Venice Biennale 2026 Highlights: Off-Site Exhibitions

ArtReview editors highlight off-site pavilions and exhibitions at the 61st Venice Biennale, running from 9 May through 22 November 2026. Featured works include Li Yi-Fan's film *Screen Melancholy* at Palazzo delle Prigioni, which uses motion capture and a free-trial videogame engine to explore digital alienation and the 'enshittosphere,' and Roberto Diago's installation *Free Men* at the Pavilion of Cuban Republic, comprising rusted iron heads, fragmented wooden figures, and text works critiquing political oppression in Cuba.

Naked jetskiers, giant bells and a celebrity seagull! Venice Biennale’s wildest moments – in pictures

The Guardian presents a photo essay capturing the most eccentric and memorable moments from the 61st Venice Biennale, running until 22 November 2026. Photographer David Levene documents installations including a concrete 'Origami Deer' evacuated from war-torn Pokrovsk, Ukraine, by artist Zhanna Kadyrova; a seagull that became a minor celebrity after nesting outside the Polish pavilion; and the Holy See pavilion's immersive sound installation curated by Hans Ulrich Obrist and Ben Vickers. Other highlights include the Egyptian pavilion's touch-and-smell 'Silence Pavilion' and a Polish pavilion film featuring deaf and hearing singers.

Venice Biennale 2026 Collateral Events Six Of The Best – Nico Kos Earle

The 61st Venice Biennale is described as the most contested and chaotic in recent history, marked by the absence of a curator following the death of Koyo Kouoh and overshadowed by global conflicts that made presentations in national pavilions fraught with difficulty. Amid this turmoil, standout collateral events include Michael Armitage's exhibition 'The Promise of Change' at Palazzo Grassi, curated by Jean-Marie Gallais and Hans-Ulrich Obrist, which uses softly painted scenes to address sociopolitical tensions and post-colonial identity. Another highlight is The Holy See Pavilion, curated by Hans Ulrich Obrist and Ben Vickers, featuring a sonic prayer by Soundwalk Collective with contributions from contemporary composers including Patti Smith.

Holly Herndon and Mat Dryhurst on AI Optimism and Bringing Two-Headed Worms to Venice

Holly Herndon and Mat Dryhurst, known for their work in digital art and experimental music, have curated a group exhibition titled "Strange Rules" at Palazzo Diedo in Venice alongside Hans-Ulrich Obrist. Their contribution includes a collaboration with Tufts University biologist Michael Levin, featuring live planarian worms modified to grow two heads through bioelectric manipulation. The interview discusses their concept of "protocol art," which seeks to expose and reclaim the underlying systems—from algorithms to biological protocols—that shape artistic production.

The best and worst we saw at the Venice Art Biennale 2026. Artribune's hits and flops

Il meglio e il peggio che abbiamo visto alla Biennale d’Arte di Venezia 2026. Top e flop di Artribune

The 61st Venice Biennale, titled "In Minor Keys" and directed by Koyo Kouoh, opened amid significant turmoil: the death of a newly appointed curator, diplomatic tensions over the presence of Russia and Israel, political protests, and the unprecedented collective resignation of the jury, which led to the Golden Lions being awarded by public vote for the first time. Despite this chaotic backdrop, the exhibition—featuring a record 100 national pavilions—has been widely praised for avoiding moralistic pedagogy and instead embracing visual seduction, formal quality, and sensory joy while addressing themes of identity, memory, colonialism, ecological crisis, and violence. The article highlights top and flop moments from the opening week, including strong showings by Biennale president Pietrangelo Buttafuoco and a standout exhibition at Fondazione Prada.

Venice Biennale 2026: The Pavilions Not to Be Missed

Biennale de Venise 2026 : les pavillons à ne surtout pas manquer

The 61st Venice Biennale, curated by Koyo Kouoh as an invitation to slow down and reconnect with emotions, features a constellation of contemplative and powerful proposals across the city. Notable national pavilions include the Holy See transforming a monastic garden into an immersive sound experience by Soundwalk Collective, Canada exploring colonial heritage through giant water lilies by Abbas Akhavan, and Austria electrifying the Giardini with radical performances by Florentina Holzinger. Other highlights include Spain dissecting collective memory through postcards, Poland imagining new forms of language between human and underwater worlds, and India's pavilion exploring notions of home.