The art market is gearing up for a high-stakes spring season with major estate collections from S.I. Newhouse and Robert Mnuchin slated for auction at Christie’s and Sotheby’s, collectively valued at over half a billion dollars. Meanwhile, London’s spring marquee sales showed strong momentum, with Christie’s and Sotheby’s reporting significant year-over-year increases in their evening sale totals, despite a more modest performance from Phillips.
The Kimbell Art Museum in Fort Worth, Texas, has acquired Jean Siméon Chardin's 1760 painting *The Cut Melon* directly from the descendants of Baroness Charlotte de Rothschild. The work had previously sold for $30.3 million at Christie's France in June 2024 to Italian investor Nanni Bassani Antivari, who failed to pay, leading Christie's to sue him. The museum, which was the underbidder at auction, announced the acquisition on Wednesday, and the painting goes on view Thursday in the Louis I. Kahn building.
The Kimbell Art Museum in Fort Worth has appointed Emerson Bowyer as its new chief curator, effective March 5. Bowyer joins from the Art Institute of Chicago, where he served as the Searle Curator and oversaw significant acquisitions, including works by William Holman Hunt and Camille Claudel.
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Recent airstrikes have caused significant damage to several UNESCO World Heritage sites and historical landmarks across Iran and Lebanon. In Isfahan, the 17th-century Naqsh-e-Jahan Square, Ali Qapu Palace, and the Jame Abbasi Mosque suffered damage, while in Lebanon, strikes impacted the Al-Bass archaeological site in the ancient city of Tyre. Meanwhile, Democratic lawmakers have launched an investigation into $63 million in settlement payments intended for Donald Trump’s now-dissolved presidential library fund, raising concerns over the whereabouts of the capital.
The Kimbell Art Museum has announced an extensive lineup of free community programming for the Spring 2026 season. The schedule features a diverse array of events including gallery discussions, hands-on art-making workshops for children, live music performances, and scholarly lectures. A significant portion of the programming is designed to complement the special exhibition, "The Holy Sepulcher: Treasures from the Terra Sancta Museum, Jerusalem," through documentary screenings and expert-led talks.
The Kimbell Art Museum in Fort Worth announced on August 29, 2025, that it will display Caravaggio’s monumental painting *Judith Beheading Holofernes* (1599–1600) as a Guest of Honor loan from the Gallerie Nazionali di Arte Antica in Rome, where it normally hangs in the Palazzo Barberini. The canvas, approximately six feet wide and five feet tall, will be on view in the Louis I. Kahn Building from September 14, 2025, through January 11, 2026. The painting depicts the biblical moment of Judith decapitating the Assyrian general Holofernes, showcasing Caravaggio’s signature bold realism and dramatic chiaroscuro. The loan follows the museum’s 2022 Focus Exhibition “SLAY,” which featured Artemisia Gentileschi’s and Kehinde Wiley’s interpretations of the same subject.
The Kimbell Art Museum in Fort Worth, Texas, has acquired Jean Siméon Chardin's still life *The Cut Melon* (1760) from the Rothschild family after a record-breaking auction sale at Christie's Paris in June 2024 fell through. The winning bidder, Italian real estate promoter Nanni Bassani Antivari, never paid, leading Christie's to sue him for compensation. The Rothschilds then sold the painting directly to the Kimbell, which had been the underbidder at auction. The work, which retains its original frame from its 1761 Salon debut, went on view at the museum on 22 May in the French still life gallery.
The Kimbell Art Museum in Fort Worth is presenting 'The Holy Sepulcher: Treasures From the Terra Sancta Museum, Jerusalem,' an exhibition of opulent 17th-century liturgical objects from the Church of the Holy Sepulcher. The collection, featuring gifts from European rulers like King Louis XIII of France and King Philip IV of Spain, includes gold, silver, and jewel-encrusted pieces such as vestments, a throne, and a sanctuary lamp, and is on view from March 15 to June 28.
The Kimbell Art Museum in Fort Worth, Texas, has announced its January 2026 schedule, headlined by the special exhibition "Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection," running through January 25. The month-long program includes a wide range of free events such as Kimbell Kids Drop-In Studios, docent tours, lectures like "Women of a Certain Age" by Jessica L. Fripp, film screenings including "Destination: Ancient Rome," family festivals, sensory-friendly hours, and guided tours of the museum's iconic buildings designed by Louis I. Kahn and Renzo Piano.
A rarely seen Caravaggio masterpiece, *Boy Bitten by a Lizard* (1593–94), is traveling to the Museum of Fine Arts, St. Petersburg, Florida, for a new exhibition titled “In Caravaggio’s Light: Baroque Masterpieces from the Fondazione Roberto Longhi.” The show features 40 paintings by Caravaggio and his followers, the Caravaggisti, drawn from the collection of the Fondazione Roberto Longhi in Florence. The last time this painting was in the U.S. was in 2012 at the Kimbell Art Museum, and the Longhi collection has never before had a dedicated exhibition in America.
The Albuquerque Museum has opened a landmark exhibition titled "Modern Art and Politics in Germany 1910–1945: Masterworks from the Neue Nationalgalerie, Berlin," featuring German and European art from the early 20th century. The show traces the trajectory from the German Empire through World War I, the Weimar Republic, Nazi rule, and World War II, including works by Max Beckmann, George Grosz, Hannah Höch, Ernst Ludwig Kirchner, Paul Klee, and others. Many pieces were originally condemned as "degenerate art" by the Nazis. The exhibition, which has three U.S. stops, is currently in Albuquerque after appearing at the Kimbell Art Museum in Fort Worth and will travel to the Minneapolis Institute of Art.
The Kimbell Art Museum in Fort Worth presents "Lives of the Gods: Divinity in Maya Art," co-organized with the Metropolitan Museum of Art, marking the first major Maya exhibition in the U.S. in a decade. Featuring 95 works, the show includes 50 objects never before seen in the U.S. and 17 recent archaeological discoveries, with contributions from 23 lenders including the Museo Nacional de Arqueología y Etnología in Guatemala and the INAH – Museo Nacional de Antropología in Mexico City. The exhibition is organized thematically around Creations, Day, Night, Rain, Maize, Knowledge, and Patron Gods, and highlights recent scholarship in Maya glyph decipherment, archaeology, and art interpretation.
The Kimbell Art Museum in Fort Worth has announced two major exhibitions for 2026. From March 15 to June 28, the museum will host "The Holy Sepulcher: Treasures from the Terra Sancta Museum, Jerusalem," featuring over 60 silver, gold, and bejeweled objects gifted by Holy Roman Emperors and European monarchs to the Church of the Holy Sepulcher. In the fall, from October 4, 2026, to January 17, 2027, the Kimbell will present "Photography's First Century: Masterworks from the Bibliothèque nationale de France," its first-ever photography exhibition, showcasing more than 150 early images from pioneers like Henri Le Secq, Gustave Le Gray, and Félix Tournachon.
The Kimbell Art Museum in Fort Worth will host "Myth and Marble: Ancient Roman Sculpture from the Torlonia Collection" from September 14, 2025, to January 25, 2026. This exhibition features 58 marble masterpieces from the Torlonia Collection, the world's greatest private collection of ancient Roman sculpture, many of which have never left Italy. It marks the first time these works are displayed in North America, and the Kimbell is one of only two U.S. museums to receive this honor. The sculptures range from the fifth century B.C. to the early fourth century A.D., with thematic sections exploring mythology, imperial power, and restoration.
The Kimbell Art Museum in Fort Worth, Texas, is presenting "Dutch Art in a Global Age," an exhibition organized by the Center of Netherlandish Art at the Museum of Fine Arts, Boston. The show features over a hundred seventeenth-century Dutch paintings, including seascapes and still lifes by artists such as Ludolf Bakhuizen, Willem van Aelst, and Adriaen Coorte, alongside a Japanese woodblock book from the late eighteenth century that highlights the global reach of Dutch maritime trade.