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Next stop – infinity! My transcendental experience on Japan’s ‘art island’ guided by its master Lee Ufan

The article profiles Korean-born artist Lee Ufan, who turns 90 next month, and his transcendental art on Japan's Naoshima island. It describes his upcoming major shows: a retrospective in Venice coinciding with the Biennale, and an exhibition at Dia Beacon in New York. Lee, a key figure in the Mono-ha movement, creates works like the steel arch "Porte Vers l'Infini" on Naoshima that engage with nature and perception. The piece traces his career from early violent, resistant sculptures involving cracked glass and boulders to later meditative paintings and installations.

A Preview of Museum Exhibitions Opening in North Texas this Fall

A roundup of fall 2025 museum exhibitions in North Texas highlights shows at the Crow Museum of Asian Art, the Nasher Sculpture Center, the Meadows Museum, and the Dallas Museum of Art. Key exhibitions include "Groundbreakers: Post-War Japan and Korea" at the Crow Museum, featuring Mono-ha, Dansaekhwa, and Gutai movements alongside contemporary artists Do Ho Suh and Tatsuo Miyajima; a major Antony Gormley survey at the Nasher Sculpture Center, his first U.S. museum retrospective; "Roaming Mexico: Laura Wilson" and a companion show of Manuel Álvarez Bravo at the Meadows Museum; and two Dallas Museum of Art exhibitions—"Creatures and Captives: Painted Textiles of the Ancient Andes" and "Constellations: Contemporary Jewelry." The New York Academy of Art also presents its Chubb Fellows and Friends at Green Family Art Foundation.

Paris exhibition provides a new canon-busting vision of Minimalism

The Bourse de Commerce in Paris hosts "Minimal," a groundbreaking exhibition curated by Jessica Morgan, director of the Dia Art Foundation. The show centers on five large-scale natural-material works by 81-year-old US artist Meg Webster, while featuring over 100 works by more than 50 artists to challenge the traditional narrative that 1960s-70s Minimalism was exclusively a white, male, American movement. It includes thematic sections on light, balance, and monochrome, a gallery devoted to Japan's Mono-ha movement, and retrospectives of Agnes Martin and Lygia Pape, drawing largely from the Pinault Collection with international loans.

Groundbreaking Art Takes Spotlight at O’Donnell Athenaeum Exhibit

A new exhibition titled “Groundbreakers: Post-War Japan and Korea from the Dallas Museum of Art and The Rachofsky Collection” has opened at the Edith and Peter O’Donnell Jr. Athenaeum at The University of Texas at Dallas, running through July 2026. Curated by Dr. Natalia Di Pietrantonio of the Crow Museum of Asian Art, the show features works from three major postwar movements—Mono-ha, Dansaekhwa, and Gutai—using unconventional materials like white glue, bells, wires, tin, and rocks. Highlights include Kazuo Shiraga’s foot-painted canvases, Takesada Matsutani’s vinyl glue sculptures, Atsuko Tanaka’s interactive wire installation, and Do Ho Suh’s translucent polyester corridor inspired by homesickness.

At 90, the Korean artist Lee Ufan Finds Energy in His Art

The Korean artist Lee Ufan, now 90 years old, remains actively engaged in his artistic practice, working daily and preparing for three upcoming exhibitions. Among these is a display of his pivotal paintings at the Venice Biennale, underscoring his enduring creative output and continued relevance in the contemporary art world.

Lee Ufan retrospective will be among 2026 Venice Biennale collateral events

The Venice Biennale has announced 31 official collateral events for its 2026 edition, headlined by a major Lee Ufan retrospective at the San Marco Art Centre. Curated by Dia Art Foundation director Jessica Morgan, the exhibition will celebrate the artist's 90th birthday by tracing his seven-decade career from the Mono-ha movement to his recent dimensional paintings. Other notable collateral participants include national presentations from Scotland and Wales, a floating synagogue installation by Ukrainian artist Anna Kamyshan, and a Gaza-focused exhibition organized by the Palestine Museum US.

Lee Ufan donates eight paintings to Dia Art Foundation

Korean artist Lee Ufan, a key figure in the Mono-ha movement, has donated eight paintings from the 1970s to the 1990s to the Dia Art Foundation in New York. The works, from his From Point, From Line, and With Winds series, will be featured in a spring 2026 exhibition at Dia Beacon alongside sculptural installations already in the foundation's collection. Lee is also collaborating with Avant Arte on a limited-edition print release to support Dia's programming.

Shigeo Toya, artist who looked to nature with his wood sculptures, 1947–2026

Shigeo Toya, the Japanese artist renowned for his chainsaw-hewn wood sculptures, has died at age 79. Born in 1947 in a small village in Nagano Prefecture, Toya began his signature Woods series in 1984, carving rough textures into tall lumber and arranging the pieces like a forest. His series Twenty Eight Deaths featured stacked wooden blocks with cavities and burn marks. Toya represented Japan at the Venice Biennale in 1988 and later exhibited at the Asia Pacific Triennial (1993) and Gwangju Biennale (2000). A major survey of his work was held at the Nagano Prefectural Art Museum and The Museum of Modern Art, Saitama, in 2022–23.