First Details of the German Pavilion

Erste Details zum deutschen Pavillon

The German Pavilion at the upcoming Venice Biennale will present an exhibition titled "Ruin," featuring works by the late Henrike Naumann and artist Sung Tieu. Curated by Kathleen Reinhardt, the exhibition explores historical ruptures and the lingering effects of political and social voids following German reunification. Tragically, Naumann passed away shortly after completing her contributions, and her studio team is now working to realize her final artistic vision for the prestigious international stage.

“Tohé Commaret: Mala Onda” at ZOLLAMT MMK, Frankfurt

“Tohé Commaret: Mala Onda” at ZOLLAMT MMK, Frankfurt

Chilean artist Tohé Commaret has opened her first institutional solo exhibition in Germany, "Mala Onda," at the ZOLLAMT MMK, a project space of the Museum für Moderne Kunst in Frankfurt. The exhibition features a new body of work, including large-scale paintings and a site-specific installation, that explores themes of memory, cultural displacement, and the lingering psychological effects of political violence.

Navajo Nation: the fight for cultural survival – photo essay

The Navajo Nation is currently navigating a complex struggle to preserve its cultural heritage against the lingering effects of colonial-era boarding schools and the modern pressures of social media and urbanization. While elders like Virginia Brown recount the trauma of forced assimilation and language suppression, a new generation is grappling with a decline in Navajo fluency, which UNESCO now classifies as a vulnerable language. Despite these hurdles, community members are utilizing local schools and traditional practices to reclaim their identity.

Bone Insurrection

Artist Rabih Mroué's text "Bone Insurrection" is being published by Film Notes in conjunction with an upcoming screening of his films and videos at the e-flux Screening Room in New York. The text is a poetic, first-person narrative that explores the physical and psychological aftermath of historical violence, framing the self as an excavation site where trauma persists in the body.

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Frieze Los Angeles 2026 opened amid concerns over the city's cooling art market, following a wave of gallery closures and a shift toward nomadic dealer models. Despite the economic downturn and the lingering shadow of previous regional fires, the fair week saw a resurgence of energy with 32,000 attendees and significant blue-chip sales, including a $3.75 million Ed Ruscha at Gagosian and a $2.8 million Njideka Akunyili Crosby at David Zwirner. The week was characterized by a mix of high-end commerce at the Santa Monica Airport and grassroots vitality at satellite events like Felix and the newly launched Post-Fair.

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The Los Angeles art scene is navigating a complex recovery as it prepares for Frieze Los Angeles 2026. The city is grappling with the lingering trauma of devastating wildfires that destroyed significant private collections, alongside economic instability caused by massive layoffs in the entertainment industry and recent political unrest. This combination of environmental and financial crises has led to a notable market downturn, resulting in the closure of several high-profile galleries including Blum, Tanya Bonakdar, and Sean Kelly.

Denmark exhibition invites visitors to come face to face with Basquiat’s ‘head’ works

The Louisiana Museum of Modern Art in Denmark is opening "Basquiat: Headstrong," the first comprehensive exhibition dedicated to Jean-Michel Basquiat's depictions of the human head, focusing on works from 1981 to 1983. These early drawings on paper, many made with oil sticks and bearing traces of studio debris, were largely hidden in his studio during his lifetime and only reached a wider audience after his death, notably through a 1990 show at Robert Miller Gallery in New York. The exhibition includes a single painting, Untitled (1982), which sold for $110.5 million at Sotheby's in 2017.