A journalist recounts a stressful visit to the Royal Academy with her toddler, where a toy pig was thrown toward a Kerry James Marshall painting. This incident serves as the catalyst for a new series exploring the compatibility of small children and art galleries, addressing the anxieties parents face regarding museum etiquette, accessibility, and the fear of damaging artworks.
This article from Cultured serves as a guide to notable gallery exhibitions in London during the Frieze art fair season. It highlights shows by artists such as Dana Schutz at Thomas Dane, Eva Helene Pade at Thaddaeus Ropac, Ghislaine Leung at Cabinet Gallery, Arthur Jafa at Sadie Coles, and a group exhibition curated by Hilton Als at Michael Werner, each with descriptions of the works and themes explored.
Martin Beck has created a new body of artwork inspired by the *Environments* series of LPs, which debuted in 1969 and featured long-duration nature sounds and aural abstractions. The works are on view at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, through October 5, and include wall works, video, and an exhibition design that explores how the records were marketed as lifestyle accessories and productivity aids. Beck first encountered the series through a friend's lecture at Columbia University and became fascinated by its blend of utopian vision and commercial hype.
The Guardian's weekly entertainment guide highlights two major art exhibitions opening in May 2025: 'Aleksandra Kasuba' at Tate St Ives (2 May to 4 October) and 'Zurbarán' at the National Gallery, London (2 May to 23 August). The Kasuba show is the first UK presentation of the Lithuanian American artist's proto-immersive 'spatial environments,' featuring early paintings, mosaics, and installations focused on utopian social harmony. The Zurbarán exhibition presents a blockbuster survey of the 17th-century Spanish Baroque master, known for his intense religious subjects and dramatic chiaroscuro.
The Petit Palais in Paris is hosting the second edition of its free urban art exhibition, "We are (still) here," from June 20 to September 20, 2026. Organized in collaboration with the Itinerrance Gallery, the show features nearly 200 works by leading French and international street artists, including Seth and Inti, displayed in the Concorde Hall and throughout the museum's permanent collections, creating a dialogue between contemporary street art and classical masterpieces.
This week's cultural agenda in Belgium highlights three major events: the 75th anniversary of the Queen Elisabeth Competition, which focuses on cello for only the third time since 2017, featuring 64 young cellists from over 20 countries; the 12th edition of Antwerp Art Weekend, spanning 88 venues with a strong emphasis on emerging talent and politically engaged works; and a new exhibition at the Permekemuseum exploring Constant Permeke's formative years in wartime England. The competition includes a world premiere of 'Caffeine' by Belgian composer Harold Noben, and the winner will receive the use of Pablo Casals' historic 1733 Goffriller cello.
The Clyfford Still Museum in Denver is opening a multisensory exhibition called "Still in Sound" on May 16, curated by Bailey Placzek and British artist Ben Coleman. The exhibition pairs the museum's vast collection of abstract expressionist works with sound-driven experiences. Additionally, the museum commissioned a world-premiere symphony, James Clarke's "Symphony No. 2," which will be performed by the Colorado Symphony at Boettcher Concert Hall on May 7. The program also includes music that inspired Still himself, such as works by Beethoven and Mahler, drawn from the artist's personal record collection.
The Hamptons art scene is entering the spring season with a diverse array of gallery openings across Montauk, East Hampton, Sag Harbor, and Bridgehampton. Key highlights include Timothy Tibus’s abstract retrospective at The Lucore Art, a Matisse-centered group show at The Drawing Room featuring rare etchings, and Kristy Gordon’s myth-inspired "Primavera" at Grenning Gallery. Other notable exhibitions include a showcase of artists from the Cold Castle collective at Keyes Art and a curated group show titled "Connections" at Dan Welden Studio/Gallery.
Architectural Digest India has published a guide to eight art shows opening in Delhi and Mumbai during April and May 2026. The article highlights exhibitions such as "He Who Permeates" at Tao Art Gallery, featuring NFN Kalyan and Jayesh Sachdev; "The Last Rust" at Chemould, showcasing Archana Hande's sculptural works; and "Tracing Tradition, Shaping Modernity" at Akara Modern, which draws from The Lechner Collection to pair Jamini Roy and Meera Mukherjee. The shows are curated to place different artists side by side, exploring shared themes through contrasting visual styles.
Lesia Vasylchenko, a Kyiv-born artist, has won the 2025 PinchukArtCentre Prize, receiving 400,000 Ukrainian hryvnia (about $10,000). Her winning installation includes two video works: one reflecting on the shelling during Russia's full-scale invasion of Ukraine, and another using AI to compress 30 years of sunrises into a single event. At the awards ceremony held on 18 June in Kyiv—a day after a deadly Russian drone attack killed at least 28 people—Vasylchenko announced she would donate the entire prize to support the Armed Forces of Ukraine. Special prizes were awarded to painter Kateryna Aliinyk and artist Yevhen Korshunov, each receiving 100,000 hryvnia and additional support.
Antarang Art Gallery in Gurugram has opened an exhibition titled “The Centenarian Master” honoring Indian modernist Krishen Khanna on his 100th birthday. Running until January 4 at the Camellias, DLF Golf Links, the show features a rare selection of paintings, drawings, and sculptures spanning over seven decades of Khanna’s career. Several works sold on opening day, marked by red dots, and the event included bagpipers welcoming guests.
London-based artist Irum Rahat presents her first solo exhibition in India, 'Yeh Kab Ki Baat Hai', at Pristine Contemporary in Delhi. The show features 16 new works that draw from her upbringing in a South Asian household, transforming mundane domestic scenes—making chai, sitting in rooms, family interactions—into a visual archive of memory and intimacy. Rahat's paintings, influenced by cinema and her own photography, use soft, hazy colors to evoke nostalgia and the ambiguity of time.
A ten-day collagraph printmaking exhibition opened on Wednesday at Kaalnee Art Studio in Rayer Bazar, Dhaka. The exhibition features 19 prints by 14 artists, created during a four-day workshop led by UK-based Bangladeshi artist Zaman Md Fakruzzaman and coordinated by Tarek Amin, jointly organized by Kaalnee Art Studio and the East London Academy of Art. Notable artists including Abul Barq Alvi, Nisar Hossain, Shishir Bhattacharya, Saifuddin Ahmed, Rashid Amin, and Tarek Amin attended the opening ceremony.
Studio Sangath, led by Khushnu Panthaki Hoof and Sönke Hoof, has completed the Urmila Kailash Black Box at the Kanoria Centre for Arts in Ahmedabad, India. The project is a versatile performance and exhibition space designed to fill a gap in the campus's offerings, which previously lacked a dedicated venue for performing arts. The design integrates with the existing buildings by architect Balkrishna Doshi, using a sloping concrete roof and strategically placed windows to modulate light and connect interior and exterior spaces.
Artist Khushi Khandelwal has opened her first solo exhibition, "What's Under My Skin?", at the All India Fine Arts & Crafts Society (AIFACS) in New Delhi. The show, on view through July 24, 2025, explores hidden emotions such as anxiety, which Khandelwal likens to parasites growing inside the body. Using mixed media including pencils, pens, and markers, she aims to reveal the psychological and physical struggles that remain invisible beneath a composed exterior.