Art News. Vasari Codex

article news schedule Sep 12, 2025 visibility 15 link 15 artists, 10 galleries

8 Artists Having a Breakout Moment This Fall

Artsy has identified eight artists poised for breakout moments during the fall 2025 art season, including Teresa Solar Abboud, who secured new representation by Lehmann Maupin and will debut a bronze sculpture at London's Hayward Gallery during Frieze Week, and Ana Cláudia Almeida, who is presenting her first major solo exhibition in New York with Stephen Friedman Gallery. The article highlights artists reaching new career milestones through gallery representation, solo debuts, and institutional exhibitions across major art capitals like Paris, London, and New York.

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article local schedule Aug 1, 2025 visibility 15 link 22 artists, 1 gallery

Art Spaces In and Around Guangzhou

This article surveys four notable art spaces in and around Guangzhou, China. It profiles the He Art Museum in Foshan, a private nonprofit founded by He Jianfeng and designed by Tadao Ando, which houses the He family collection spanning Lingnan School ink painting to international modernists. It also covers the Bai’etan Greater Bay Area Art Center, a government-funded complex opened in April 2024 that includes branches of the Guangdong Museum of Art, the Guangdong Intangible Cultural Heritage Museum, and the Guangdong Literature Museum. Additionally, it highlights Vitamin Creative Space, a dual independent art space and commercial gallery founded by Zhang Wei and Hu Fang, and the ChunYangTai Arts and Cultural Centre, part of the Langtou Experiment village revitalization project.

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article culture schedule May 5, 2026 visibility 7 link 6 artists

Comment | Degenerate art all over again? Nazi attack on Modern art is not far away from trends in today’s world

The article draws a provocative parallel between the Nazi regime's attack on modern art—epitomized by the 1937 "Degenerate Art" (Entartete Kunst) exhibition—and contemporary political aesthetics, particularly around President Donald Trump. It traces the Nazi party's early use of visual spectacle, mass rallies, and monumental art to forge a national identity, contrasting this with Trump's proposed National Garden for American Heroes and stalled White House Ballroom, which the author dismisses as kitsch but lacking the cohesive fascist aesthetic of Albert Speer's masterplans.

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