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tracey emin retrospective women artists abortion bed 1234775740

Tracey Emin’s major retrospective, "A Second Life," has opened at Tate Modern, marking a significant milestone in the artist's career following her recovery from bladder cancer. The exhibition surveys her evolution from the provocative "Young British Artist" era—featuring iconic works like the 1998 installation 'My Bed' and her early quilted blankets—to her more recent, expressive oil paintings and bronze sculptures. The show specifically highlights her 1996 film 'How it feels,' positioning her early 1990s abortion as the central, transformative event of her life and artistic practice.

What I learned from Tracey Emin about regeneration

The article reviews Tracey Emin's exhibition "A Second Life" at Tate Modern, describing the author's initial lack of aesthetic connection to the artworks—finding the paintings derivative and neon signs tacky—but ultimately being moved by the exhibition's emotional force and the artist's refusal to disguise pain, humiliation, and grief. The author notes the crowded galleries, the predominantly female audience responding with visceral emotion, and highlights the film "How It Feels" as the most impactful piece, in which Emin discusses her traumatic abortion and its effect on her self-perception.