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wadsworth atheneum president allison blais 1234761174

The Wadsworth Atheneum Museum of Art in Hartford, Connecticut, has appointed Allison Blais as its new president and CEO, effective January 2026. Blais, currently executive vice president and chief strategy and operations officer at New York’s 9/11 Memorial & Museum, will succeed Jeffrey N. Brown, who held the role for five years. The announcement was made by board chair Duffield Ashmead IV MD, who praised Blais's experience with large-scale capital projects and stakeholder engagement. Blais, a Connecticut native, expressed her long familiarity with the Wadsworth and her enthusiasm for working with museum director Matthew Hargraves.

Philadelphia art museums celebrate America's 250th anniversary with blockbuster two-venue show

The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have announced a massive collaborative exhibition titled "A Nation of Artists" to commemorate the 250th anniversary of the Declaration of Independence. Featuring over 1,000 works, the show spans from colonial-era masterpieces like Charles Willson Peale’s portrait of George Washington to contemporary Indigenous art and modern portraiture by Barkley L. Hendricks. The exhibition will also debut 120 works from the Middleton Family Collection, including significant Hudson River School and American Impressionist pieces.

Philadelphia Museum of Art and PAFA team up for a massive American art show

The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have launched "A Nation of Artists," a massive collaborative exhibition marking the United States' 250th anniversary. Spanning 20,000 square feet across both institutions, the show features over 1,000 works ranging from 18th-century portraiture and Hudson River School landscapes to contemporary pieces by local artists. The exhibition was catalyzed by significant loans from the private collection of Philadelphia Phillies owner John Middleton and his wife, Leigh, which filled critical gaps in the museums' permanent holdings.

Honoring Frederic Church: Beyond the Hudson River School

Art historians and curators are re-evaluating the legacy of Frederic Church, arguing that his contributions extend far beyond his traditional classification as a Hudson River School landscape painter. New research highlights his sophisticated engagement with 19th-century science, his architectural achievements at his estate, Olana, and his role as a global traveler who captured the spirit of the Andes and the Arctic.

40 year old sculpture demolished battery park city resiliency project 1234761579

Crews have begun demolishing Ned Smyth's 40-year-old sculpture *Upper Room* in Battery Park City, New York, to make way for the North/West Battery Park City Resiliency (NWBPCR) project. The 20-column concrete colonnade, commissioned in 1986 as the neighborhood's first public art piece, features an elongated table with inlaid chessboards and was appraised at $1.5 million. The demolition is part of a larger plan to install a coastal flood barrier system along the Hudson River waterfront, intended to protect against storms like Hurricane Sandy.

Museum exhibition highlights the network behind Frederic Church

The Washington County Museum of Fine Arts is launching "Kindred Spirits: Artists in the Tenth Street Studio Building" on March 7, an exhibition exploring the collaborative network of 19th-century American landscape painter Frederic Edwin Church. Centered on Church’s "Scene on the Catskill Creek," the show highlights the significance of New York’s Tenth Street Studio Building—the first purpose-built space for artists—where figures like Albert Bierstadt and Martin Johnson Heade fostered the Hudson River School movement.

Nikyle Begay Resurrects Century-Old Diné Weavings

Nikyle Begay, a Diné shepherd and weaver based in the Navajo Nation, is revitalizing ancestral weaving techniques that were historically marginalized by the colonial trading-post economy. By breeding Navajo Churro sheep and mastering complex twill patterns once used for functional saddle blankets, Begay bridges the gap between traditional agricultural practice and contemporary fine art. Their work involves the entire lifecycle of the medium, from shearing and processing wool to reconstructing intricate designs that fell out of favor when commercial markets prioritized specific regional styles for non-Native buyers.

Kindred Spirits: Artists in the Tenth Street Studio Building, Celebrating Frederic Church at 200 Through Art, Community, and Connection

The Washington County Museum of Fine Arts is launching "Kindred Spirits: Artists in the Tenth Street Studio Building" on March 7, 2026. This exhibition is part of the global Frederic Church 200 celebration, marking the bicentennial of the influential landscape painter's birth. Centered around Church’s "Scene on the Catskill Creek," the show highlights the collaborative environment of the nation’s first purpose-built artist studio space in New York City.

jeffrey gibson met animal sculptures 1234752023

Jeffrey Gibson has installed four large bronze animal sculptures—a deer, a coyote, a squirrel, and a hawk—on the facade of the Metropolitan Museum of Art in New York, collectively titled “The Animal That Therefore I Am.” At a talk with Met curator Jane Panetta, Gibson explained that the works draw on his early paintings on brain-tanned elk hides and his ongoing exploration of Indigenous kinship philosophies, which honor all living beings as extensions of ourselves. The sculptures, each adorned with ceremonial regalia inspired by Native American traditions, are designed to be viewed as four-sided paintings and connect the museum’s Central Park location to Gibson’s home in the Hudson River Valley.

Explore 200 years of American landscape art in Hagerstown

The Washington County Museum of Fine Arts in Hagerstown, Maryland, opens a new exhibition titled "In Nature’s Studio: Two Centuries of American Landscape Painting," running from September 13, 2025, to January 4, 2026. The show features nearly 90 paintings from the museum's own collection and that of the Reading Public Museum, spanning movements from the Hudson River School to Impressionism, Tonalism, and modern trends, with highlights including Frederic Church's "Cotopaxi" (1862) and Thomas Cole's study for "The Voyage of Life: Childhood."