The 2025 edition of TEFAF Maastricht has opened with 277 dealers from 24 countries, showcasing 7,000 years of art history despite significant geopolitical instability in the Middle East. While the fair remains a premier destination for Old Masters and high-end antiques, exhibitors are navigating logistical hurdles caused by regional conflicts and airport closures in major transit hubs like Dubai.
The article's main feature is a guide on creating effective protest signs for the upcoming No Kings protest, compiled by comic artist Steven Weinberg with input from artists, writers, and curators including Hyperallergic's Editor-at-Large Hrag Vartanian. It offers practical advice for crafting visually and rhetorically powerful signs that challenge authority.
Giovanni Bellini's monumental 15th-century altarpiece, the San Giobbe altarpiece, is undergoing its most extensive restoration in over 500 years at the Gallerie dell'Accademia in Venice. Deemed too fragile to move, the two-year, €500,000 project will stabilize the cracked wood panel and analyze pigments using advanced imaging, all performed behind glass in full public view.
The Metropolitan Museum of Art has acquired a recently rediscovered Renaissance painting, 'Madonna and Child with Saint John the Evangelist,' by Rosso Fiorentino. The work, believed lost for centuries, was identified after conservation removed layers of overpaint, revealing the figure of Saint John. The Met has already placed the painting on view in its European painting galleries.
The Art Newspaper reports on three notable museum acquisitions: a rediscovered Renaissance painting by Rosso Fiorentino acquired by the Metropolitan Museum of Art, a 16th-century silver gilt goblet by Hans Rappolt I acquired by the Siegerland Museum, and a circular painting by Salman Toor donated to the National Gallery of Art. The Rosso Fiorentino work, 'Madonna and Child with Saint John the Evangelist' (1512/13), was thought lost for centuries and was identified after cleaning revealed a hidden figure. The goblet, made around 1581, is a rare example of Nuremberg goldsmithing and was supported by a €75,000 donation from the German Federal Cultural Foundation. The Toor painting, 'Wandering Beggars' (2022), is the first by the artist to enter the NGA's collection, donated by the Bronzini-Vender family.
DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) in Chicago, effective June 30. The decision comes as the private university faces severe financial strain, including a $27.4 million budget deficit that has already led to significant staff layoffs. While the university plans to convene discussions on how the museum's building and its 4,000-object collection might serve future academic needs, the institution as a public-facing museum will cease operations following its final exhibitions in March.
The Italian Ministry of Culture has acquired a rare double-sided Renaissance painting by Antonello da Messina, 'Ecce Homo; Saint Jerome in Penitence,' for $14.9 million in a private sale with Sotheby's New York. The work was withdrawn from a planned public auction, and its final institutional home is now the subject of a heated debate among major Italian museums and the artist's hometown.
A 19-year-old tourist, Joshua Vaurin, allegedly vandalized artworks at the Metropolitan Museum of Art in New York on November 3. He threw water at Jean Auguste Dominique Ingres's 19th-century painting *The Princess de Broglie* and a 16th-century altarpiece by Girolamo dai Libri, then ripped two tapestries. Vaurin was taken into custody, arraigned on criminal mischief charges, and appeared to be under the influence of an unknown substance. The Met reported minor damage with repairs estimated at $1,000.
Fondazione Dries Van Noten has opened at Palazzo Pisani Moretta in Venice with its inaugural exhibition, "The Only True Protest Is Beauty," running from April 25 to October 4, 2026. Curated by Dries Van Noten himself, the show features over 200 works across twenty rooms, blending fashion, art, design, ceramics, glass, and photography. Highlights include archival pieces by Christian Lacroix and Rei Kawakubo for Comme des Garçons, alongside works by emerging and established artists such as Ayham Hassan, Peter Buggenhout, Ritsue Mishima, and Misha Kahn. The exhibition avoids a fixed curatorial logic, instead using instinctive juxtapositions to explore beauty as tension and disruption.
The Metropolitan Museum of Art's acquisition of a newly identified Mannerist painting, Rosso Fiorentino's "Madonna and Child with Saint John the Evangelist" (1512–13), has sparked a viral, irreverent reaction on social media. Commenters on the museum's Instagram post have described the muscular infant Jesus using contemporary slang like "baddie," "yasssified," and "caked up," drawing parallels to modern beauty trends.
Banksy has unveiled a new artwork featuring a lighthouse with the text 'I want to be what you saw in me,' posted on his Instagram account without any caption or location details. The piece, rendered in his signature black stencil on a stucco wall, appears to be his first major work since the 2023 'Beastly London' campaign, which included animal-themed murals across the city. Within two hours of posting, the image garnered over 300,000 likes, continuing the artist's tradition of cryptic, location-ambiguous public interventions.
The article is a first-person reflection by Jesuit artist Nick Leeper on the 2024 Biennale d'Art Contemporain Sacré in Menton, France. Leeper describes entering the Grand Hôtel des Ambassadeurs expecting a traditional sacred art show but finding instead a mix of abstract sculptures, Venetian glassworks, and works by Man Ray, alongside more conventional religious pieces. The biennale, founded in 2019 by Liana Marabini, features 180 artists from 29 countries exploring the theme of "forgiveness," including major names like Damien Hirst, Yayoi Kusama, and Gerhard Richter, as well as artists from religious orders. Leeper recounts how visitors at the opening asked what makes such diverse works sacred.
This article guides readers on a global tour to see every surviving painting by Leonardo da Vinci, numbering around 16 works predominantly by the master himself, plus a few with his intervention. It traces his career through Florence, Milan, Rome, and France, highlighting key locations such as the Louvre, the National Gallery in London, the Alte Pinakothek in Munich, the Hermitage in St. Petersburg, the National Gallery of Scotland in Edinburgh, and museums in Washington, D.C., and Krakow. The piece also notes the disputed attribution and unknown whereabouts of the $450m Salvator Mundi.
A British woman, Barbara de Dozsa, has voluntarily returned a stolen Renaissance painting by Antonio Solario to the Civic Museum of Belluno in Italy, more than 50 years after it was stolen in a 1973 heist. The work, a Madonna and Child, was purchased by her late ex-husband, Baron de Dozsa, shortly after the theft and later inherited by her. Although UK law allowed her to keep it legally, she was persuaded by art recovery specialist Christopher Marinello to return it on moral grounds, citing the painting's status on the Interpol database and the museum's role as a guardian of cultural heritage.
The New York Times explores the enduring legacy of Raphael, the High Renaissance master whose work defined the pinnacle of 'divine beauty' and classical harmony. The analysis delves into his technical mastery, his ability to synthesize the influences of Leonardo and Michelangelo, and his prolific output during his brief life in Rome.
A 16th-century altarpiece by Vittore Carpaccio, *Madonna and Child Enthroned with Six Saints* (1518), has been returned to the Slovenian town of Piran, where it was originally commissioned for the Church of St. Francis of Assisi. The painting was removed in 1940 and placed in Padua for safekeeping during World War II, remaining in the Basilica of Sant’Antonio for decades. Following pressure from Franciscan friars in Padua, the work was quietly transferred back to Piran on September 4, days before Italian President Sergio Mattarella’s state visit to Slovenia. Slovenian Culture Minister Asta Vrečko hailed the return as the result of long-standing efforts.
Jesuit artist Nicholas Leeper's solo exhibition "Twilight of the Idols," which blends Byzantine iconography with pop art and advertising imagery, was abruptly canceled by the Sheen Center for Thought and Culture in New York about two weeks before its scheduled opening in May 2026. The center, founded by the New York Archdiocese, cited phone calls and emails expressing concern about the work, which includes pieces like "Madonna and Child (Tomatokos)" depicting Mary as a Campbell's soup housewife and "The Visitation" reimagining Mary and Elizabeth in a cigarette ad. Within a day, the exhibition found a new venue at the Mary Chapel of St. Francis Xavier Church, organized in partnership with Xavier High School, where Leeper teaches.
The National Gallery of Victoria (NGV) has opened a new exhibition titled 'Mother,' curated almost entirely from its existing collection. The show traces the experience of motherhood from the 15th century to the present, beginning with a juxtaposition of Giovanni Toscani's Madonna and Child and a 1998 birth mat by Elizabeth Birritjama Ngalandjarri. Co-curators Sophie Gerhard and Katharina Prugger organized the exhibition around the 'life cycle' of a mother, covering themes from matrescence to loss. It features works by artists including Kate Just, Kyra Mancktelow, Destiny Deacon, and Hannah Brontë, with a strong emphasis on First Nations perspectives and fiber arts.
The Metropolitan Museum of Art in New York will present the largest-ever Raphael exhibition in the Americas next spring, titled "Raphael: Sublime Poetry" (29 March–28 June 2026). Curated by Carmen Bambach, the show brings together over 200 works—including paintings, drawings, decorative objects, and tapestries—spanning Raphael’s career from Urbino and Florence to Rome. Major loans include the Alba Madonna from the National Gallery of Art, Washington, D.C.; the Portrait of Baldassare Castiglione from the Louvre; and works from the British Museum, Uffizi, Prado, and Vatican Museums. The exhibition is structured chronologically, with special focus on recent scientific analysis and Raphael’s depictions of women.
Two new summer events for pre-contemporary art are launching in London: Classic Art London (CAL), running from 23 June to 4 July, and Studiolo, a one-day showcase on 26 June. CAL fills the gap left by London Art Week, which ended in 2024, and features gallery exhibitions across Mayfair, St. James's, Cecil Court, and Belgravia, along with a talks programme at the Society of Antiquaries. Highlights include a rediscovered Titian, a solo show of Paul Nash landscapes, and a focus on Swedish Cubo-Futurist Gösta Adrian-Nilsson (GAN). Studiolo, held at Spencer House, presents art, antiquities, and sculpture.
A restoration of the Madonna and Child statue atop Notre-Dame de la Garde in Marseille has revealed seven bullet holes from Nazi gunfire during World War II. The 37-foot-tall copper and iron statue, known as the Bonne Mère, was shot after the city's liberation in 1944, when German artillery units fired on the church, piercing the bell tower, breaking stained-glass windows, and destroying the ceiling mosaic. The bullet holes were discovered near the end of a five-year restoration that included re-gilding and the installation of a new crown via helicopter.
The global art market is entering a high-intensity period between March 5 and 11, 2026, with a dense schedule of auctions spanning Italy, London, Vienna, and Geneva. Major international houses including Christie’s, Sotheby’s, Phillips, and Bonhams are hosting marquee 20th and 21st-century art sales in London, while Italian houses like Finarte, Pandolfini, and Bertolami focus on Old Master paintings, design, and private estates. Notable single-owner collections, such as the Roger and Josette Vanthournout Collection and the estate of Antonio Crivellaro, are among the week's highlights.