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A Paris exhibition spotlights Estonian women artists

The Musée d’Art Moderne de Paris has launched "Estonian Realities," a significant cross-generational exhibition featuring the works of Olga Terri, Anu Põder, and Kris Lemsalu. Spanning nearly 90 years of artistic production, the show marks a major collaboration between the Art Museum of Estonia and the City of Paris, tracing the evolution of Estonian art from the psychological anxieties of the 1940s to the bold, performative installations of the contemporary era.

Salzburger Kunstverein X ArtReview Writers in Residence 2026 announced

The Salzburger Kunstverein and ArtReview have announced the four writers selected for their 2026 Writer-in-Residence Programme. The winners—Hana Elhaddad, Sharmilla Ganesan, Olga Hohmann, and Eshwari—were chosen from a large pool of applicants for their distinctive voices and engagement with the conceptual theme 'CAPTCHA Realism'.

THE MONUMENTALITY OF THREAD OLGA DE AMARAL AT MALBA

The Museo de Arte Latinoamericano de Buenos Aires (Malba) has opened a major retrospective of Colombian artist Olga de Amaral, titled 'Olga de Amaral: Textile Body,' to celebrate the museum's 25th anniversary. The exhibition, running until May 11, features over fifty works from six decades, including key series like Entrelazados and Brumas, drawn from collections across the Americas.

Arts Council weaves 50 years of connection through new exhibit

The Worcester County Arts Council in Berlin, Maryland, is celebrating its 50th anniversary with a juried art competition and exhibition titled “Threads of Connections.” The show invites artists to submit original works exploring relationships across communities, cultures, and shared experiences, with submissions accepted in all media. Local artist and muralist Olga Deshields will serve as juror, selecting pieces for the exhibition running May 1 through June 28 at the Arts Council’s Berlin gallery. Artwork drop-off is scheduled for April 28-30, with an opening reception on May 8.

top ukrainian art historian believes italian museum holds 14 fake russian and ukrainian modernist works 1234767043

Konstantin Akinsha, a prominent curator and art historian of Russian and Ukrainian art, has identified 14 artworks in the collection of the Palazzo de Nordis museum in Cividale del Friuli, Italy, as likely forgeries. In a Substack post and interview with ARTnews, Akinsha scrutinized the De Martiis Collection, donated in 2015 by the late collector Giancarlo De Martiis, which includes works attributed to Russian and Ukrainian modernist painters. He points to suspicious provenances involving Jean Chauvelin, a disgraced French art dealer, and Boris Gribanov, a convicted forger. A specific still life attributed to Olga Rozanova (1915-17) is nearly identical to a 1999 painting by contemporary Russian artist Andrei Saratov, who confirmed he did not paint the museum's version. Elisabetta Gottardo, the municipal head of culture, acknowledged Akinsha's authority and pledged further investigation.

In 2025, new ‘independent and nimble’ art fairs began redrawing the market map

In 2025, several established art fairs were cancelled or postponed, including the Art Dealers Association of America's Art Show in Manhattan, Taipei Dangdai, Photofairs Hong Kong, and the India Art Fair's Mumbai expo. Amid these retrenchments, a wave of smaller, alternative art fairs emerged in cities like New York, Paris, and the Berkshires, organized by gallerists and curators seeking new formulas focused on coalition, affordability, and intimacy. Examples include Esther in Manhattan (co-founded by Margot Samel and Olga Temnikova), the Arrival Art Fair in North Adams (co-founded by Yng-Ru Chen, Crystalle Lacouture, and Sarah Galender Meyer), 7 rue Froissart in Paris (organized by Sara Maria Salamone and Brigitte Mulholland), and Post-Fair in Santa Monica (founded by Chris Sharp).

The 10 Best Paris Art Shows of 2025

The article highlights the 10 best Paris art shows of 2025, including major exhibitions at the Centre Pompidou, Fondation Cartier, and Fondation Louis Vuitton. Featured shows include Olga de Amaral's sculptural tapestries, Otobong Nkanga's multi-media works, Meriem Bennani's footwear-as-soundscape, Wim Delvoye's 'Énormément Bizarre' at Centre Pompidou, 'Paris Noir: Artistic Circulations and Anti-Colonial Resistance, 1950-2000' at Centre Pompidou, and 'David Hockney 25' at Fondation Louis Vuitton. The year also saw the closure of Centre Pompidou's Beaubourg building for renovation and the relocation of Fondation Cartier to a new site near the Louvre.

Good praxis: How a former brothel became one of Adelaide's leading arts spaces - InReview

The article profiles praxis ARTSPACE in Adelaide, Australia, which was originally a former brothel and is now a leading arts space celebrating its tenth anniversary. Founded and directed by Patty Chehade, the space offers professional exhibition facilities for emerging and established artists, featuring a mix of one-person and thematic shows. Notable artists exhibited include Liz Butler, Dianne Longley, Olga Sankey, and Margaret Ambridge.

9 artists whose markets artnet pro appraised in depth in 2025 2719931

Artnet Pro has published a roundup of nine artists whose markets it appraised in depth during 2025, including Dorothea Tanning, Gertrude Abercrombie, Emily Kam Kngwarray, Jack Whitten, and Olga de Amaral. The article highlights key market developments for each artist, such as record auction prices, growing international recognition, and shifts in collector interest, drawing on data and expert commentary from dealers, auction-house specialists, and advisors.

20th and 21st Century auctions in New York total $965 million

Christie’s New York concluded its 20th and 21st Century Art sales week on November 21, 2025, generating a total of $964.5 million, the auction house’s highest in three years. The sales included the Collection of Robert F. and Patricia G. Ross Weis, which alone brought in $218 million, led by Mark Rothko’s *No. 31 (Yellow Stripe)* at $62.1 million. Other top lots included works by Claude Monet, Pablo Picasso, and David Hockney, each exceeding $40 million. Fifteen artist records were broken, including for Beauford Delaney, Leonor Fini, Firelei Báez, and Olga de Amaral. Bidding was active across all platforms, with the highest online bid ever placed at a live Christie’s auction.

christies 21st century evening sale totals november 2025 1234762509

Christie's 21st-century evening sale on Wednesday, November 2025, achieved a hammer total of $99.7 million on 44 lots, within the pre-sale estimate of $87.5–$127 million. With fees, the final total reached $123.6 million. The sale opened with 18 lots from the collection of Chicago philanthropists Stefan Edlis and Gael Neeson, featuring works by Cindy Sherman, Andy Warhol, Tom Wesselmann, and Diego Giacometti. A Giacometti coffee table sparked a seven-minute bidding war, selling for $4.53 million. Three artist records were set: Firelei Báez ($1.1 million), Olga de Amaral ($3.1 million), and Joan Brown ($596,500). Only one work, by Cecily Brown, failed to sell.

christies edlis neeson sale 124 million 2716072

Christie's 21st-century evening sale in New York on Wednesday night achieved $123.6 million, just below its $126 million high estimate and 16% above last year's sale. The sale featured 19 lots from the collection of the late Stefan Edlis and his widow Gael Neeson, which brought in $49.2 million against a $30 million estimate. The top lot was Christopher Wool's "Untitled (RIOT)" (1990), selling for $19.8 million. New auction records were set for Firelei Báez ($1.1 million) and Olga de Amaral ($3.1 million). Only one of 45 lots failed to sell—a Cecily Brown painting estimated at $4–6 million. The sale was characterized by careful use of third-party guarantees and lowered reserves, with art advisor Aileen Agopian noting bidding was "deep and robust" despite a flat atmosphere.

Art market bounce back continues in New York with Christie's $123.5m 21st-century sale

Christie’s 21st-century evening sale at Rockefeller Centre in New York on 19 November achieved $99.5 million before fees ($123.5 million with fees), surpassing last November’s equivalent sale of $106.5 million with fees. The sale featured 45 lots, with only one unsold (a Cecily Brown abstract), resulting in a 2% buy-in rate. Three artist records were set for Firelei Báez, Joan Brown, and Olga de Amaral. A major highlight was the collection of Chicago collectors Gale Neeson and the late Stefan Edlis, comprising 19 lots that realized $40.3 million ($49.2 million with fees), including works by Andy Warhol, Richard Prince, and Diego Giacometti. Other notable sales included Cindy Sherman’s *Untitled Film Still #13* (1978) at $2.2 million with fees, Ed Ruscha’s *How Do You Do?* at $6.7 million with fees, and a Warhol *The Last Supper* (1986) sold to Paris dealer Frederic Larroque for $8.1 million with fees.

‘Really encouraging’: Phillips’s modern and contemporary sale continues New York auction momentum

Phillips’s modern and contemporary evening sale on 19 November generated nearly $54.8 million ($67.3 million with fees), a 25% increase over the same sale last year. Out of 33 lots, only two failed to sell, achieving a 94% sell-through rate. The top lot was Francis Bacon’s *Study for Head of Isabel Rawsthorne and George Dyer* (1967), which hammered at $13.5 million, followed by an untitled Joan Mitchell work from 1957-58 at $12 million. The sale also included natural history objects for the first time, such as a juvenile Triceratops skeleton nicknamed 'Cera,' which sold for $4.35 million. Female artists performed strongly, with Ruth Asawa’s copper wire sculptures sparking lengthy bidding wars and Firelei Báez setting a new artist record that was later broken at Christie’s the same evening.

christies 21st century evening sale women artists records 1234762523

Christie’s 21st-century evening sale on Wednesday set new auction records for women artists Firelei Báez, Joan Brown, and Olga de Amaral. Báez’s painting *Untitled (Colonization in America, Visual History Wall Map, Prepared by Civic Education Service)* (2021) sold for $1,111,250; Brown’s *After the Alcatraz Swim #2* achieved $596,900; and Amaral’s *Pueblo H* (2011) soared to $3,125,000—more than double her previous record. The sale also set records for a neon/sculptural work by Glenn Ligon and a three-dimensional work by Richard Prince.