Artist Mark Leckey piloted a free month-long art course called Music and Video Lab this summer in Redruth, Cornwall, aimed at attracting people aged 18 to 25 who lack access to formal art education. The course, costing £15,000 with support from Arts Council England, was initiated by curator Teresa Gleadowe of CAST and artist Liam Jolly of Auction House, with final works screened at CAST from August 5 through September 3.
The article examines the severe affordable housing crisis facing artists in major art capitals like New York, Berlin, London, Los Angeles, Paris, and Hong Kong. It draws parallels between the satirical portrayals of housing struggles in Tama Janowitz's *Slaves of New York* (1986) and Jane DeLynn's *Real Estate* (1988) and the contemporary reality, where median rents have tripled since the 1970s while artists' median earnings remain critically low. The author maps artists' precarious housing situations onto Dante's nine circles of Hell, illustrating the creative but often desperate workarounds artists employ, such as subletting, living in storage units, or having no permanent address.
The Hamptons art scene is hosting a diverse array of exhibitions this March, ranging from intimate solo shows to expansive group surveys. Key highlights include Cait Porter’s still-life explorations of grief at Halsey McKay Gallery, Bruce Mermelstein’s photography retrospective at Southampton Town Hall, and a music-centric exhibition at ARDT Gallery featuring works by Kim Simmonds and David Edward Byrd. Other notable shows include "The Light of Awakening" at LTV Studios and a contemporary narrative group show at Slattery Gallery that pairs emerging artists with blue-chip masters like Picasso and de Kooning.
Un Français gagne un Picasso à la loterie
A Parisian resident has won a painting by Pablo Picasso valued at €1 million through a charity raffle. The winner acquired the masterpiece after purchasing a single lottery ticket for just €100.
Above & Beyond Children's Museum (ABCM) in Sheboygan, Wisconsin, will host a listening session on May 4, 2025, as it prepares the second iteration of its Culture Exchange Exhibit, this time focusing on the Mexican immigrant experience. The museum is partnering with Gabriela Marván, a Mexican artist from Viroqua and co-founder of the Mexican Folk Art Collective, who specializes in cartonería (paper sculpture). Marván will create monumental alebrijes, an ofrenda altar, and papel picado for the exhibit, which will be installed in November. The project also includes workshops, Aztec dance, bilingual story times, and loteria games, aiming to engage visitors in Mexican folk traditions over several years.
The Marjorie Barrick Museum of Art in Las Vegas will present 'Living Here,' an exhibition running from June 20 to December 20, 2025, featuring 26 artists from the East and Southeast Asian diasporas. The show explores how food, clothing, movies, and everyday objects carry the sensory and emotional weight of diaspora, with works ranging from painting and sculpture to video and installation. Artists include Eliza O. Barrios, Ching Ching Cheng, Jiha Moon, Stephanie Shih, TT Takemoto, and Christine Wong Yap, among others. The exhibition incorporates oral histories from the Reflections: The Las Vegas Asian American and Pacific Islander Oral History Project at UNLV Libraries.
The article is a critical essay by Alex Taek-Gwang Lee challenging the philosophical approach of popular thinker Byung-Chul Han. It argues that Han's accessible, 'Sloterdijkian' style prioritizes rhetorical flair and immediate recognition over dialectical rigor and material political analysis, resulting in a critique that circulates comfortably within the very neoliberal attention economy it claims to oppose.
The annual Crosscurrents art exhibition has opened at Oglebay Institute’s Stifel Fine Arts Center in Wheeling, West Virginia, running through July 12. Now in its 46th year, the show features 92 works selected from over 250 submissions by artists across six states and Washington, D.C. Pittsburgh-based artist Michael Lotenero served as juror, awarding Best in Show to Asha Cabaca for “Unit,” with second and third prizes going to Jade-Lynn Lewis and Jesse Baggett, respectively.
The State Museum of Pennsylvania has announced the finalists for the 58th annual "Art of the State" exhibition, featuring 96 artists from over 30 counties across the Commonwealth. Selected from 2,344 entries submitted by 696 artists, the finalists' works span five categories: paintings, photography/digital media, crafts, sculptures, and works on paper. A panel of selection jurors—Brenton Good, Shin-hee Chin, and Lauren Whearty—chose the finalists, while awards juror Denise Ryner will determine first, second, and third place winners in each category. Cash prizes totaling $5,300 will be awarded, including the Art Docents’ Choice Award. The exhibition opens June 8, 2025, with free admission on opening day, and runs through September 14, 2025.
Marietta College's Art Department is presenting its Art and Design Capstone Exhibition, featuring work by graduating seniors in graphic design and studio art. The show opened January 13 and runs through March 4 at the Atrium Gallery in the Hermann Fine Arts Center, with an artist reception on January 24. Projects include paintings, digital designs, branding, and textile works, such as Jazlyn Ingold's multi-canvas oil painting "Fragmented Skies" and Renee Mulvaney's mobile app concept "Studiio."
Around 300 workers at the British Library in London have gone on strike from 27 October to 9 November over a pay dispute, organized by the Public and Commercial Services union (PCS). The strike threatens to disrupt the opening of the major exhibition "Secret Maps" (until 18 January 2026). Meanwhile, more than 100 PCS members across Tate's four sites are being balloted for possible strike action, with a postal ballot closing on 11 November. The unions demand inflation-proof pay rises, citing low wages that force employees to take second jobs and loans, while management offers increases of 2.4% at the British Library and 3% at Tate.
Artist Courtney Enriquez is debuting her solo exhibition, “Mi Vida y Lotería,” at El Centro Cultural Hispano de San Marcos with an opening reception this Sunday. The exhibition features vibrant paintings inspired by the traditional Mexican game of Lotería, blending cultural heritage with personal family memories and humor. The show marks a significant homecoming for the artist, whose family roots in San Marcos date back generations.