The article announces an exhibition by Macedonian artist Sara Stanoeska, organized by KUNĊETT. The specific venue, dates, and details of the exhibition are not available due to a security verification page blocking the content.
Seven artists with roots in West Africa—Yacine Tilala Fall, Selly Raby Kane, Maguette Dieng, Ican Ramageli, Hamedine Kane, Eva Diallo, and Babacar Traoré Doli—have jointly created a multi-sensory total installation at Marres in Maastricht. Titled “Porous Grounds, Sacred Codes,” the exhibition incorporates sculpture, sound, textiles, and video, connecting Zikr chanting of mantras, daily life in the Medina, and the trees of the dry landscape.
Fondation H in Antananarivo, Madagascar, presents 'Kabarin-javakanto: A Reading of the Fondation H Collection,' an exhibition curated by Abdellah Karroum that reinterprets the foundation’s international holdings through the Malagasy oratorical tradition of kabary. Rather than a conventional display, the show activates works from Africa and its diasporas across three galleries, emphasizing dialogue, community, and relational viewing.
The Leeum Museum of Art in Seoul will open the exhibition "Inside Other Spaces" on May 5, featuring 11 installation artists from Asia, Europe, and the Americas. The show reconstructs full-scale environments from 1956 to 1976, including Korean artist Jung Kang-ja's "Incorporeal Exhibition" (1970), which was forcibly dismantled by the Korean government and is being rebuilt for the first time. The exhibition previously appeared at Munich's Haus der Kunst, Rome's Maxxi, and Hong Kong's M+, with each venue expanding its scope.
An exhibition titled 'Through the Artist’s Eye: A Century of Sight and Service at Dr. Shroff’s Charity Eye Hospital' opened at Bikaner House Centre for Contemporary Art in New Delhi on April 28, 2026. The show features works by British artist Stuart Robertson, created during an 18-month residency at Dr. Shroff’s Charity Eye Hospital, where he collaborated with medical staff, patients, and local communities in Daryaganj and Old Delhi. Curated by Ashish Sahoo and Zaarya Chaudhari, the exhibition includes monochromatic photography, drawings, bronze sculptures, and cyanotypes that explore the relationship between art and healthcare, perception, and the ethics of representation. It runs until May 3, 2026, and is supported by the Eicher Group Foundation.
Henrike Naumann's final major artistic project, the German Pavilion at the Venice Biennale, is completed posthumously by friends after her death from cancer at age 41. Meanwhile, the sudden death of curator Koyo Kouoh at 57 has left her team to finish the central exhibition "In Minor Keys" for the Biennale, opening May 9. The US Pavilion is openly crowdfunding for its 2026 presentation by sculptor Alma Allen, citing opaque funding under the Trump administration. Israel's foreign ministry has accused the Venice Biennale jury of boycotting its artist Belu-Simion Fainaru by excluding countries whose leaders face International Criminal Court charges.
The Leeum Museum of Art in Seoul has opened "Inside other spaces: Environments by women artists 1956-1976," an exhibition restoring immersive artworks by 11 women artists from Asia, Europe, and South America, including Jung Kang-ja, Judy Chicago, Tsuruko Yamazaki, and Aleksandra Kasuba. The show revives pieces that were often dismantled after their original displays, such as Jung Kang-ja's "Incorporeal Exhibition," which was destroyed in 1970 after being deemed political propaganda under South Korea's authoritarian regime. Curators Andrea Lissoni and Marina Pugliese, who first organized the project at Haus Der Kunst in Munich, worked with researchers to reconstruct the works using archival materials, correspondence, and blueprints.
The article highlights the best galleries and cultural spaces in Colombo, Sri Lanka, which is emerging as a vibrant cultural hub in Asia. It features established venues like the Sapumal Foundation, founded by painter Harry Pieris, the Barefoot Gallery, and the Colombo National Museum, alongside newer spots such as the Museum of Modern and Contemporary Art Sri Lanka and Millennium Art Contemporary. Notable artists mentioned include Tilak Samarawickrema, Chamila Gamage, and the historic '43 Group, which includes George Keyt and Lionel Wendt. The article also spotlights Radicle, Colombo's newest gallery, which recently hosted Priyantha Udagedara's solo exhibition "Terra Nullius."
The Lawrence Art Center's Hang12 program, a group of high school students who curate art shows and events, unveiled 32 new pieces of art in the New Hampshire Street parking garage in Lawrence, Kansas. The artworks, designed by Lawrence High School juniors Wren Jay and Rilo Scholz, celebrate native Kansas plants and animals and were collectively painted and assembled by Hang12 members. A ribbon-cutting ceremony featured remarks from multidisciplinary artist Mona Cliff, who completed a mural in the same garage in 2025, and a tour of the new works.
The Nelson-Atkins Museum of Art in Kansas City has introduced a new exhibition, "Personal Best," designed to welcome international visitors during the 2026 FIFA World Cup. The exhibition blends fine art and athletics, connecting the global sporting event with Kansas City's cultural scene. The museum offers free general admission, making it an accessible attraction for soccer fans attending six matches at Arrowhead Stadium starting June 16, 2026.
An exhibition at Buxton Contemporary in Melbourne, titled "Poetry Goes No Further Than Language: a Historical Moment of Art Becoming Art Again," brings together the complete artistic output of the New Measurement Group, a pioneering Chinese conceptual art collective from Beijing, alongside four conceptual experiments by Shanghai-based artist Qian Weikang. Curated by Carol Yinghua Lu and artist Liu Ding, the show aims to reassess early Chinese conceptual art, featuring works by the New Measurement Group (Chen Shaoping, Gu Dexin, Wang Luyan), pieces from the New Wave art movement, and new commissions by Melbourne artist Darcey Bella Arnold. The curators faced challenges locating the group's five publications, including one purchased on eBay from Europe, and used re-enactment and re-fabrication to recreate lost works like Qian's "Ladder Poem" (1990).
Koo Jeong A presents "KANGSE X" at Hauser & Wirth in Zurich, an exhibition that extends from her previous show "ODORAMA CITIES" at the Korean Pavilion of the 60th Venice Biennale. The title derives from the Korean term "KANGSE," meaning spatial strength, and the show encompasses her multifaceted practice across drawing, painting, sculpture, installation, film, and animation, including her earlier work "MYSTERIOUSSS" (2017).