In Paris, Highly Mobile Gallerists

À Paris, des galeristes très mobiles

The Parisian art scene is experiencing a significant wave of gallery expansions and relocations across both the Right and Left Banks. Major developments include Kamel Mennour acquiring the former Malingue gallery space on Avenue Matignon for secondary market masterpieces, and Christophe Person moving from the Marais to a redesigned space on Rue du Bac with the backing of collector Jean Claude Gandur. Other notable moves include London-based Waddington Custot opening a Parisian branch, Singapore's Cuturi Gallery settling in the Palais-Royal, and Vincent Sator inaugurating a new space in the David Chipperfield-designed Morland Mixité Capitale complex.

2026 Guggenheim Fellowships Go to Sonya Clark, John Miller, and American Artist

The John Simon Guggenheim Memorial Foundation has announced its 101st class of fellows, awarding 223 scholars and artists across 55 disciplines for 2026. Selected from a pool of nearly 5,000 applicants, the new cohort includes prominent visual artists such as Sonya Clark, John Miller, American Artist, and Kota Ezawa. The fellowships provide significant financial grants to individuals who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts.

Usher, Spike Lee, and Tyler Mitchell Helped Raise $3.7 Million for the Studio Museum in Harlem at a Party for the Ages

The Studio Museum in Harlem hosted a star-studded gala at the Glasshouse in Manhattan, raising $3.7 million to support its upcoming reopening. The event marked a significant milestone for the institution, which has been undergoing extensive renovations for seven years and is scheduled to open its new doors on West 125th Street on November 15. Director and Chief Curator Thelma Golden described the evening as a 'threshold' moment, celebrating the museum's legacy of shaping cultural history since its founding in 1968.

EXPO CHICAGO 2026 Opens With Local Enthusiasm and Strong Institutional Sales

EXPO CHICAGO 2026 has launched at Navy Pier with a streamlined, highly curated format that emphasizes quality over quantity. The fair’s opening days have been defined by robust institutional engagement, with several major museums acquiring works for their permanent collections. This year’s edition features a diverse array of artists and galleries, reinforcing its position as the premier contemporary art platform in the American Midwest.

The Art of Appearing

De l’art de paraître

The Musée Cognacq-Jay in Paris is hosting an exhibition titled "Révéler le féminin," which explores the intersection of 18th-century fashion and portraiture. Curated in collaboration with the Palais Galliera and the Musée d’arts de Nantes, the show features works by prominent portraitists like Élisabeth Louise Vigée Le Brun and Maurice Quentin de La Tour alongside rare period textiles. The exhibition examines how the rising bourgeoisie used clothing as a visual language of prestige and social standing during the Enlightenment.

Art Paris: A Better Result Than Expected

Art Paris, un bilan meilleur que prévu

The 28th edition of Art Paris concluded with stronger-than-expected sales despite a sluggish start and a volatile global climate. Featuring 165 galleries, the fair solidified its position as a key regional event for French collectors, offering a price range typically between €10,000 and €40,000. While mega-galleries like Almine Rech participated with accessible works, the fair also welcomed newcomers like Esther Schipper and In Situ-Fabienne Leclerc, who reported positive results across various media including ceramics, photography, and painting.

Everything you need to know about Henri Matisse, star of the Grand Palais this spring

Tout ce qu’il faut savoir sur Henri Matisse, star du Grand Palais ce printemps

The Grand Palais in Paris is hosting a major retrospective focusing on the final masterpieces of Henri Matisse, the pioneer of Fauvism. The exhibition highlights the artist's late-career reinvention between 1941 and 1954, featuring his innovative gouache cut-outs, illustrated books, and stained glass designs created while he was bedridden in Nice.

Malaysia Showcases Recovered 1MDB Artworks, From Picasso to Miró

Four artworks recovered from the 1MDB scandal—by Picasso, Miró, Balthus, and Maurice Utrillo—have gone on public display for the first time at the Malaysian Anti-Corruption Commission headquarters in Putrajaya. The paintings were repatriated from New York after being traced through Sotheby’s and shipped back to Malaysia on April 14. They are part of a broader art trail linked to the massive financial fraud, with Malaysian officials framing the display as an act of restitution rather than an art event.

Painting Has Entered Its Performance Era

The rise of short-form video platforms like Instagram and TikTok has transformed painting from a static medium into a performative spectacle. To compete with algorithmic preferences for transformation and speed, artists are adopting specific visual grammars such as the "art reveal"—where a canvas is dramatically flipped toward the camera—and "speed painting," which turns the creation process into a high-stakes live event. These trends emphasize the labor and human presence behind the work, often utilizing emotional storytelling and direct engagement to build dedicated fanbases outside traditional gallery structures.

8 Art Films Worth Watching in May

8 Kunstfilme, die sich im Mai lohnen

Monopol magazine presents eight art films worth streaming in May, including a documentary featuring 40,000 slides from critic Jerry Saltz capturing the 1990s New York art scene, Shirin Neshat's film "Women Without Men" about women in 1953 Tehran, Christian Petzold's new film "Miroirs No. 3," and a documentary on the Shroud of Turin. The roundup also includes a politically charged drama directed by Yael Bartana and a Dada-metal film, offering a diverse selection of art-related cinema.

'You paint too pretty' exhibit continues at Saint Mary's College

An exhibition titled "You Paint Too Pretty – My Art Journey" by Saint Mary's College alumna Mary Ann Roach Butkovich is on display at the Moreau Gallery on the college's campus in South Bend from April 23 to June 6, 2026. Butkovich, who graduated from Saint Mary's College in 1964 with a degree in art, has furthered her studies at the Art Academy of Cincinnati and the University of Cincinnati, and her work has been shown at venues including the Cincinnati Art Museum and The Contemporary Art Center in Cincinnati. She draws inspiration from nature, music, and personal experiences, and admires artists such as Helen Frankenthaler, Paul Jenkins, and Morris Louis. A closing in-gallery talk is scheduled for June 6.

Paris exhibition celebrates the visionary world of Hilma af Klint, an artist ahead of her time

A major exhibition at Paris's Grand Palais presents Hilma af Klint's visionary abstract series "Paintings for the Temple" (1906–1915) for the first time in France. The show features works like "The Ten Largest" (1907), which predate the abstract art of Kandinsky, Mondrian, and Malevich by several years. Curated by Pascal Rousseau, the exhibition highlights Af Klint's pioneering use of spirals, geometric forms, and spiritual themes, created in seclusion and long hidden from public view.

Musée d’Orsay displays Renoir and Degas works looted by Nazis

The Musée d’Orsay in Paris has opened a new gallery dedicated exclusively to artworks suspected of being looted or forcibly sold during the Nazi occupation of France. Among the 13 works on display is Edgar Degas's *Dinner at the Ball* (1919), originally owned by Jewish collector Fernand Ochsé, who was deported to Auschwitz with his wife in 1941. The painting passed through multiple hands before being identified as one of over 100,000 artworks plundered by the Nazis. The museum has assembled a team of six provenance researchers to spend three years tracing the original owners of these works, which are part of the "MNR" (Musées nationaux récupération) collection—some 2,200 pieces deemed too important to sell but whose owners remain unknown.

Au musée de l’Image d’Épinal, les talents multiples de Frans Masereel, entre autres inventeur du roman graphique

The Musée de l'Image d'Épinal is presenting a comprehensive exhibition on Belgian artist Frans Masereel (1889–1972), widely credited as the inventor of the graphic novel in 1918 with his wordless narratives composed of black-and-white woodcuts. The show, curated by Samuel Dégardin, brings together loans from major institutions and a private collection to reveal the full breadth of Masereel's practice, which spanned drawing, animation, painting, theater, ceramics, tapestry, and satirical press illustration. It highlights his pacifist activism during World War I, his collaborations with writers such as Stefan Zweig and Romain Rolland, and his humanist vision of a unified Europe.

Matisse, Soulages, Chagall… The most beautiful churches and chapels decorated by artists throughout France

Matisse, Soulages, Chagall… Les plus belles églises et chapelles décorées par des artistes dans toute la France

Renowned modern and contemporary artists have transformed various religious sites across France into immersive 'total works of art.' From Pierre Soulages’ translucent stained-glass windows in the Abbey of Sainte-Foy in Conques to Pablo Picasso’s monumental 'War and Peace' murals in Vallauris, these projects demonstrate how secular artists have engaged with sacred architecture. The article highlights ten specific locations where artists like Matisse, Chagall, and Cocteau integrated painting, glasswork, and furniture into historic ecclesiastical settings.

“Human Being Human” at The Private Museum

The Private Museum in Singapore presents "Human Being Human: Selections from the Collection of John and Cheryl Chia," an exhibition running from January 19 to April 26, 2026. Organized into four chapters—"Stateless," "State," "Statehood," and "Rebirth"—the show features works by artists including Joseph Beuys, Lee Wen, Eadweard Muybridge, Sherman Ong, John Clang, Sun Xun, and Green Zeng, exploring the body as a central site of inquiry into identity, vulnerability, and societal conditioning. The collection, amassed over 25 years by doctors John and Cheryl Chia, uses the body to examine themes of statelessness, state control, collective ideology, and rebirth, with works that challenge linear narratives and embrace conceptual loops.

Annonce de chercheurs : Exposition Maurice Utrillo, de Montmartre à Angoulême

The Musée d'Angoulême will host the exhibition "De Montmartre à Angoulême, Maurice Utrillo intime…" from April to September 2027, focusing on the artist's lesser-known years in the Charente region. Curators Pamela de Montleau and Philippe Cassereau are seeking archives, correspondence, photographs, testimonies, and paintings to illuminate Utrillo's two-year stay in Angoulême (1935–1937), where he married painter and writer Lucie Valore. The show will also feature works by his painter friends, including Maurice de Vlaminck, Alphonse Quizet, and others.

Museum of Contemporary Religious Art comes to a close after three decades

The Museum of Contemporary Religious Art (MOCRA) at Saint Louis University is closing to the public on May 31, 2025, after more than three decades of operation. Its final exhibition, 'Liminal,' features works from 47 artists, many drawn from the museum's permanent collection. The closure, announced last year, is a result of university budget cuts.

Story of Stampé is the new social atelier in Turin: art gallery, workshop, laboratory of ideas and participation

Storia di Stampé è il nuovo atelier sociale di Torino: galleria d’arte, bottega, laboratorio di idee e di partecipazione

Stampé, a new community atelier in Turin, Italy, has opened at Via Stampatori 5, a historic street once home to printers. The space is a hybrid cultural hub combining an art gallery, a workshop, a showroom for artisanal and food products, and a social enterprise incubator. It launched with a group exhibition featuring seven cultural associations and the communication agency Hello Tomorrow, showcasing works by emerging artists and graphic artworks from past events. The initiative is part of the "Piani Generativi 2" social enterprise development project, funded by the city of Turin and the Compagnia di San Paolo foundation.