An exhibition titled "Churchill the Artist" has opened at Chartwell, Winston Churchill's former home in Kent, England. The show features personal artifacts like his paint-spattered Savile Row overalls and spectacles, alongside paintings, including the first U.K. display of his work "Quiet Waters," a gift to his friend Lord Beaverbrook.
Marina Abramović has collaborated with the Italian winemaker Ornellaia to design labels for its 2023 vintage as part of the annual Vendemmia d’Artista project. The designs range from self-portrait drawings and photographs featuring grapes to a conceptual 9-liter bottle that instructs the drinker to listen to Nino Rota’s theme from La Dolce Vita while consuming the wine. A selection of these limited-edition bottles will be auctioned at Bonhams in June to raise funds for the Guggenheim Museum.
The Museum of Modern Art (MoMA) has opened the exhibition 'Frida and Diego: The Last Dream,' a collaboration with the Metropolitan Opera tied to its upcoming production of the opera 'El Último Sueño de Frida y Diego.' The show, designed by stage and costume designer Jon Bausor, transplants theatrical elements like a tree-of-life set model and blue tarp drapes into the gallery, alongside a reshuffling of key Kahlo and Rivera works from MoMA's collection.
The acclaimed Venezuelan electronic musician Arca, born Alejandra Ghersi, is transitioning into the visual arts with her first institutional exhibition at the Institute of Contemporary Arts (ICA) in London. Titled "Angels," the body of work consists of visceral, heavily textured paintings created using a chaotic mix of oils, acrylics, melted plastic, and latex. Ghersi turned to the physical medium as a therapeutic response to professional burnout, using the permanent nature of painting to process personal trauma and reconnect with the raw creative enthusiasm she felt before her music career became a global profession.
In London geht es Tracey Emin um Tod und Auferstehung
Tracey Emin has opened a major exhibition at the Tate Modern in London. The show, which follows her battle with an aggressive bladder cancer diagnosed in 2020, presents a new chapter in her work, focusing on themes of trauma, triumph, and the body.
Artist Miljohn Ruperto's exhibition at Stanford's Cantor Arts Center features works that critically engage with AI and technology. His piece *Fathoms (Tartarapelagic)* uses AI to generate images of deep-sea creatures from the Clarion-Clipperton Zone, while highlighting that mining the minerals essential for that same AI technology is destroying their real-world habitats.
The New Museum Los Gatos (NUMU) has launched ArtNow 2026, its largest juried high school exhibition to date, featuring 97 student artists from 36 schools across Santa Clara County. Selected from over 600 submissions, the featured works respond to the theme "Before / Between / Beyond," exploring concepts of identity, heritage, and the future. The exhibition process is designed to mirror professional standards, requiring students to submit artist statements and undergo a rigorous selection process by a panel of arts professionals.
Artist Laura Fedynyszyn has partnered with the Invasive Species Centre to present "Memorial for Trees Not Yet Fallen III" at Toronto’s Evergreen Brick Works. The exhibition features wreaths made from dried riverbank grapevines adorned with prints of the spotted lanternfly, an invasive insect currently threatening Ontario’s borders. Drawing inspiration from Victorian-era mourning jewelry, the installation serves as a tangible memento for an ecosystem at risk.
Jacob Fry, a White City-based carpenter and self-taught artist, debuted his first public exhibition on March 20 at Central Art Gallery in Medford. Known as "The Wayward Hare," Fry transitioned from lifelong black-and-white sketching to a vibrant, multi-media practice involving spray paint, acrylics, and paint pens. The show features abstract, colorful depictions of the natural world, including signature pieces like "Great Blue Heron" and "The Patient Fox."
Hong Kong-based painter Stephen Wong Chun Hei, who spent much of his childhood indoors, has become an avid hiker and now creates vibrant, colorful paintings of the city's natural landscapes. His work focuses on capturing the dramatic geology, lush vegetation, and hidden trails of Hong Kong's country parks and coastal areas.
The Massillon Museum is currently hosting "Isabelle Crawford: Pure Potentiality," a solo exhibition in its Studio M space featuring paintings and drawings by the Akron-based artist. Crawford’s work explores the intersection of human connection and perception, reflecting her commitment to using art as a tool for community engagement and social change. The exhibition, which runs through April 26, will be supplemented by a featured interview with the artist on the museum’s "MassMusings" podcast.
Recent psychological research confirms that engaging with visual art provides significant physical and mental health benefits, including the alleviation of depression, anxiety, and stress. Studies indicate that viewing art can also enhance cognitive functioning and social skills, prompting new initiatives to explore the specific mechanisms behind these wellness improvements.
Emmanuel Étienne prend les rênes des musées de Compiègne-Blérancourt
Emmanuel Étienne has been appointed as the director of the national museums and estates of Compiègne and Blérancourt. The 48-year-old architect and urban planner, a heritage architect trained at the École de Chaillot, succeeds Rodolphe Rapetti, who has retired. He will oversee the complex, which includes the Château and national estate of Compiègne with its three museums, as well as the estate and the Franco-American Museum of Blérancourt.
The Gallery Lake Forest has unveiled "Wax Poetic," a solo exhibition featuring the encaustic works of Deerfield-based artist Karen Ross. This marks Ross’s first solo showcase in Lake Forest, highlighting her mastery of the ancient and technically demanding medium of encaustic painting, which involves using heated beeswax and pigments. The exhibition focuses on themes of emergence and the seasonal transition of spring, drawing parallels between the natural world and the physical process of layering and revealing wax.