‘Money! Glamour! Yachts! But not for me!’ Adrian Searle relives 30 glorious years as our chief art critic

Adrian Searle, the outgoing chief art critic for The Guardian, reflects on his 30-year career by recounting a vivid, personal montage of the art he has witnessed. He describes unforgettable encounters with works ranging from Vermeer's intimate paintings to Fiona Banner's suspended jet fighter, Roger Hiorns's crystal-filled flat, and Emily Jacir's poignant project on Palestinian displacement, highlighting how these experiences blend memory, story, and direct observation into a critic's life.

10 Art Shows to See in Los Angeles This April

April in Los Angeles features a diverse array of art exhibitions, from major institutional retrospectives to politically charged group shows. Highlights include a 60-year retrospective of the influential printmaking studio Gemini G.E.L. at its own space, a survey of the Grunwald Center at the Hammer Museum, and shows celebrating LA performance art icons Bob & Bob and Rachel Rosenthal. The month also sees a newly discovered collection of matchbook miniatures by Joe Brainard and Dave Muller's work on social connection at ArtCenter.

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A senior curator and two collections committee volunteers have resigned from the Art Gallery of Ontario (AGO) after the institution voted against acquiring a new slideshow work by artist Nan Goldin. The purchase was rejected by an 11-9 vote, with some committee members finding Goldin's November 2024 speech denouncing Israel's attacks on Gaza as genocide to be "offensive" and "antisemitic." Goldin had spoken at the Berlin opening of her traveling retrospective, expressing moral outrage and arguing that calling anti-Zionism antisemitic is a false equivalency. The AGO's modern and contemporary curator, John Zeppetelli, stepped down allegedly because of the incident, while the Vancouver Art Gallery and Walker Art Center proceeded with their part of the acquisition.

Montclair Art Museum Hires Esteemed Curator Kate Kraczon After Layoffs at Brown University

The Montclair Art Museum in New Jersey has appointed Kate Kraczon as its new chief curator, effective June 15. Kraczon previously served as director of exhibitions and chief curator at the David Winton Bell Gallery at Brown University, where she was laid off in late 2024 amid a wave of cuts. She succeeds Gail Stavitsky, who held the post since 1994. The museum also recently hired Todd Caissie, an enrolled member of the Osage Nation and former director of Canada’s New Brunswick Internment Camp Museum, as its director.

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The Louvre was forced to close on Monday after staff launched strike action demanding urgent building renovations, improved security, increased staffing, and protesting a planned 45% ticket price increase for non-EU visitors. The strike follows a turbulent period for the museum, including a daylight theft of French crown jewels worth $102 million, a water leak damaging hundreds of documents, and safety concerns closing galleries. Meanwhile, Banksy's Walled Off Hotel in Bethlehem has reopened for the first time since 2023, after closing following the Hamas attacks of October 7, 2023, and the ensuing Israel-Hamas war. The hotel, which opened in 2017, sits opposite the West Bank barrier and features original Banksy works, positioning itself as a cultural platform for peace and Palestinian artists.

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The Munch Museum in Oslo has awarded the second Munch Award to Palestinian artist Samia Halaby, recognizing her long-standing courage and integrity in artistic expression. The prize, worth 300,000 Norwegian krones (about $30,000), honors Halaby's decades-long commitment to protesting injustices related to class, gender, and race, as well as her vocal criticism of censorship in the arts. The jury included Munch director Tone Hansen, artist-curator Wanda Nanibush, Yvette Mutumba of Contemporary And, Cosmin Costinas of Haus der Kulturen der Welt, and Munch curator Tominga O’Donnell.

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Palestinian American artist Samia Halaby has experienced a dramatic surge in market value and institutional recognition over the past decade, with eight of her top 10 auction results occurring in the last three years. A Christie's sale in May 2025 saw her 2013 painting *Water Lilies* sell for $138,600, more than triple its 2020 result, while her 1974 work *Mediterranean #279* set her current auction record at £400,000 ($534,000) in 2020. Her first US museum survey opened in 2024 at Michigan State University's Eli and Edyth Broad Art Museum, and her work has been shown at MoMA, Tate Modern, and the Centre Pompidou, which acquired a piece last year.

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Sara Nadal-Melsió, the former associate director of the Whitney Museum's Independent Study Program (ISP), has spoken out about her termination in June 2025, which occurred shortly after the museum's director Scott Rothkopf announced a suspension of the 50-year-old program. In an essay published in Hyperallergic, Nadal-Melsió describes her dismissal as retaliation for her public protest against the Whitney's cancellation of a pro-Palestinian performance titled "No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance." She characterizes the museum's actions as part of a broader pattern of institutional obfuscation, corporate culture, and disregard for workers' rights.

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Rosalind Fox Solomon, a photographer known for her piercing black-and-white images of alienation, racism, and marginalization, died in New York at age 95. Her representative, Stephen Bulger Gallery, confirmed her passing. Over nearly six decades, she documented marginalized individuals—from Black Americans in the South to people with AIDS in New York to Palestinians in the West Bank—using a Hasselblad camera. Her work was marked by an empathetic yet distant approach, capturing the inner and outer realities of her subjects without close connection.

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The Art Gallery of Ontario (AGO) chose not to acquire Nan Goldin's 2024 video "Stendhal Syndrome" due to the artist's comments on Israel's war in Gaza, according to a report by the Globe and Mail. The work, which shows blurred images of semi-nude figures and sculptures, was instead purchased by the Vancouver Art Gallery and the Walker Art Center in Minneapolis. An AGO acquisitions committee voted against the acquisition, with internal memos citing Goldin's past statements—including her description of the war as a "genocide" and her criticism of weaponized antisemitism—as the reason. The decision led to the resignation of curator John Zeppetelli and two unnamed committee members, and prompted director Stephan Jost to call for a review of the committee's processes.

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Photo London's 10th edition opened with a buoyant mood despite co-founder Michael Benson acknowledging a difficult economic climate. The fair features classics by pioneers like Henri Cartier-Bresson and Brassaï, alongside emerging artists through its Discovery section and Positions platform. Standouts include Palestinian-American artist Adam Rouhana's poignant images of joy and resistance, the special exhibition "London Lives" curated by Francis Hodgson featuring 30 photographers, and a notable booth by Guerin Projects showcasing Robin Hunter Blake's chronophotographic works paired with Rodin's The Kiss.

25th Biennale of Sydney Review: From the Margins

The 25th Biennale of Sydney, titled "Rememory" and curated by Hoor Al Qasimi, features 143 works by 83 artists and collectives from 37 countries across five venues. The exhibition explores marginalized, fragmented, and repressed histories, drawing on Toni Morrison's concept of 'rememory' as a space between remembering and forgetting. Key works include Tuan Andrew Nguyen's film on Vietnam War trauma, Basel Abbas and Ruanne Abou-Rahme's immersive installation on Palestinian displacement, Khalid Albaih's photographs of Sudan, and Massinissa Selmani's drawings on Algerian socialist building projects.

Celeste Dupuy-Spencer, Artist Who Confronted Injustice, Dies at 46

Acclaimed painter Celeste Dupuy-Spencer has passed away at the age of 46 in Los Angeles, just days before a scheduled solo exhibition at Jeffrey Deitch’s gallery. Known for her visceral and politically charged figurative works, Dupuy-Spencer gained national recognition for her contributions to the 2017 Whitney Biennial and the 2018 Made in LA biennial. Her practice often deconstructed American mythologies, the rise of domestic fascism, and global human rights issues, including a high-profile stance against the conflict in Gaza.

The Art World Is a Joke

Hyperallergic's April newsletter features a roundup of the best April Fools' jokes from the art world this year, compiled by staff writer Rhea Nayyar. The issue also highlights critic Aruna D'Souza's meditation on the work of abstract painter Kamrooz Aram, who is having a prominent year with appearances from Mumbai Art Week to the Whitney Biennial.

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More than 100 artists and scholars, including Emily Jacir, Hans Haacke, and Michael Rakowitz, have signed an open letter defending Dr. Sara Nadal-Melsió, the former associate director of the Whitney Museum of American Art's Independent Study Program (ISP), whose position was eliminated in June 2025. The termination followed the cancellation of a pro-Palestine performance titled "No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, scheduled for May 12, 2025. The museum canceled the event after viewing a recording where a performer asked attendees who "believe in Israel in any incarnation" to leave. Nadal-Melsió had published a protest letter against the cancellation, leading to her dismissal. The open letter also demands the reopening of the ISP, which was suspended for the 2025-2026 program.

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A group of artists participating in the Whitney Museum's Independent Study Program (ISP) have withdrawn their work from a capstone exhibition at Westbeth Gallery to protest the museum's cancellation of a pro-Palestine performance. The performance, titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance," by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, was scheduled for May 12 as part of the ISP curatorial exhibition "a grammar of attention." The Whitney canceled it after viewing a recording of an earlier presentation, citing the performers' demand that attendees who believe in Israel leave the audience and the valorization of specific acts of violence. ISP Associate Director Sara Nadal-Melsió stated that the cancellation was imposed by Whitney leadership, including director Scott Rothkopf, and that the independence of the ISP has been seriously compromised.

On Curating Carnage

On Curating Carnage

The Berlin-based art journal *OnCurating* published a September 2025 issue titled "Let’s Talk About… Anti-Democratic, Anti-Queer, Misogynist, Antisemitic, Right-Wing Spaces and Their Counter-Movements." The article critiques this publication, arguing it uses the language of feminism, anti-racism, and anti-Semitism as a political tool to unconditionally support Israel and demonize the Palestinian cause, thereby aligning with German state policy and a specific strain of leftist thought known as Antideutsch.

Brian Eno and 200+ Artists Urge British Museum to “Stop Erasing Palestine”

Brian Eno and 200+ Artists Urge British Museum to “Stop Erasing Palestine”

Over 200 artists and cultural groups, led by musician Brian Eno, have published an open letter demanding the British Museum stop what they call the "erasure of Palestine." The letter accuses the museum of altering wall texts in its Middle East Galleries, such as replacing "Palestinian descent" with "Canaanite descent," following pressure from the pro-Israel group UK Lawyers for Israel. The signatories also criticize the institution's past ties to the Israeli embassy and sponsor BP, issuing demands for an expert review of labels and an apology for hosting an Israeli embassy gala.

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The British Museum has disputed a Telegraph report claiming it removed the word 'Palestinian' from wall texts under pressure from the pro-Israel group UK Lawyers for Israel (UKLFI). The museum stated that while some text was changed last year, using 'Canaanite descent' for a specific historical period, it continues to use 'Palestinian' as a cultural identifier where appropriate and that the changes predated the UKLFI letter. Museum director Nicholas Cullinan denied the changes were a response to the group's complaint, expressing frustration over the situation.

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Bint Mbareh, a Palestinian sound artist and stage name assumed around 2019, creates installations and performances that use water and sound as metaphors for Palestinian experience. Growing up in Ramallah and later studying at Goldsmiths in London, she learned geographically specific Palestinian rain-summoning songs, which she twists and destabilizes using digital technology in works like *Time Flows in All Directions: Water Flows Through Me* (2020). After October 7, 2023, she expanded her practice to include a “choir” of collaborators performing collective grief, with appearances at an Artists for Aid benefit concert in London and at Tate Modern. Recent installation works such as *Bodies of Knowledge* (Royal College of Art) and *What’s Left?* (Sharjah Biennial) incorporate water tanks vibrated by sound, evoking both childhood and displacement.

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The British Museum has revised labels for ancient Middle Eastern artifacts in its Levant and Egypt galleries, removing the term 'Palestine' from descriptions of ancient civilizations. The institution states the changes are part of an ongoing review, driven by audience feedback and a recognition that the term is no longer historically neutral due to contemporary political sensitivities.

Frieze London 2025

Frieze London 2025 has opened with a wide-ranging program spanning contemporary art, photography, antiquities, and performance. Key highlights include the inaugural Echo Soho fair celebrating women-run galleries, the London edition of Dallas Invitational set to open at the former US embassy in 2026, and strong sales at Frieze Masters including a Triceratops skull. Christie's and Sotheby's auctions during the week showed a mixed market: Peter Doig's 'Ski Jacket' sold for £106.9m, but overall estimates and price corrections indicated caution. The fair also features Sophia Al-Maria performing stand-up as winner of the Frieze London Artist Award, a new pricing structure for greater gallery diversity, and a pop-up by The Art Newspaper and L'OFFICIEL.

The 10 Exhibitions to See in May 2025

The article highlights ten exhibitions to see in May 2025, including the Venice Architecture Biennale curated by Carlo Ratti, which explores intelligence in natural, artificial, and collective forms, alongside a parallel show by AMO/OMA at Fondazione Prada. It also covers Gallery Weekend Berlin, featuring Sky Hopinka's new film and photographs at Tanya Leighton, an exhibition by exiled Russian journalists Meduza at Kunstraum Kreuzberg, and a study group on Palestinian agrarian initiatives at Spore Initiative.

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The Museo Reina Sofía in Madrid is seeking an investigation after security officers removed three visitors displaying Stars of David and an Israeli flag from the museum. Video of the incident, published by a conservative Spanish outlet, went viral, showing officers stating other visitors were "bothered" by the symbols. The museum has stated it is investigating the actions of its security team.

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An open letter demanding curatorial independence at the Art Gallery of Ontario (AGO) has gathered over 500 signatures after trustee Judy Schulich reportedly blocked the acquisition of Nan Goldin's moving-image work *Stendhal Syndrome* (2024), calling the Jewish American photographer “antisemitic.” The AGO had planned to acquire the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the vote was 11–9 against acquisition. In response, curator John Zeppetelli resigned, two volunteer committee members stepped down, and Goldin herself criticized the decision as censorship driven by donor influence. The AGO has since announced a restructuring of its modern and contemporary curatorial committee, splitting it into two groups for 20th- and 21st-century art, effective in 2026.

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South Africa selected a work by artist Gabrielle Goliath for its Venice Biennale pavilion, then rescinded the decision on January 2, just eight days before the finalization deadline. The culture ministry, led by Minister Gayton McKenzie, objected to a section of Goliath's "Elegy" series that included words by Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023. The pavilion's selection committee publicly disagreed with the cancellation, calling it censorship and highlighting a history of mismanagement.

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Mathaf: Arab Museum of Modern Art in Qatar has mounted a presentation of seven works by Palestinian artist Samia Halaby that were originally slated for a canceled survey at Indiana University’s Eskenazi Museum of Art in December 2023. The university cited “safety reasons” for the cancellation, which Halaby criticized as occurring amid the massacre of Palestinians in Gaza. The works are displayed in the first gallery of the exhibition “we refuse_d,” curated by Vasif Kortun, which also includes pieces by other artists whose shows were canceled, such as Jumana Manna. Halaby’s paintings span 1980 to 2024 and include the previously unseen “Worldwide Intifadah” (1989) and “Massacre of the Innocents in Gaza” (2024).

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Two activists from the climate group Futuro Vegetal were arrested on October 12 after throwing biodegradable red paint on José Garnelo's 1892 painting *First Tribute to Christopher Columbus* at the Naval Museum in Madrid. The protest occurred on Spain's National Day, which commemorates Columbus's arrival in the Americas. The activists unfurled a banner reading “October 12, nothing to celebrate. Ecosocial justice” and were charged with crimes against cultural heritage. Separately, about 20 activists from Marea Palestina staged a sit-in around Picasso's *Guernica* at the Reina Sofía Museum, demanding an end to “the genocide against the Palestinian people,” temporarily closing the gallery.

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Nan Goldin used the opening of her retrospective “This Will Not End Well” at Berlin’s Neue Nationalgalerie to deliver a forceful 14-minute speech condemning the Israel-Gaza war and criticizing Germany’s censorship of pro-Palestinian voices. She called for a phone-free moment of silence for the dead in Palestine, Israel, and Lebanon, and framed her exhibition as a test case for artistic freedom. The event drew a large crowd, police presence, and was widely shared on social media by figures like Ai Weiwei and Wolfgang Tillmans.

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The Whitney Museum of American Art has suspended its storied Independent Study Program (ISP) for the 2025–2026 academic year, following widespread outcry over the censorship of a performance titled "No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The performance, scheduled for May 14, was canceled by museum leadership after reviewing a video in which Tbakhi made demands that supporters of Israel or America leave the venue. Director Scott Rothkopf informed the ISP community of the pause in an email, citing the need to search for a new director. The museum also confirmed that Sara Nadal-Melsió, hired in 2024 as the ISP's first associate director, will not retain her position. The cancellation drew condemnation from free speech advocates, including the National Coalition Against Censorship (NCAC), which likened the museum's actions to an authoritarian approach.