The Williamson Art Gallery & Museum in Birkenhead has announced the largest-ever retrospective of the influential 20th-century British artist Leonard McComb. Titled "Leonard McComb: Nature and Humanity," the exhibition will feature over 60 works, including the monumental 10-meter drawing "Rock and Sea Anglesey" on loan from Oriel Môn, alongside pieces from Manchester Art Gallery and the Royal Academy.
The Guardian's obituary of architect Desmond Williams has highlighted a notable connection within the British architectural world. Williams, known for his ecclesiastical designs, studied at the University of Manchester School of Architecture alongside Donald Buttress, who eventually served as the surveyor of the fabric of Westminster Abbey.
Artist Delaine Le Bas is the featured guest on the fourth episode of the ArtReview Podcast, where she discusses her practice and influences with senior digital editor Chiara Wilkinson. Le Bas selects three works as lenses for the conversation: her own large-scale mural "Un-Fair-Ground" created at Glastonbury Festival, her installation "Witch House" at the Whitworth, and the 1969 film "The Color of Pomegranates."
The Whitworth gallery in Manchester is presenting a major exhibition comparing the works of Japanese masters Katsushika Hokusai and Utagawa Hiroshige. The show traces the evolution of ukiyo-e prints from their origins as mass-produced, voyeuristic snapshots of Tokyo's pleasure districts to the profound, psychologically complex landscapes that would later revolutionize Western art.
Kenyan-American artist Wangechi Mutu has been awarded the National Gallery's second Contemporary Fellowship, a two-year initiative developed with Art Fund and delivered in partnership with the Whitworth, The University of Manchester. The fellowship will see Mutu develop a new body of work through close engagement with both institutions' collections, culminating in her first UK institutional exhibition. The project will open at the National Gallery in London in October 2027 before traveling to the Whitworth in Manchester in spring 2028, with plans for an international tour.
Artist Marcos Kueh presents his solo exhibition 'Smooth Sailing' at ESEA Contemporary in Manchester. The show features new sculptures, tapestries, and a large-scale installation that reflect on the histories of Chinese labour and migration, particularly to northwest England, drawing inspiration from 19th-century trade union banners found in Manchester's People's History Museum.
A rare 17th-century mourning jewel, depicted in the celebrated 1635 painting 'Sir Thomas Aston at the Deathbed of His Wife' by John Souch, has been rediscovered after 400 years. The heart-shaped pendant, which contains a tassel of hair from Aston’s deceased son Robert, was identified by its current owners during a chance visit to an exhibition featuring the portrait. Valued at £650,000, the gold and enamel memento mori features intricate Latin inscriptions that were previously illegible in the painting.
From Lee Cronin’s The Mummy to Zayn: your complete entertainment guide to the week ahead
British artist Michaela Yearwood-Dan is launching her first UK institutional solo exhibition at The Whitworth in Manchester. The immersive installation blends painting, ceramics, sound, and poetry to explore complex themes of colonial history, religious institutions, and the journey toward personal and collective liberation.
Japanese contemporary artist yunnGold has released a new unique painting titled "The Opening" (2024) for sale through Kyoto Art Gallery. The work, characterized by its use of acrylic, fluorescent paint, and glitter, depicts a serene mountain landscape under a night sky with a shooting star. The piece is part of the artist's broader practice of creating luminous, hope-centered works that often incorporate elements of feng shui and personal resilience.
Rochdale recently hosted the FAB Youth Arts Festival, a multi-disciplinary event marking the conclusion of the town’s tenure as the Greater Manchester Town of Culture 2025-26. The festival featured a diverse array of visual arts, including the unveiling of a major new mural by artist Hayley Garner (Aylo) on the Regal Moon building, an outdoor exhibition at the Square Gallery by Hopwood Hall College students, and interdisciplinary showcases at Ebor Studio. The event attracted over 1,500 visitors and focused on the themes of freedom, art, and belonging.
The Bolton Library and Museum has launched its Open Art Event, featuring 120 works selected from over 150 submissions by local creatives. The exhibition showcases a diverse array of mediums, including painting, sculpture, digital art, and photography, with Richard Wood taking the top £1,000 prize for his industrial landscape 'Ghost Chimneys.' Other honors included the Young Artist Award presented to Olivia Edge and an upcoming visitor's choice award sponsored by Bromley Art Supplies.
Manchester-based illustrator Vinay Jalla is headlining a new group exhibition at Altrincham Town Hall, presented by the Altrincham Society of Artists. The showcase features over 40 original works ranging from traditional British landscapes to contemporary social commentary, with Jalla’s piece 'Old Shoes Never Bite' serving as a focal point. His work utilizes humor and symbolism to transform everyday objects into reflections on memory and quiet wisdom.
The Mosaic Art Collective in Manchester, New Hampshire, is hosting a group exhibition titled "WomanWise" from March 9 through March 30, 2026. Presented in partnership with The Equality Health Center, the show features 31 original works by local artists that explore themes of womanhood, empowerment, and community. A public reception on March 14 will feature the announcement of three best-in-show prizes selected by guest juror and artist-in-residence Shaylee Elliette-French.
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The British Museum in London removed the word 'Palestinian' from certain display texts related to the ancient Middle East, replacing it with terms like 'Canaanite.' This action followed a letter from the pro-Israel advocacy group UK Lawyers for Israel (UKLFI) to the museum's director, Nicholas Cullinan, arguing that using 'Palestine' to describe the ancient region was historically inaccurate and erased the Kingdoms of Israel and Judea. The museum stated the changes were made last year, prior to receiving the letter, and that it uses UN terminology for modern maps and 'Palestinian' as a cultural identifier where appropriate.
The Working Arts Club (WAC), a London-based organization supporting art professionals from lower socio-economic backgrounds, is expanding to northern England. Its new chapter will launch in Manchester on March 24, with plans for regional programming and online events. Founder Meg Molloy emphasizes that class barriers in the art world are systemic, not confined to London.