The Centre Pompidou Hanwha is scheduled to open its doors in Seoul in June 2026, following a three-year construction period. Located within the iconic 63 Building in the Yeouido district, the 10,000-square-meter facility replaces a former aquarium with a four-story "box of light" designed to maximize natural illumination.
Astrup Fearnley Museet in Oslo presents "Grammars of Light," a major exhibition featuring immersive works by Cerith Wyn Evans, Ann Lislegaard, and P. Staff. The show includes architecturally scaled video projections and luminous sculptures made from repurposed consumer, medical, and industrial lighting, transforming the museum's galleries into sensory environments that challenge perception.
The Los Angeles County Museum of Art (LACMA) has opened its new central building, the David Geffen Galleries, to the public. Designed by Swiss architect Peter Zumthor at a cost of $724 million, the 347,600-square-foot structure reorients the museum with a single, flowing second-story floor plan, eschewing a traditional main entrance or atrium to encourage wandering and serendipitous encounters with art. The galleries are named for major oceans and are designed to blend cultures and artworks from different eras.
Dana Awartani, a Jeddah- and New York-based artist of mixed Palestinian, Saudi, Jordanian, and Syrian descent, has created the Saudi Arabia Pavilion at the Venice Biennale using nearly 30,000 clay earth bricks. The installation, titled "May your tears never dry, you who weep over stones," replicates traditional mosaic motifs sourced from over 20 cultural heritage sites across the Arab world that have been destroyed by human conflict. Awartani emphasizes collaboration, crediting numerous skilled craftsmen—economic migrants to Saudi Arabia—who worked alongside her, and her practice blends formal training at Central St. Martins with Islamic geometry and illumination studies in Turkey.
Media artist Kang Lee-Yeon delivered an immersive lecture at the TED 2026 main stage in Vancouver, using a 30-meter screen to visualize climate change and AI data. She then opened her solo exhibition 'Illumination' at Fondation Fiminco in Paris for the 140th anniversary of Korea-France relations, while also debuting works at Milan Design Week and the Loop Plus media art fair in Busan. Her projects include 'Passage of Water', created with Google and NASA, which translates satellite data into an immersive experience about Earth's freshwater crisis.
Warsaw is experiencing a significant revival of interest in its Cold War-era neon signs, a movement spearheaded by the city’s Neon Museum. Founded in 2012 by photographer Ilona Karwińska and designer David Hill, the museum has rescued hundreds of historic illuminations that were once discarded as worthless relics of the communist past. Originally commissioned by Soviet-era authorities as a form of "socialist modernization," these signs were designed by leading artists of the Polish Poster School and have now transitioned from propaganda tools to beloved cultural icons.