavilion in the Giardini, an Exhibition at the Biblioteca Marciana

Fondazione Bvlgari scommette sulla Biennale di Venezia: oltre al padiglione ai Giardini, una mostra alla Biblioteca Marciana

Fondazione Bvlgari is making its debut at the Venice Biennale with a collateral exhibition at the Biblioteca Nazionale Marciana, featuring site-specific works by Monia Ben Hamouda and Lara Favaretto. The show runs from May 9 to November 22, 2025, alongside the 61st International Art Exhibition. Ben Hamouda presents 'Fragments of Fire Worship,' neon sculptures in the Vestibule that explore language and cultural heritage, while Favaretto installs the final edition of 'Momentary Monument – The Library' in the Salone Sansovino, inviting public consultation of donated books. Additionally, Bvlgari has a pavilion in the Giardini featuring Canadian artist Lotus L. Kang, as part of a three-edition partnership with the Biennale through 2030.

'Hidden heritage' Metro art shown in exhibition

An exhibition at the Baltic Centre for Contemporary Art in Gateshead is showcasing "Blazing Trails," a project by local artist Sofia Barton originally commissioned for Tyne and Wear Metro trains. The artwork celebrates the hidden heritage of north-east England by depicting lesser-known community leaders, including suffragette Kathleen Brown and Chinatown founders Koon Kiu Cheng and Peter Cheng. The display runs until 27 September in the Baltic's pop-up shop.

The Clay Studio organizes "Radical Americana" exhibitions across Philadelphia

The Clay Studio has organized "Radical Americana," a sprawling exhibition series featuring 45 artists across 22 sites in the Philadelphia area. Curated by Jennifer Zwilling, the project includes a central "welcome hub" at The Clay Studio and 25 satellite exhibitions at venues such as the Museum for Art in Wood, Cliveden, and the Historical Society of Pennsylvania. Artists were prompted to reflect on the Declaration of Independence and envision a better future, resulting in works that explore feminism, social justice, and LGBTQ rights through media including ceramics, wood, fiber, metal, glass, paper, and bookmaking. Notable participant Roberto Lugo presents "American Crib: What's Happening?" at The Clay Studio, blending Puerto Rican heritage with historical references.

Una delle opere più importante esposte alla Galleria Nazionale di Roma sta ammuffendo

An article by Laura Carlotta Cortoni on Artribune reports that Pino Pascali's iconic 1967 work "32 mq di mare circa" ("32 square meters of sea approximately"), on display at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, is covered in mold, dust, and insects due to a total lack of maintenance. The author describes the installation as resembling a neglected warehouse and notes that visitors unfamiliar with the piece mistake the decay for an intentional environmental statement, creating a critical paradox given Pascali's own series of works titled "Muffe" (Molds).

Six artists: Always in the heart, my homeland

An exhibition titled "Sown by the Traveler: Women and Migrants in Philippine Art" has opened at UPV MACH (UP Visayas Museum of Art and Cultural Heritage) in Iloilo City, featuring 16 paintings by six Filipino artists who lived abroad: Fernando Zobel, Alfonso Ossorio, Macario Vitalis, Juvenal Sanso, Anita Magsaysay-Ho, and Nena Saguil. Curated by Patrick D. Flores from the collection of the Lopez Museum and Library, the show runs until May 8, 2026, and explores themes of migration and longing for home, with its title drawn from Jose Rizal's poem "To the Flowers of Heidelberg."

Gregorian Art Exhibition Debuts in Lagos in Honour of Bruce Onobrakpeya

The inaugural Gregorian Art Exhibition opened at Jubilee Hall, St. Gregory’s College, Ikoyi, Lagos, honoring renowned artist Bruce Onobrakpeya. Organized by the St. Gregory’s College Old Boys Association, the three-day event runs from April 25 to April 27, 2026, under the theme “Celebrating Legacy, Excellence and Continuity.” It features an intergenerational mix of artists including Victor Uwaifo, David Dale, Mike Omoighe, and others, and attracted Nigeria’s cultural, political, and religious figures. Speeches by Dr. Michael Omolayole and Francis Oluwole Kudayah highlighted the exhibition as a cultural tradition and platform for mentorship, with plans for an annual art clinic and a digital “Gregorian Art Mart” to support alumni welfare and the college endowment fund.

88-Year-Old “Father of a Lost Technique” Exhibits Over 60 Years’ Worth of Amazing Glass Art

88-year-old Swedish glass artist Bertil Vallien, known as the "father of a lost technique" for perfecting glass sand-casting, presents his first solo exhibition in Brooklyn at the Robert Lehman Gallery. Titled "Starman: Sixty Years of Exploring Glass Art," the show features 35 works spanning his 64-year career, including his signature glass heads, transparent boats, surreal sculptures, and colorful vases. Vallien has worked with the Swedish heritage brand Kosta Boda since 1963 and is credited with popularizing black glass and pushing the boundaries of the medium.

Scandal in Florence's Skyline? After the Black Cube and the White Cylinder, the Prism That Impales Santa Croce Appears

Scandalo nello skyline di Firenze? Dopo il cubo nero e il cilindro bianco spunta il prisma che impalla Santa Croce

A cylindrical antenna installed by the telecom company Iliad in Florence has sparked controversy after it was reported that, from certain angles, it visually overlaps with iconic landmarks such as Brunelleschi's Dome and Giotto's Campanile. The article traces a pattern of periodic scandals in Florence, including a previous uproar over the so-called "Cubo Nero" (a new building replacing a decaying theater), and notes that the antenna has actually been in place since 2023 without earlier outcry. Local artist Giacomo Costa recently photographed another white prismatic antenna in Via Ghibellina, within the UNESCO zone, that obstructs the view of Santa Croce, fueling further debate.

Istanbul exhibition features artist voice via art at Karaköy Palace | Daily Sabah

The Kültür Medeniyet Vakfı (KÜME) opened its ArtıKÜME 2025 and ODAK exhibitions at Karaköy Palas in Istanbul on Saturday, featuring 25 projects across disciplines from digital art to calligraphy under the theme 'Mümkün' ('Possible'). The exhibition transforms the historic Karaköy Palas into a platform for experimental and process-driven works, with artists like Muharrem Dalhan presenting interactive installations such as 'Threshold,' which critiques algorithm-driven media environments. The ODAK project was also introduced as a platform tracking cultural production across Türkiye, with its first publication, the ODAK 2025 book, launched alongside the exhibition.

New gallery highlighting artists from South Asian diaspora opens in Leamington

Runjeet Singh Gallery, a new commercial gallery focusing on artists from the South Asian diaspora, has opened in Leamington at 37 Chandos Street. The gallery launched with an opening exhibition from April 24 to 26, featuring work by 11 emerging and established contemporary artists. Founder Runjeet Singh, who has 26 years of experience in antiques and contemporary art collecting, aims to provide a platform for UK-based South Asian diasporic artists and those whose practices are informed by South Asian narratives and traditions.

IFAC provides pathway to folk art show in Mumbai through ‘Harshit’ exhibition

Dubai-based Indian Folk Art Corridor (IFAC) held its first-ever exhibition in Mumbai, titled 'Harshit — Experience the Joy of Indian Arts' (April 6–11). The show featured 30 artists—15 from the UAE and 15 from India—curated by IFAC founder Vidisha Pandey. It showcased diverse Indian folk and tribal art forms including Kalighat, Madhubani, Sohrai, Bhil, Warli, Pichwai, Miniature, Jogi, Manjusha, and Tholu art. Dignitaries such as Maharashtra Minister Ashish Shelar, singer Anup Jalota, and actress Sadhna Singh attended. Several artworks were acquired, including a Tholu piece by Shelar and two works by Shoma Banerjee purchased by Jalota; Pandey's works were placed at the Ministry of Culture in Mumbai.