Dallas Art Fair brings Texas's relationship-driven collecting community into focus

The Dallas Art Fair has returned for its 2026 edition, signaling a period of stability with approximately 90 exhibitors and a higher retention rate than previous years. The fair continues to serve as a vital hub for the North Texas collecting community, characterized by a deliberate, relationship-driven approach to acquisitions. Notable activity included the Dallas Museum of Art's acquisition of six works for its permanent collection, including pieces by Nicole Eisenman and Raymond Saunders, funded through a $100,000 partnership with the fair's foundation.

American Rousseaus Return to Paris

Les Rousseau américains de retour à Paris

The Musée de l’Orangerie in Paris is hosting a landmark exhibition titled "Henri Rousseau, l’ambition de la peinture," featuring 50 works by the self-taught master. The show is distinguished by a historic loan from the Barnes Foundation in Philadelphia, which has sent nine paintings to France for the first time since they were acquired a century ago by Albert Barnes. A highlight of the exhibition is the rare gathering of three "manifesto paintings"—The Sleeping Gypsy, Unpleasant Surprise, and The Snake Charmer—displayed together in a dedicated gallery.

Art Dubai announces updated gallery list for postponed 2026 edition

Art Dubai has released a revised exhibitor list for its 2026 edition, which was rescheduled to May 15–17 following regional instability caused by the US-Israel war in Iran. The fair will feature 50 galleries at Madinat Jumeirah, down from its original roster after approximately 75 participants—including major Indian and Western galleries—withdrew due to scheduling conflicts and logistics. To support those remaining, the fair has introduced a flexible fee structure where galleries pay a percentage of sales capped at the original stand cost.

Joan Semmel Is Doing Her Best Work at 93

Nonagenarian painter Joan Semmel is experiencing a significant career renaissance, marked by a major survey exhibition at the Jewish Museum and a concurrent solo show at Alexander Gray Associates. At 93, Semmel continues to work from her Soho studio, where she has lived for over fifty years, producing unflinching figurative paintings that explore the female body, aging, and the gaze. The article traces her trajectory from her early education at Cooper Union and a formative period in Madrid to her pivotal role in feminist art history.

Marcel Duchamp & Sturtevant | Dialogues are mostly fried snowballs

Thaddaeus Ropac Milan is hosting a landmark exhibition titled "Dialogues are mostly fried snowballs," marking the first-ever joint presentation of Marcel Duchamp and Sturtevant. The show stages a cerebral confrontation between Duchamp’s original readymades, such as "Porte-bouteilles" and "Trébuchet," and Sturtevant’s radical repetitions of his work. By showcasing these pieces alongside archival materials and films, the exhibition traces how Sturtevant used Duchamp’s style as a medium to investigate the canonization and "understructure" of conceptual art.

15 Artists Explore the Potentiality of Fabric and Fiber in ‘Textile Art Redefined’

The Saatchi Gallery in London is hosting 'Textile Art Redefined,' a group exhibition featuring 15 artists who push the boundaries of fiber and fabric. Curated by Helen Adams, the show includes diverse works ranging from Ian Berry’s immersive installations made of recycled denim to Kenny Nguyen’s undulating silk wall pieces and Anne von Freyburg’s textile reinterpretations of Rococo paintings. The exhibition coincides with the release of Adams' new book, 'Textile Fine Art,' which explores the medium's evolution from functional craft to a celebrated pillar of contemporary art.

Art Dubai Unveils Leaner ‘Special Edition’ Built Around Regional Core

Art Dubai has announced a streamlined "special edition" for its 2026 iteration, featuring a reduced roster of approximately 75 exhibitors. Scheduled for May 15–17 at Madinat Jumeirah, the fair is pivoting toward a regional core, with 60 percent of participants hailing from the Gulf and Southwest Asia. To address economic pressures and regional instability, the fair is implementing a novel risk-sharing financial model where booth costs are partially tied to sales performance.

Art Dubai Downsizes Dramatically as War Reshapes Plans

Art Dubai has announced a significantly scaled-back 20th-anniversary edition, reducing its exhibitor list by 57 percent following regional conflict and logistical disruptions. Originally scheduled for April, the fair has been postponed to May 15–17 at Madinat Jumeirah and will now feature only 50 galleries, with a heavy emphasis on regional participants. To support dealers during this period of uncertainty, organizers have implemented a "risk-sharing" booth fee model where galleries pay a percentage of sales capped at their original fee.

'It was my job to create the view': US artist Liza Lou on making colourful works in her windowless warehouse

American artist Liza Lou discusses her recent shift in practice, moving from her famous large-scale bead installations to a new body of work that fuses oil painting with glass beads. After years of collaborative work in South Africa and focusing on monochrome tones, Lou has returned to a solitary studio practice in a windowless warehouse in the San Fernando Valley. This new phase is defined by a "headlong love affair with colour," inspired by the hallucinatory palette of the Mojave Desert and a transition from logical drawing to a more intuitive, freestyle process.

A Giant Wool Form by Nicola Turner Heaves and Skitters Through an 18th-Century Chapel

Artist Nicola Turner has unveiled a site-specific installation titled "Time’s Scythe" within an 18th-century chapel at the Yorkshire Sculpture Park. The work features massive, creature-like forms made from hand-stitched recycled wool and horsehair that appear to crawl and surge through the building's architectural openings, spilling from balconies and wrapping around the exterior.

Dallas Art Fair Foundation Art Acquisition Fund 2026 Prizes Announced

The Dallas Museum of Art (DMA) has selected several new works for its permanent collection through the Dallas Art Fair (DAF) Foundation Art Acquisition Fund. During the 2026 edition of the fair, curators and donors chose pieces by artists including Hasani Sahlehe, Caroline Monnet, Gloria Klein, Raymond Saunders, and Nicole Eisenman. The acquisitions span a variety of media, from large-scale abstract paintings and triptychs made of industrial materials to wood reliefs and works on paper.

Self-Made at the American Folk Art Museum explores a century of artists inventing themselves

The American Folk Art Museum has launched "Self-Made: A Century of Inventing Artists," an exhibition exploring the work of self-taught creators who operated outside traditional institutional frameworks. Featuring a diverse array of drawings, paintings, and sculptures by figures such as Henry Darger, Bill Traylor, and Sister Gertrude Morgan, the show examines how these artists used their practice to construct identities and narratives in environments that often offered little formal recognition.

Julie Mehretu Captures Our Contemporary Chaos in Shimmering Abstract Paintings

Julie Mehretu has established herself as a preeminent voice in contemporary abstraction by creating dense, multilayered canvases that synthesize architectural drawings, maps, and media imagery. Her work is characterized by a meticulous accumulation of marks that transform sociopolitical data and historical events into ethereal, gestural compositions. By layering information until it reaches a point of abstraction, she explores how individual and collective identities are shaped by the built environment and global shifts.

Painting Has Entered Its Performance Era

The rise of short-form video platforms like Instagram and TikTok has transformed painting from a static medium into a performative spectacle. To compete with algorithmic preferences for transformation and speed, artists are adopting specific visual grammars such as the "art reveal"—where a canvas is dramatically flipped toward the camera—and "speed painting," which turns the creation process into a high-stakes live event. These trends emphasize the labor and human presence behind the work, often utilizing emotional storytelling and direct engagement to build dedicated fanbases outside traditional gallery structures.

Exhibition | Megan Jenkinson, 'Secateur / Sequitur' at Two Rooms, Auckland, New Zealand

Artist Megan Jenkinson presents her latest body of work, 'Secateur / Sequitur', at Two Rooms in Auckland. The exhibition features intricate photocollages that blend botanical elements with man-made materials like wire, drawing inspiration from classical philosophy and the Japanese art of ikebana. Jenkinson’s meticulously structured compositions explore the tension between the natural world and human systems of order.

New NYC exhibit highlights art of self-made artists

The American Folk Art Museum has launched "Self-Made: A Century of Inventing Artists," a new exhibition exploring how self-taught creators define their own identities. Spanning from the early 20th century to the present, the show features a diverse array of mediums including painting, photography, and sculpture. Key works include John Kane’s 1928 self-portrait, which reflects his immigrant experience, and Joe Coleman’s contemporary reflections on the COVID-19 pandemic.

A Landmark Calder Exhibition with Over 300 of His Revolutionary Works Goes on View in Paris

The Fondation Louis Vuitton in Paris has launched "Calder: rêver en équilibre," a massive retrospective featuring over 300 works by the American modernist Alexander Calder. The exhibition spans the artist's entire career, from his early engineering-influenced "Circus" performances and hand-wrought jewelry to his iconic suspended mobiles and monumental outdoor sculptures. Notably, the show marks the first time the Frank Gehry-designed institution has installed artworks on its exterior lawns, creating a dialogue between Calder’s geometric forms and the building's avant-garde architecture.

Pre-Raphaelite exhibition explores LGBT+ stories

Cartwright Hall Art Gallery in Bradford has launched a new exhibition of Pre-Raphaelite masterpieces paired with contemporary reflections from the local LGBT+ community. Members of the Equity Partnership charity collaborated with museum staff to reinterpret 19th-century works by artists such as Dante Gabriel Rossetti, Ford Madox Brown, and John Collier through the lens of lived queer experience.

untitled 2026 (a gathering of remarkable people)

The National Pavilion of Qatar has announced its presentation for the 61st Venice Biennale, titled "untitled 2026 (a gathering of remarkable people)." Commissioned by Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani and co-curated by Tom Eccles and Ruba Katrib, the exhibition features a tent-like structure designed by Rirkrit Tiravanija. The space will host a collaborative program including a film by Sophia Al-Maria, performances by Tarek Atoui, a large-scale sculpture by Alia Farid, and a culinary program by chef Fadi Kattan.

Review | Raphael, a master of serenity, is the artist we need right now

Art critic Philip Kennicott reflects on the profound psychological impact of Raphael’s Renaissance masterpieces, specifically citing the 'Madonna of the Meadow' in Vienna and the 'Alba Madonna' in Washington, D.C. He describes how these works possess a unique ability to cure 'museum fatigue' and mental clutter, offering a sense of serenity and clarity that feels particularly necessary in the current cultural climate.

Take a walk on the wild side with the Haas Brothers' fantastical new show

The Museum of Arts and Design (MAD) in New York has opened "Uncanny Valley," a major exhibition dedicated to the Los Angeles-based duo Nikolai and Simon Haas. The show features 85 works spanning 15 years of their practice, showcasing their signature blend of art, furniture, and craft through zoomorphic sculptures and kooky forms. Organized in collaboration with the Cranbrook Art Museum, the exhibition places these physical objects against surreal, algorithmically-generated backdrops that explore the intersection of human craftsmanship and digital technology.

A Faceless Mary Magdalene by Artemisia Gentileschi Goes to Auction

Va in asta una Maria Maddalena di Artemisia Gentileschi senza volto

The Viennese auction house Dorotheum has announced the sale of a rare, fragmented painting of Mary Magdalene by the Baroque master Artemisia Gentileschi. Dating from the artist's influential Florentine period (1615–1618), this autograph version of a work held in Palazzo Pitti is notably missing its central element: the head and shoulders of the saint have been physically cut from the canvas. Despite this dramatic mutilation, which experts speculate may have occurred in post-war Berlin, the work is estimated to fetch between €100,000 and €150,000 at the Old Masters auction on April 28, 2026.

8 Artists to Follow If You Like Marcel Duchamp

Marcel Duchamp’s legacy continues to shape contemporary art through his pioneering use of readymades, conceptual rigor, and institutional critique. This analysis identifies eight modern and contemporary artists whose practices echo Duchamp’s subversion of traditional aesthetics, ranging from his early experiments with found objects to his later explorations of gender and mechanical desire.

Exhibit at National Museum of Mexican Art in Chicago is a call to climate action

Artist Ana Teresa Fernández has launched her solo exhibition "Under Pressure" at the National Museum of Mexican Art in Chicago, presenting a multi-disciplinary call to climate action. The exhibit features oil paintings, sculptures such as a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the planet's breaking point. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to flash an S.O.S. signal in Morse code toward the horizon.

Artist Ana Teresa Fernandez exhibit, 'Under Pressure,' now on display at National Museum of Mexican Art, a call to climate action

The National Museum of Mexican Art in Chicago is currently hosting "Under Pressure," a solo exhibition by Mexican-born artist Ana Teresa Fernández. The show features a diverse range of media, including oil paintings, sculptures like a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the fragility of the environment. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to signal an S.O.S. in Morse code toward the horizon.

Notta Gallery Celebrates Hispanic Art and Culture with Fuego Festival and ‘Caballo de Fuego’

Notta Gallery in Lakeland, Florida, is launching a major retrospective titled 'Caballo de Fuego: Firehorse' dedicated to the 90-year-old Cuban master Gonzalo Borges. The exhibition features over 40 works spanning three decades, ranging from 1994 to a new piece completed in 2025. To mark the opening, the gallery is hosting the inaugural Fuego Festival, a street event celebrating Hispanic heritage through art, Latin cuisine, and live music.

Walk through UAE’s first contemporary art exhibition dedicated to the Urdu language

The Ishara Art Foundation in the UAE has launched 'Urdu Worlds,' the region's first contemporary art exhibition dedicated to the Urdu language. Curated by Hammad Nasar, the show features a visual dialogue between the late Indian-born artist Zarina and Pakistani multimedia artist Ali Kazim. The exhibition showcases Zarina’s delicate woodcut prints, including her seminal 'Home is a Foreign Place,' alongside an expansive survey of Kazim’s paintings, sculptures, and his new 'Alphabets' series, marking his institutional debut in West Asia.

BRAVO! Listen Up! Students’ Exhibition at Groza Art Studio

The Princeton Symphony Orchestra (PSO) has launched its annual “BRAVO! Listen Up!” exhibition at the Adriana Groza Art studio, featuring visual and written works by thirty-two middle school students. The participants created these pieces in response to composer Andreia Pinto Correia’s orchestral work "Ciprés," following a creativity workshop led by artist April Zay. The collection includes a diverse range of media, from traditional watercolors and acrylics to 3D sculptures made of rosewood and yarn.

Kazakhstan Presents “Qoñyr: Archive of Silence” at Venice Biennale

Kazakhstan has unveiled details for its national pavilion at the 61st Venice Biennale, titled “Qoñyr: Archive of Silence.” Curated by Syrlybek Bekbota, the exhibition features nine artists including Smail Bayaliyev, Asel Kadyrkhanova, and Ardak Mukanova, and will be hosted at the Museo Storico Navale. The presentation utilizes the Kazakh concept of "Qoñyr"—a term encompassing specific colors, sounds, and scents—to explore themes of Soviet domesticity, nuclear trauma, and cultural heritage through sound installations, video, and archival assemblages.

National Carpet Museum opens exhibition titled 'Images Imprinted in Memory' [PHOTOS]

The Azerbaijan National Carpet Museum has launched "Images Imprinted in Memory," a solo exhibition by multidisciplinary artist Madina Gasimova. Supported by the .ART domain, the showcase features 28 works produced over the last five years, including five new carpets woven using the museum's traditional techniques based on the artist's contemporary sketches. The exhibition highlights the fluidity of artistic motifs as they transition across various media, including painting, stained glass, mosaic, and digital formats, accompanied by a sound installation of the carpet-weaving process.