The Cy Twombly Foundation is presenting six rarely seen early works by Robert Rauschenberg at Gagosian's new Upper East Side gallery in New York. The exhibition includes a fragile 1950 assemblage of twigs and glass, a cyanotype made with his then-wife Susan Weil, a 'Black Painting' from around 1952, and a 1961 assemblage, offering a unique glimpse into a period of the artist's output that he largely destroyed.
Pat Steir, the acclaimed American painter known for her Waterfall series, died in Manhattan on 25 March at age 87. The article traces her career from early struggles as a freelance illustrator and art director, through her transformative encounter with Sol LeWitt in the early 1970s, to her eventual emergence as a major figure in contemporary painting. It highlights her teaching at CalArts and Parsons, her involvement with feminist and artist-run institutions like Heresies and Printed Matter, and the pivotal moment in the early 1980s when she cut up a reproduction of a Jan Brueghel the Elder flower painting into 64 panels, repainting each in a different historical style.
Pittsburgh's commercial gallery scene is experiencing a resurgence as the Carnegie International, the country's longest-running recurring exhibition, prepares to open its largest edition yet with 61 artists. Since the pandemic, several young gallerists with experience in New York and Los Angeles have opened spaces in the city, including Romance gallery (2023) by former Whitney curator Margaret Kross, and april april gallery (2024) relocated from Brooklyn by Patrick Bova and Lucas Regazzi. Longer-established galleries like Concept, Zynka, and James Gallery have welcomed these newcomers, with local figures such as collector Evan Mirapaul noting that Pittsburgh's robust arts ecosystem—including museums, universities, and nonprofits—has long lacked a strong commercial gallery presence.
David Kordansky Gallery is presenting "Ripple: Furniture Sculpture and Painting after 1982," an exhibition of historic works by Swiss artist John Armleder, on view from May 7 to June 13, 2026. The show focuses on Armleder's Furniture Sculpture series from the 1980s, which incorporates functional or decorative objects alongside paintings, exploring the intersection of art, design, and everyday life. Works like FS 156 (1987) and Untitled (FS) (1987) exemplify his interest in collectivity, chance, and the viewer's role in assigning meaning, influenced by experiences such as a prison stint for refusing conscription and his time on a rowing team, as well as the experimental compositions of Erik Satie and John Cage's writings on chance.
Marina Abramović is the first living female artist to have a solo exhibition at the Gallerie dell'Accademia in Venice, where her work will be installed alongside the museum's permanent collection. The show, titled *Transforming Energy*, features interactive 'transitory objects' such as stone beds and crystal-embedded structures that visitors are invited to use, as well as a juxtaposition of her 1983 photograph *Pietá (with Ulay)* with Titian's final masterpiece *Pietá* (1575-76). Abramović, who won the Golden Lion for Best Artist at the 1997 Venice Biennale, emphasizes audience participation over passive viewing, banning telephones and encouraging visitors to spend at least three hours engaging with the works.
A major retrospective exhibition dedicated to John Giorno, titled "The Performative Word," has opened at MAMbo, the Museum of Modern Art of Bologna. The show, curated by Andrea Bellini and Vincente Todolí, explores Giorno's multidisciplinary practice as a poet, artist, and activist, highlighting his collaborations and his innovative approach to making poetry a performative and visual experience.
Times Square Arts has announced the Summer 2026 Midnight Moment program, featuring three artists: Sonia Boyce (June), Tromarama (July), and Maia Chao (August). Boyce's 'Transform' presents a kaleidoscopic film of Andean ancestral movements, presented with the Queens Museum. Tromarama's 'Turn On #2' examines technology's impact on reality and the environment, presented with The Kitchen. Maia Chao's 'Studies for American Idle' draws from a 2025 site-specific performance in Times Square. The works will be shown nightly from 11:57 pm to midnight on nearly 100 electronic billboards.
Ann Temkin, the chief curator of painting and sculpture at New York’s Museum of Modern Art (MoMA), is featured in a Cultured magazine profile discussing her career and the museum's ambitious upcoming exhibition of Marcel Duchamp, which she and her colleagues have been preparing for five years. The article includes a Q&A where Temkin reflects on her biggest contribution to culture—connecting art and people—and cites John Cage's touring exhibition "Rolywholyover A Circus" as a surprising influence, noting how it demonstrated that a show can itself be a work of art.
The Arts Club of Chicago, founded in 1916, continues to balance its historic legacy with contemporary relevance under executive director and chief curator Janine Mileaf. The club, which gave Pablo Picasso his first solo institutional exhibition in the U.S. in 1923 and hosted figures like Gertrude Stein and John Cage, now operates as both a public space and a private membership club. Mileaf’s programming emphasizes Dada and surrealist roots while showcasing experimental, site-specific works, including a recent installation by Korean artist Haegue Yang. The club maintains a close relationship with Chicago’s arts community, aiming to expose audiences to challenging and surprising art.
The New Museum in New York has opened "New Humans: Memories of the Future," an exhibition curated by Chief Curator Massimiliano Gioni that explores a century of art predicting the fusion of humans and machines. The show features works by artists including Anicka Yi, Francis Picabia, Constantin Brancusi, and Marcel Duchamp, alongside robots and technological artifacts that blur the boundaries between bodies and technology. The exhibition is housed within OMA's newly expanded museum space on the Bowery.