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At Tokyo's National Museum of Modern Art, the anti-action art of Japan’s women artists finds a new lease of life

The National Museum of Modern Art, Tokyo (Momat) is presenting "Anti-Action: Artist-Women’s Challenges and Responses in Post-war Japan," an exhibition that highlights the work of women artists in 1950s and 1960s Japan. Curated by Hajime Nariai, the show features Yayoi Kusama alongside figures like Atsuko Tanaka, Tsuruko Yamazaki, and Hideko Fukushima, as well as ten lesser-known artists whose names have been largely forgotten. The exhibition uses the term "anti-action," coined by art historian Izumi Nakajima, to describe these artists' shared determination to resist the dominant masculine ethos of action painting and Eurocentric art trends, instead forging their own unique practices.

A preview of exhibitions at the Fenimore Art Museum for Summer 2025

Fenimore Art Museum has announced its summer and fall 2025 exhibition season, featuring two major shows open through September 1, 2025. 'Mary Cassatt/Berthe Morisot: Allies in Impressionism' examines the relationship and influence of these two pioneering women artists within the male-dominated Impressionist movement. 'The Power of Photography' presents 120 iconic 20th-century images that serve as historical time capsules. Museum staff Chris Rossi and Ann Cannon discuss the upcoming season.

Women’s Work: The art of Dana Boussard (museum exhibition)

In 1973, three pioneering women artists—Lela Autio, Dana Boussard, and Nancy Erickson—proposed an exhibition of their soft sculpture at the University of Montana in Missoula, but were denied because their work was dismissed as "women's work." Undeterred, they staged the show in the empty Carnegie Library building in 1974, and a year later the Missoula Art Museum (MAM) was founded. Now, MAM's special exhibition "Women's Work" celebrates the museum's 50th anniversary by featuring works from these three artists, including three pieces by Dana Boussard: "The Rialto" (1971), "Sister" (1970), and "Another Time, Another Place" (1970). The exhibition honors the radical spirit of the original 1974 show and the fiber-art movement, which gained momentum alongside the women's movement and feminist art.

Women’s Work: The art of Nancy Erickson (museum exhibition)

In 1973, three pioneering women artists—Lela Autio, Dana Boussard, and Nancy Erickson—proposed an exhibition of their soft sculpture at the University of Montana in Missoula, but were denied because their work was dismissed as "women's work." Undeterred, they staged their own exhibition in the empty Carnegie Library building in 1974, a year before the Missoula Art Museum (MAM) was founded. Now, MAM's special exhibition "Women's Work" celebrates the museum's 50th anniversary by showcasing the works of these three artists, including several pieces by Nancy Erickson (1935-2022) such as "Rainbow Flight" (1974), "Montana Selective Cut: Official Visit" (1974), and "Pattee Canyon Fire" (1977).

Marcy Bernstein at Ceres Gallery in New York

Ceres Gallery, a pioneering feminist gallery in New York, opens its 43rd season with two exhibitions: "Marcy Bernstein: Evocative Abstractions" and Carlyle Upson's "Submerged," running from September 2 to September 27, 2025. Bernstein's mixed media paintings on recycled surfaces feature bold brushstrokes and layered textures exploring geometry, symbolism, and nature, while Upson's work is also on view. The season includes public programs such as an opening reception, an author talk and book signing with Michael G. Garber, and a closing reception.

‘Into Other Spaces' to reexamine trailblazing women artists across decades

The Leeum Museum of Art in Seoul is hosting 'Inside Other Spaces: Environments by Women Artists, 1956-1976,' an exhibition that reconstructs immersive room-scale works by 11 women artists from underrepresented regions. Co-curated by Andrea Lissoni and Marina Pugliese, the show traces two decades of experimental environments made from light, sound, plastic, and foam, which anticipated installation and media art. The Seoul edition features a new version of Jung Kang-ja's 1967 work 'Muche-jeon (Incorporal Exhibition),' a smoke-filled chamber that evokes the tension of 1970s authoritarian Korea.

Monumental commissions and pioneering women artists take centre stage at Diriyah Contemporary Art Biennale 2026

The third edition of the Diriyah Contemporary Art Biennale has opened in Riyadh’s JAX District under the title 'In Interludes and Transitions.' Curated by Nora Razian and Sabih Ahmed, the exhibition features over 65 artists from 35 countries, focusing on themes of migration, oral storytelling, and the movement of ideas across borders. The show is housed in repurposed 1970s industrial warehouses with a scenography designed by Formafantasma that emphasizes intimacy despite the monumental scale of the venues.

Artworks by Palestinian artists killed in war displayed in Scottish exhibition

An exhibition at POD! community art gallery in Dundee, Scotland, features works by three Palestinian artists: Maysa Yousef, who is alive and exhibiting, and two others—Dorgham Qreaiqea and Heba Zaqout—who were killed in Israel's military campaign in Gaza. The display also includes artwork by children in Gaza who participated in art therapy workshops led by Yousef, who describes art as a means of survival and resistance amid ongoing violence and trauma.

Kickernick Gallery Celebrates the Legacy of WARM’s Pioneering Women Artists

Kickernick Gallery in Minneapolis is launching a landmark exhibition titled "LEGACY: The Women of WARM Gallery" to commemorate the 50th anniversary of the Women’s Art Registry of Minnesota. Founded in 1976 as a feminist cooperative and slide registry, WARM grew into the largest women’s art collective in the United States, providing a vital platform for female artists who were historically excluded from mainstream institutions. The upcoming showcase features works by 73 groundbreaking artists who were instrumental in shaping the region's artistic and feminist landscape.