Eyecatchers and Discoveries

Eyecatcher und Entdeckungen

The 42nd edition of Art Brussels has scaled down to 138 exhibitors from 165 in 2025, responding to a sluggish contemporary art market and economic uncertainty. The fair introduces a new section called 'Horizonte,' curated by Devrim Bayar of Kanal Centre Pompidou, featuring six large-scale installations including Pao Hui Kao's delicate paper-and-lacquer refuge and Oswald Oberhuber's €380,000 panoramic painting 'Paradiesgarten.' Galleries are now consolidated into one hall, with fewer blue-chip participants but a continued focus on living artists (95% of the 500 shown). Notable presentations include Xavier Hufkens' solo show of Cassi Namoda, Krinziger's works by Marina Abramović and Monica Bonvicini, and Richard Saltoun's historical mix of Fernand Khnopff, Everlyn Nicodemus, and Suzanne Van Damme.

Collector Dimitris Daskalopoulos’s NEON to Conclude After ‘Having Fulfilled Its Mission’

NEON, the Athens-based contemporary art initiative founded by collector Dimitris Daskalopoulos, will conclude its activities later this year after 14 years. Its final project is a trilogy of exhibitions by artist Michael Rakowitz at the Acropolis Museum, with the last installment set for 2026. The organization also announced it has fulfilled its cultural and social mission.

Hotel and art hub Casabianca opens on Italy's Lake Como

The De Santis family, accomplished hoteliers on Lake Como, has opened Casabianca, a new hotel and art hub in a 1930 villa designed by Piero Ponci. The property features three apartment-style suites launching later this year, while its lower floors are already open to the public for €15, displaying around 50 works from the family's collection of post-war Italian art, including pieces by Arte Povera artists such as Alighiero Boetti, Mario Merz, and Jannis Kounellis. The venture is the latest in a series of heritage hotel restorations by the family, who previously revived the Grand Hotel Tremezzo and Passalacqua.

Ancient Gaza artefacts meet contemporary Palestinian stories in Turin exhibition

A new exhibition in Turin, Italy, titled "Gaza, The Future Has an Ancient Heart," brings together over 80 ancient artefacts from Palestine with contemporary works by Levantine artists. Organized by Fondazione Merz in collaboration with the Egizio archaeology museum and the MAH – Museum of Art and History Geneva, the show features objects dating from the Bronze Age to the Ottoman period, originally intended for a museum in Palestine but held in Geneva since 2007 due to conflict. Contemporary artists including Mirna Bamieh, Samaa Emad, Khalil Rabah, Vivien Sansour, Wael Shawky, Dima Srouji, and Akram Zaatari contribute works that explore archaeology, history, and memory, with Emad's "Genocide Kitchen" documenting recipes created amid war and shortages in Gaza.

10 Highlights You Shouldn't Miss in Venice

10 Highlights, die Sie in Venedig nicht verpassen sollten

The article presents ten must-see highlights of the 61st Venice Biennale, curated by the editors of Monopol magazine. It covers the main exhibition at the Arsenale, national pavilions, and collateral events, including Sandra Knecht's beehouse installation, Isabel Nolan's Irish Pavilion exploring dreams and late medieval humanism, Chiara Camoni's Italian Pavilion blending ceramics and found materials, and Asim Waqif's bamboo construction in the Indian Pavilion. Other featured works include a church filled with surveillance cameras and the new Fondazione Dries Van Noten.

"The Palestine Pavilion Exists, and It's in Turin": Interview on the Exhibition Dedicated to the History of Gaza at the Merz Foundation

“Il Padiglione della Palestina esiste, ed è a Torino”. Intervista sulla mostra dedicata alla storia di Gaza alla Fondazione Merz

The Merz Foundation in Turin is hosting the exhibition 'Gaza, il futuro ha un cuore antico. Materie e memorie del Mediterraneo' (Gaza, the future has an ancient heart. Matters and memories of the Mediterranean). The show, created in collaboration with the Egyptian Museum and the MAH – Musée d’art et d’histoire in Geneva, juxtaposes ancient archaeological artifacts from Gaza with contemporary artworks. It aims to present Gaza's history as a Mediterranean crossroads, moving beyond its current wartime representation. The exhibition features artifacts from a collection of about 500 pieces, temporarily held in Geneva, alongside works by contemporary artists like Samaa Emad, Mirna Bamieh, and Wael Shawky.

"Bertille Bak: Voices from the Earth" exhibition at the Vincenzo Vela Museum

From 26 April 2026 to 10 January 2027, the Vincenzo Vela Museum in Ligornetto, Switzerland, presents "Bertille Bak: Voices from the Earth," the first major solo exhibition in Switzerland of French artist Bertille Bak. The show brings together works from the past fifteen years that combine cinema, visual arts, and field research, focusing on marginalized communities and themes of labor, identity, and resistance. Bak, born in Arras in 1983, creates video installations and narrative devices through long immersions in communities, with her work held in collections such as the Centre Pompidou and the Collection François Pinault.

Now we open a Palestinian Pavilion at the Biennale. Interview with Tomaso Montanari

“Ora apriamo un Padiglione Palestina in Biennale”. Intervista a Tomaso Montanari

Tomaso Montanari, a member of the scientific committee for the exhibition "Gaza, il futuro ha un cuore antico. Materie e memorie del Mediterraneo" at Fondazione Merz in Turin, discusses the show's aim to highlight Gaza's 5,000-year history beyond the current war imagery. The exhibition, organized in collaboration with the Museo Egizio and the MAH – Musée d’art et d’histoire de Genève, juxtaposes ancient artifacts with contemporary artworks to assert the cultural and historical significance of Palestine. Montanari also addresses the upcoming Venice Biennale, criticizing the lack of a Palestinian pavilion and suggesting that the Turin exhibition itself serves as a de facto Palestinian pavilion, while calling for accountability for Israel's actions.

National Assembly Unanimously Votes on Law for Restitution of Looted Colonial Works, but with Restrictions

L’Assemblée vote à l’unanimité la loi sur la restitution des œuvres pillées pendant la colonisation, mais avec des restrictions

The French National Assembly has unanimously passed a landmark law establishing a permanent legal framework for the restitution of cultural property looted during the colonial era. Moving away from the previous requirement for case-by-case legislation, the new law allows the government to return artifacts via decree following consultations with scientific and parliamentary commissions. This shift fulfills a long-standing promise to simplify the return of African heritage currently held in French public collections.

Arles Drawing Festival: What Not to Miss at This Fourth Edition

Festival du dessin d’Arles : ce qu’il ne faut surtout pas rater pour cette quatrième édition

The fourth edition of the Arles Drawing Festival has opened, featuring over forty exhibitions across the city. The highlights include two major private drawing collections being publicly presented: Marin Karmitz's collection, displayed at the Sainte-Anne church under the title "Et la vie continue…", and the Collezione Ramo from Milan, showcased at the Museon Arlaten chapel as part of a focus on Italian art.

Mario Ceroli on display in Florence: forty works at Tornabuoni Arte

The Tornabuoni Arte gallery in Florence is hosting "Mario Ceroli. Myth and Matter," an anthological exhibition featuring forty sculptures and installations by the Roman artist Mario Ceroli. The show traces his career from the 1960s to 2000, including his iconic wooden silhouettes, works inspired by Leonardo da Vinci's Vitruvian Man, and pieces referencing Greek myth and the Riace Bronzes. The exhibition runs until May 29 at the gallery's Lungarno Benvenuto Cellini 3 location.

Casabianca is the name of the new art space to visit in Como

Si chiama Casabianca il nuovo spazio per l’arte da visitare a Como

A new art space called Casabianca has opened in Como, Italy, housed in a 1930s building designed by Piero Ponci. The project is spearheaded by hoteliers Paolo and Antonella De Santis, who have transformed the former luxury villa and bank into a domestic-style exhibition venue for their contemporary art collection. The space features works by artists such as Giulio Paolini, Stefano Arienti, Alighiero Boetti, Mario Merz, Marina Abramovic, and Joseph Kosuth, with no labels or didactics to preserve the feel of a private home.

Il Padiglione Italia alla Biennale è il più internazionale di sempre

Chiara Camoni presents the Italian Pavilion at the 2026 Venice Biennale with her exhibition "Con Te Con Tutto" in the Arsenale. The show is divided into two sections: the first features monumental yet intimate sculptures, including her signature "sister" figures made from necklaces and terracotta fragments, while the second section continues the installation with a focus on circular production and zero waste. Camoni emphasizes a return to front-facing statuary, avoiding the gigantism of past editions, and works with sustainable, handmade processes.

Desert art and youthful joy fill Cobre Valley Center for the Arts

The Cobre Valley Center for the Arts in Arizona is hosting a month-long Desert Art Show through April, featuring hand-painted items, paintings, and photography from local and international artists including Debbie Yerkovich, Amanda Moore, Jessica Goodwin, Ivan Macarambon, and Wanda Mitchell-Tucker. During the same period, the Center celebrated the 'Week of the Young Child' with a special elementary student display titled 'A Joyful World,' showcasing artwork by local schoolchildren that explores themes of joy, family, and community. The children's exhibit also serves as a tribute to Carolyn Haro, a former key figure at the Center who had long envisioned such a display.

The Biennale in Numbers

Die Biennale in Zahlen

Die diesjährige Kunstbiennale in Venedig präsentiert 111 Künstlerinnen, Künstler und Kollektive in der Hauptausstellung – deutlich weniger als 2024 mit 331 und 2022 mit 213 Teilnehmenden. Die Biennale umfasst 99 nationale Pavillons, darunter sieben Länder, die zum ersten Mal vertreten sind: Guinea, Äquatorialguinea, Nauru, Katar, Sierra Leone und weitere.