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marina abramovic venice accademia 2026 1234753848

Marina Abramović will celebrate her 80th birthday with a career-spanning exhibition titled "Marina Abramović: Transforming Energy" at the Gallerie dell'Accademia in Venice from May 6 to October 19, 2026, coinciding with the 61st Venice Biennale. The show, previously staged at the Modern Art Museum in Shanghai in fall 2024, features 150 works including furniture-sculpture hybrids made from quartz, amethyst, and tourmaline. Abramović's "transitory objects" will be installed throughout the 14th-century building alongside the museum's permanent collection of Renaissance masterpieces by Titian, Tintoretto, Giorgione, and Mantegna, with a notable pairing of her 1983 photograph *Pietà (with Ulay)* and Titian's *Pietà* (1575–76).

marina abramovic venice accademia 2026 1234753848

Marina Abramović will celebrate her 80th birthday with a career-spanning exhibition titled "Marina Abramović: Transforming Energy" at the Gallerie dell’Accademia in Venice from May 6 to October 19, 2026. The show coincides with the 61st Venice Biennale, opening May 9, and features 150 works including her "transitory objects"—furniture and sculpture hybrids made from quartz, amethyst, and tourmaline. The exhibition will place Abramović's pieces in dialogue with the museum's permanent collection of Renaissance masterpieces by Titian, Tintoretto, Giorgione, and Mantegna, with a notable pairing of her 1983 photograph "Pietà (with Ulay)" alongside Titian's final painting "Pietà" (1575–76).

An eerie Renaissance masterpiece, fresh from a four-year restoration process, goes on show in Berlin

Berlin's Gemäldegalerie has completed a four-year restoration of Vittore Carpaccio's painting "The Preparation of Christ's Tomb" (around 1505-20), removing decades of dirt and discolored varnish. The cleaned work will debut in a small exhibition titled "Tribute to Vittore Carpaccio" running from 20 November to 6 April 2026, alongside a dozen other works from the Staatliche Museen zu Berlin's holdings. The restoration, led by recently retired head conservator Babette Hartwieg, revealed new subtleties in the painting, including a striking sky with bright blue below and stubborn grey clouds above, and confirmed that a false Mantegna signature was added after the work was finished.

An eerie Renaissance masterpiece, fresh from a four-year restoration process, goes on show in Berlin

Berlin's Gemäldegalerie has unveiled Vittore Carpaccio's "The Preparation of Christ's Tomb" (circa 1505-20) after a four-year restoration that removed decades of dirt and discolored varnish. The cleaned painting reveals new subtleties, including a striking sky of bright blue and stubborn grey clouds, and will be the centerpiece of a small exhibition titled "Tribute to Vittore Carpaccio" running from November 20 to April 6, 2026. The restoration was led by recently retired head conservator Babette Hartwieg, who also reinvestigated a false Mantegna signature that had misled earlier attributions.

‘I don’t want to compare myself with these masters’: Giorgio Armani placed side by side with Raphael and Caravaggio in Milan exhibition

Milan's Pinacoteca di Brera has opened a major exhibition titled *Giorgio Armani: Milano, per amore*, juxtaposing over 120 garments designed by the legendary fashion designer Giorgio Armani—who died this month—with Renaissance masterpieces by Caravaggio, Bellini, Raphael, and Mantegna. Unveiled on September 24 during Milan Fashion Week, the show was planned by Armani until shortly before his death, making it his final project. The exhibition also includes a catwalk event in the museum's courtyard on September 28, originally conceived to celebrate 50 years since the Armani fashion house launched in the Brera district.