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Glen Baxter obituary

Cartoonist and surrealist Glen Baxter has died at the age of 82. He was celebrated for his distinctive style, which blended deadpan captions with pop art-inspired scenes featuring characters like cowboys and spacemen in bizarre situations. His work appeared in major publications like the New Yorker and the Observer, and he was also a staple of humorous greeting cards.

A vocabulary of touch: exhibition of sculpture by blind and partially blind artists opens in Leeds

The Henry Moore Institute in Leeds has opened "Beyond the Visual," the first major UK exhibition of sculpture centered on blind and partially blind artists and curators. Co-curated by Ken Wilder, Aaron McPeake, and Clare O'Dowd, the show features works by 16 international artists including Henry Moore, Barry Flanagan, Lenka Clayton, Emilie Louise Gossiaux, David Johnson, and others. The exhibition prioritizes touch, sound, and sensory engagement, with all objects available to handle, textured flooring mats, high-contrast signage, and audio descriptions. It includes new commissions such as David Johnson's "Nuggets of Embodiment" (2024-25), made of 10,000 stone-plaster Digestive biscuits with Braille text.

Strange Coin Used on U.K. Bus Turns Out to Be 2,000-Year-Old Relic

A 2,000-year-old Phoenician bronze coin, originally used as bus fare in Leeds in the 1950s, has been identified and donated to the Leeds Discovery Centre. The coin was minted in the ancient Carthaginian settlement of Gadir (modern-day Cádiz, Spain) and features imagery of the deity Melqart and tuna fish, reflecting its maritime origins.

eleanor of castile ai leeds castle 2752385

Leeds Castle has launched an interactive AI avatar of Eleanor of Castile as the centerpiece of its new exhibition, "Pilgrimage of Love: Eleanor of Castile." Developed in collaboration with SKC Studios, the digital queen is housed in a screen shaped like a lancet window and is programmed to recognize visitors and answer questions about her life, from her 13th-century architectural projects to her marriage to Edward I. The exhibition traces her transformation of the castle from a Norman stronghold into a royal residence with Moorish-inspired gardens.