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Researchers Identify Enslaved Boy in Joshua Reynolds Painting

Researchers in the U.K. have identified the enslaved boy depicted in Joshua Reynolds's 1748 painting of Royal Navy lieutenant Paul Henry Ourry. For centuries known only as "Jersey," the boy has been identified as George Walker, also called Boston Jersey, through baptismal and admiralty records. Walker was baptized at age 15 in Westminster in 1752, served on HMS Monmouth and HMS Deptford, and was discharged in 1753, after which his fate remains unknown. The research, a collaboration between the National Trust, the National Gallery in London, and Royal Museums Greenwich, also used scientific analysis to reveal Reynolds's original compositional intentions.

Story of enslaved boy featured in 1748 Joshua Reynolds portrait emerges in new study

A research project by the National Trust, the National Gallery in London, and Royal Museums Greenwich has uncovered new details about the identity of an enslaved boy known only as “Jersey,” who appears in a 1748 portrait by Sir Joshua Reynolds. The painting, which hangs at Saltram in Devon, depicts Jersey with his enslaver, naval officer and MP Paul Henry Ourry. Through admiralty records, muster books, and baptismal certificates, researchers identified the boy as “Boston Jersey,” later baptised as George Walker, and found evidence of his naval service and possible path to freedom.

F.E. McWilliam Gallery & Studio presents 100 Years of British and Irish Art – A Fermanagh Collection

The F.E. McWilliam Gallery & Studio in Northern Ireland has opened "100 Years of British and Irish Art: A Fermanagh Collection," a landmark exhibition showcasing the private art collection of the Earl and Countess of Belmore. Curated by William Laffan and Riann Coulter, the show spans five decades of collecting and features works by Irish painters such as Paul Henry, Norah McGuinness, and Basil Blackshaw, alongside British modernists including David Bomberg and Ceri Richards. The collection, rooted in the historic Castle Coole estate, was shaped by the Belmores' friendships with artists, particularly Enniskillen-born T.P. Flanagan. The exhibition runs until January 31, 2026, with free admission.