An Analog Tether

A new wave of gallery exhibitions is championing analog physicality and personal intimacy as a direct counter-response to the rise of AI-generated imagery. Artists like Ben Wolf Noam and Joseph Geagan are utilizing traditional mediums such as charcoal, lithography, and oil paint to capture spontaneous, sentimental moments of human connection, from family dinners to portraits of friends. These works emphasize the "hospitable mess" of real life, prioritizing the recognizable faces and tangible textures that AI often flattens.

Maspeth gallery showcases SoCal artist’s works through May 2

Los Angeles-based artist Molly Bounds makes her New York solo debut at Mrs. gallery in Maspeth, Queens, with the exhibition "The Light That Loses, The Night That Wins." The show features a series of psychological portraits and cinematic scenes rendered in oil and acrylic, capturing figures in moments of solitude, internal conflict, and escapism. Following her presentation with the gallery at The Armory Show in 2025, this exhibition highlights Bounds' transition from printmaking to complex, mood-driven painting.

The portrait

López de la Serna CAC has launched a collective exhibition exploring the evolution of portraiture through the works of four major contemporary artists: Francesco Clemente, Alex Katz, David Salle, and Henry Taylor. The exhibition moves beyond traditional representation to examine how identity is constructed in the postmodern era, utilizing diverse approaches ranging from Clemente’s mystical pastels and Katz’s flat, vibrant aesthetics to Salle’s fragmented collages and Taylor’s socially conscious figuration.

Philippe Halsman's Portraits Feature the Entire 20th-Century Cultural Elite: The Exhibition in Veneto

Nei ritratti di Philippe Halsman c’è tutta l’élite culturale del Novecento. La mostra in Veneto

The Palazzo Pinato Valeri in Piove di Sacco, Italy, is hosting a comprehensive exhibition dedicated to the legendary photographer Philippe Halsman. The show traces his career from his early 1930s Parisian portraits to his iconic American period, featuring his surrealist collaborations with Salvador Dalí and his famous "Jumpology" series. The collection includes intimate and experimental portraits of 20th-century icons such as Marilyn Monroe, Albert Einstein, Alfred Hitchcock, and Sophia Loren.

Sasaoka Yuriko’s Violent Puppeteering

The Shiga Museum of Art is hosting "Paradise Dungeon," a comprehensive exhibition of Sasaoka Yuriko’s video and sculptural works. The show traces the artist's career from her 2011 response to the Tōhoku earthquake to her latest large-scale installations, characterized by a "grotesque" aesthetic involving marionettes with digitally superimposed human faces. Her work utilizes mediated artifice—including fairground-style soundtracks, repurposed toys, and violent puppetry—to explore themes of consumption, sacrifice, and the dehumanizing nature of digital observation.

LA Artists Honor Dolores Huerta’s Defiant Spirit

The Chicano cultural center Plaza de la Raza in Los Angeles has launched "DOLORES," a major group exhibition celebrating the 96th birthday and enduring legacy of labor leader Dolores Huerta. Featuring works by over 30 artists, including Barbara Carrasco and Vincent Valdez, the show utilizes portraiture, mixed media, and depictions of migrant labor to honor Huerta’s contributions to the United Farm Workers (UFW) and Chicano civil rights.

Beeville Art Museum welcomes four portraiture artists for latest exhibition

The Beeville Art Museum has opened a new exhibition featuring the work of four contemporary portrait artists: John J. Martinez, Michael Ray Charles, Celeste De Luna, and John Mata. The show, titled "Portraiture: A Contemporary View," presents a diverse range of styles and mediums, from Martinez's traditional oil paintings to De Luna's printmaking and Mata's digital works.

Restrained Emotions Simmer in Shinsuke Inoue’s Tender Wood Sculptures

Japanese artist Shinsuke Inoue creates small, emotionally resonant wood sculptures of human figures. His practice began about ten years ago when he carved a likeness of his child, sparking a dedicated focus on figurative woodcarving that captures universal human essence rather than specific portraits.