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Wet Paint Does Frieze Week: The Dinosaur Dealer Downtown, David Zwirner Tribeca, and More Juicy Art-World Gossip

Artnet News' gossip column 'Wet Paint' covers the opening week of Frieze New York, beginning with the group show 'Statics of an Egg' at David Zwirner's newly renamed Tribeca gallery (formerly 52 Walker). Curated by Martin Germann, the exhibition features Japanese artists gathered by Yu Nishimura and Kenji Ide, with Nishimura's painting 'in waiting' highlighted. The column also reports on a private party at the River art-world hangout and a visit to Amanita gallery for 'A Land Before Time: Three Dinosaurs and a Gondola,' which includes a John Chamberlain sculpture. Notable attendees include artists Sasha Gordon, Olivia van Kuiken, Calvin Marcus, and Josh Smith, as well as dealers Marlene Zwirner and Matthew Brown.

Mary Lovelace O’Neal, Painter Who Defied the Bounds of Abstraction, Dies at 84

Mary Lovelace O’Neal, the American painter known for her large-scale abstract works that defied easy categorization, died in Mérida, Mexico, on May 10 at age 84. Her death was confirmed by her galleries, Jenkins Johnson and Marianne Boesky, on May 13. Active in the Civil Rights movement of the 1960s, O’Neal developed a distinctive practice that blended Minimalism, Abstract Expressionism, and figurative elements, most notably through her Lampblack series and later the "Whales Fucking" series. Her work gained renewed attention in the 21st century, with exhibitions at Mnuchin Gallery and the Museum of the African Diaspora, and her painting *Blue Whale a.k.a. #12* (1983) was selected for the 2024 Whitney Biennial.

Tefaf New York wishlist: a Tiffany window and an Egyptian goddess with a nose job

The article highlights three standout artworks being offered at Tefaf New York. A Tiffany Studios stained-glass window, "Birches and Irises" (around 1915), designed by Agnes Northrop, is priced at $1.25 million through Macklowe Gallery. An Egyptian goddess bust from 570-526 BC, rediscovered at a regional auction in England and later authenticated after scientific study, is offered for £1.5 million by David Aaron. A painting by Cecily Brown, "Functor Hideaway" (2008), is listed at $3.9 million by Berggruen Gallery, coinciding with her current exhibition at London's Serpentine Gallery.

Mary Lovelace O’Neal, Author of Uncategorizable Abstractions, Dies at 84

Mary Lovelace O’Neal, an activist, educator, and artist known for her monumental lampblack paintings that expanded the possibilities of abstraction, died on May 10 in Mérida, Mexico, at age 84. Despite a six-decade career, she was long considered an "artist's artist" before gaining international acclaim in recent years, with major exhibitions at Mnuchin Gallery, Marianne Boesky Gallery, the San Francisco Museum of Modern Art, and inclusion in the 2024 Whitney Biennial and the 2025 group show "Paris Noir" at the Centre Pompidou.

New York Is About to Sell $3 Billion in Art. Who’s Buying?

Vanity Fair's Nate Freeman reports on New York's spring art season, where auction houses are poised to sell at least $2.6 billion in art alongside major museum exhibitions (Raphael at the Met, Duchamp at MoMA, Matisse at Acquavella) and the opening of Frieze New York at The Shed. The article follows the social and commercial frenzy, highlighting a David Shrigley gong installation at Anton Kern Gallery's booth and the enduring dominance of New York, where nearly 90% of U.S. art sales occur.

TEFAF New York Opened to Crowded Aisles, Bullish Collectors, and Strong Booths

TEFAF New York opened at the Park Avenue Armory with unexpectedly strong crowds and a buoyant mood, defying the typical afternoon lull. Dealers reported heavy foot traffic and sustained conversations, with gallerist Sean Kelly calling it the best edition in years. The fair, running through May 19, features a mix of antiquities, design, modern, and contemporary art, with standout booths including Alison Jacques’s pairing of Dorothea Tanning, Robert Mapplethorpe, and Gordon Parks, and Sean Kelly Gallery’s display of works by Shahzia Sikander and Sam Moyer. The newly launched Pace Di Donna Schrader Galleries made its TEFAF debut with works by Eugène Delacroix, Willem de Kooning, and Alexander Calder.

Mary Lovelace O’Neal, Painter and Civil Rights Luminary, Dies at 84

Mary Lovelace O’Neal, a painter, educator, and Civil Rights activist, died on May 10 at age 84 in Mérida, Mexico. Known for her monumental canvases and inventive “lampblack” works, she moved fluidly between abstraction and figuration, using layers of black pigment to assert Blackness and presence. Her career included studies at Howard University and Columbia University, activism with the Student Nonviolent Coordinating Committee, and connections to the Black Arts Movement.

Dinosaurs roam New York’s Bowery

Amanita gallery in New York’s Bowery is presenting a rare exhibition pairing a John Chamberlain sculpture, *Gondola Marianne Moore* (1982), with three full, mounted Maiasaura dinosaur skeletons from the Upper Cretaceous period. The fossils, which are 62% to 85% real bone, have never before been exhibited in New York, let alone in a commercial gallery. Amanita partner Jacob Hyman emphasizes the show is not a gimmick but a serious exploration of sculpture, compression, and time, linking Chamberlain’s crushed automobile-part gondolas to the natural preservation of fossils.

Mary Lovelace O’Neal, Abstract Painter Who Refused to Conform, Dies at 84

Mary Lovelace O’Neal, an abstract painter known for her gestural, unruly works that defied categorization, died on Sunday in Mérida, Mexico, at age 84. Her galleries, Jenkins Johnson and Marianne Boesky, announced her passing. O’Neal produced sprawling paintings characterized by tangles of drippy strokes, often using lamp black pigment to create intensely black canvases. She rejected labels like Abstract Expressionist or Minimalist, insisting she was simply a painter. Her series "Whales Fucking" (1979) and a 2020 exhibition at Mnuchin Gallery revived her profile, leading to inclusion in the 2024 Whitney Biennial.

The Parrish Art Museum Presents ‘Sanford Biggers: Drift,’ The Artist’s First Major East End Solo Show

The Parrish Art Museum in Water Mill, New York, will present 'Sanford Biggers: Drift,' the artist's first major solo exhibition on the East End of Long Island, opening in summer 2026. The show features new works, site-responsive installations, and signature sculptures and textiles, including the monumental cloud installation 'Unsui (Cloud Forest)' (2025). The exhibition is part of the museum's 'PARRISH USA250: Life, Liberty, and the Pursuit of Happiness' series, which marks America's semi-quincentennial by exploring the ideals of the Declaration of Independence through the lens of Long Island's artistic heritage.