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Ásta Fanney Sigurðardóttir: Pocket Universe

The Icelandic Art Center will present "Pocket Universe," a multidisciplinary exhibition by artist, poet, composer, and filmmaker Ásta Fanney Sigurðardóttir, representing Iceland at the 61st Venice Biennale. The exhibition, held at the Icelandic Pavilion's new location at Docks Cantieri Cucchini, explores shifting perspectives through hope, imagination, and belief, blending sound, performance, moving image, sculpture, and installation. It features a moving image work centered on a character called "Creature Zero" searching for the "original rock," and incorporates themes of luck, chance, and transformation through playful, game-like structures.

The weird, wiggly universe of Icelandic artist Ásta Fanney Sigurðardóttir

The article profiles Icelandic artist Ásta Fanney Sigurðardóttir, whose multidisciplinary practice spans visual art, performance, music, poetry, and filmmaking. It describes a recent performance at Reykjavik's Mengi venue where the audience was invited onstage to be stirred with an imaginary spoon, and highlights her upcoming project 'Pocket Universe' representing Iceland at the Venice Biennale, installed in a former shipyard. The piece also explores her fluid relationship with time, her admiration for artists like Meredith Monk and Laurie Anderson, and the tight-knit, artist-run creative ecosystem of Reykjavik that shapes her work.

christoph buechel art mosque iceland pavilion venice biennale shut down 301246

Authorities in Venice have shut down the working mosque installed by Swiss artist Christoph Büchel in the city center as part of his presentation for the Icelandic Pavilion at the 2015 Venice Biennale. The closure followed an evaluation by a public safety committee, citing overcrowding during Friday prayers that exceeded the legal limit of 90 people, as well as security concerns due to the mosque's location near a pedestrian bridge. The Venice Biennale expressed hope that solutions could be found to reopen the pavilion, while the Icelandic Art Center's director published a letter detailing the fraught negotiations with Italian authorities leading up to the installation.