Thomas Zipp gestorben
The Berlin-based artist Thomas Zipp has died. His gallery, Barbara Thumm, announced the news on Saturday. Zipp, born in 1966, was a professor of painting and multimedia at the Berlin University of the Arts and was considered one of the most significant figures in German contemporary art since the 1990s. His work was shown internationally at venues including the Venice Biennale and museums in New York, London, and Zurich.
New Jersey-based artist Hadieh Afshani is featured in the 334th installment of Hyperallergic's 'A View From the Easel' series, which profiles artists in their workspaces. Afshani describes her studio practice at Mana Contemporary in Jersey City, where she balances her art with caring for her baby, working around his feeding and sleeping rhythms. She emphasizes the importance of natural light, a sink for fluid processes, and the supportive community of fellow artists and mothers.
Marking the fifteenth anniversary of Mathaf: Arab Museum of Modern Art, the traveling exhibition ‘we refuse_d’ has opened at M HKA in Antwerp. Curated by Nadia Radwan and Vasif Kortun, the project draws on the intellectual lineage of Hannah Arendt’s reflections on displacement and the historical precedent of the Salon des Refusés. The exhibition features a constellation of works by artists including Khalil Rabah, Barış Doğrusöz, and Nour Shantout, exploring refusal not as a simple negation, but as a complex strategy for survival, dignity, and the preservation of memory.
Scottish artist Andrew Cranston has opened a new solo exhibition titled 'I’m going in a field' at Modern Art gallery in London. The show features eleven paintings that blend landscape, memory, and domestic scenes, drawing inspiration from the artist's childhood in Hawick, Scotland, and his reflections on activities like golf, which he views as a form of landscape experience.
Paula Cooper opened her pioneering gallery in Soho in 1968, betting on the then-desolate industrial neighborhood as artists began moving into its lofts. She cultivated deep, personal relationships with the artists she represented, such as Lynda Benglis and Joel Shapiro, as well as with other major figures like Jasper Johns, fostering a slower, more humane art world pace. Her success helped transform Soho into a major gallery district, attracting institutions like Sonnabend and Castelli.
The American Folk Art Museum has launched "Self-Made: A Century of Inventing Artists," a new exhibition exploring how self-taught creators define their own identities. Spanning from the early 20th century to the present, the show features a diverse array of mediums including painting, photography, and sculpture. Key works include John Kane’s 1928 self-portrait, which reflects his immigrant experience, and Joe Coleman’s contemporary reflections on the COVID-19 pandemic.
Alexandra Noel has opened a solo exhibition titled "999" at Derosia gallery in New York. The show features new work created during a period of personal and conceptual transition, as suggested by the artist's reflections on ownership, space, and displacement.
Chinese artist Cao Fei has opened a new solo exhibition titled "Dash" at the Fondazione Prada in Milan. The exhibition presents a new body of work, including video installations and sculptures, continuing her exploration of digital realities, urban transformation, and the human condition in a rapidly changing world.
The Harn Museum of Art at the University of Florida is launching a major exhibition titled "Florida in the Frame: A Century of Artists’ Reflections on the Sunshine State." Drawing from the extensive Samuel H. and Roberta T. Vickers Collection, the show features over 65 artists including American masters like Winslow Homer, John Singer Sargent, and Thomas Moran alongside Florida Highwaymen painters. The exhibition is organized into three thematic sections that explore the state's natural landscapes, the development of its urban centers, and its evolution into a global tourism destination between 1850 and 1950.
The Musée d’Art Moderne de la Ville de Paris is hosting the first major Parisian retrospective of the multi-disciplinary artist Brion Gysin, running from April 10 to July 12, 2026. Titled "Brion Gysin, the Last Museum," the exhibition features over 140 works spanning the artist's career, including his pioneering "Cut-up" literary techniques, calligraphic paintings, and the immersive "Dreamachine." The show also contextualizes Gysin’s legacy by featuring works from his contemporaries and those he influenced, such as William Burroughs, Patti Smith, and Keith Haring.
Cartwright Hall Art Gallery in Bradford has launched a new exhibition of Pre-Raphaelite masterpieces paired with contemporary reflections from the local LGBT+ community. Members of the Equity Partnership charity collaborated with museum staff to reinterpret 19th-century works by artists such as Dante Gabriel Rossetti, Ford Madox Brown, and John Collier through the lens of lived queer experience.
Staff at the National Building Museum share their favorite children's books in celebration of World Book Day, as part of the exhibition 'Building Stories.' Each staff member selects a book that has influenced their imagination or professional work, ranging from century-old illustrated alphabets like C.B. Falls' 'ABC Book' to contemporary picture books such as Christian Robinson's 'Another' and Tony Hillery's 'Harlem Grown.' The selections highlight how storytelling and the built environment intersect, with books like 'Goodnight Moon,' 'Eloise,' and 'The Snowy Day' offering personal and professional insights.
Artsplace Gallery in Annapolis Royal is set to launch three new exhibitions on April 18, headlined by a community-focused project titled "AfterBurn: Stories from a Season of Fire." This central exhibition features a diverse range of media—including visual art, photography, and film—created by artists from across Nova Scotia in response to the devastating 2025 wildfire season. The initiative also incorporates personal reflections and archives from local residents, particularly those from West Dalhousie who were directly impacted by the fires.
Andrea Romano presents a new body of work at Federica Schiavo Gallery in Rome, titled “All The Synecdoches And Metonymies In The World Make Up One Great Metaphor.” The exhibition explores the intersection of the artist’s private life and professional practice through a series of fragmented forms, residues, and reflections. By utilizing linguistic concepts as a framework, Romano investigates how individual parts of an experience attempt to coalesce into a unified whole, even when that totality remains elusive.
Brazilian artist Daniel Melim discusses his exhibition "Urban Reflections" at São Bernardo do Campo in an interview with Brendon Bell-Roberts. Melim, who emerged from the graffiti and stencil cultures of ABC Paulista, describes how the city functions as an active collaborator in his practice, transforming the gallery into an expanded studio where boundaries between street, studio, and institution dissolve. The exhibition juxtaposes pivotal and previously unseen works, tracing his artistic evolution and layered urban memory.
Whitestone Gallery Seoul is hosting "A Swimming Soul," a group exhibition featuring emerging artists Lee Juyoung, Kisho Kakutani, and Yudai Takeuchi. Running from April 18 to May 24, 2026, the show utilizes the metaphor of a swimming fish to explore themes of youth, uncertainty, and the drifting nature of modern existence. Each artist presents a unique visual language to address the ambiguity of reality, from Lee’s blurred urban reflections and Kakutani’s obstructive "noise" layers to Takeuchi’s exploration of the liminal space between consciousness and sleep.
"Es ist naiv zu glauben, dass Bomben Freiheit bringen"
Iranian-born artist Peyman Rahimi discusses the profound impact of his childhood experiences during the Iran-Iraq War and his subsequent mandatory military service on his creative practice. Breaking a long-held silence, Rahimi argues against the naivety of believing that military interventions or foreign bombings can bring true freedom to Iran, emphasizing that war only generates new trauma and suffering. He highlights the central role of Iranian women in the struggle for change, noting that their resilience remains the most potent threat to the current regime.
連載 中島りか 新しい死者の書 第三回
Japanese artist Rika Nakajima reflects on the trial of Tetsuya Yamagami, who assassinated former Prime Minister Shinzo Abe in 2022, weaving together her own experience running the project space "Datsuisho – (a) place to be naked" in Tokyo's Yanaka district. As the space faced demolition in late 2025, Nakajima draws parallels between the trial's timing and the closure of her venue, recalling earlier events at the space that discussed the state funeral controversy and the cult issues exposed by the assassination. She describes attending the trial in Nara, observing Yamagami's demeanor, and connecting the case to broader themes of political aesthetics, fascism, and the theatricality of the judicial system.
La mostra della grande artista Lucy Orta in un palazzo storico recuperato a San Sepolcro
British artist Lucy Orta has unveiled a site-specific installation titled "Trame di Comunità" at CasermArcheologica in Sansepolcro, Tuscany, following an artist residency. The work features five tents constructed from hand-woven vintage linen and hemp, inspired by the protective imagery in Piero della Francesca’s "Polyptych of Mercy." These structures are embroidered with the faces of local residents and adorned with 99 terracotta amulets, incorporating oral testimonies and personal reflections gathered from the community during Orta's stay.
Der letzte lebende Surrealist
Alejandro Jodorowsky, the 97-year-old Chilean-French artist and filmmaker, is profiled in his Paris apartment as the last living Surrealist. The article reflects on his century-spanning career, from his early pantomime work with Marcel Marceau in the 1950s to his cult films like "El Topo" and "The Holy Mountain," as well as his famously unrealized adaptation of Frank Herbert's "Dune." Jodorowsky shares his philosophy that true art has a beginning but no end, offering a retrospective on a life lived at the intersection of performance, cinema, and visionary creativity.
The Museu de Arte de São Paulo (MASP) is currently presenting two distinct exhibitions that explore memory, identity, and historical violence in Latin America. 'Santiago Yahuarcani: The Beginning of Knowledge' features 35 works by the Peruvian artist that weave together Uitoto cosmology with the traumatic history of the Amazon rubber boom, while 'Video Room: Oscar Muñoz' showcases three video works by the Colombian artist that use ephemeral materials to reflect on political disappearance and the instability of the image.
The BANK Art Museum Moree (BAMM) is launching a suite of six new exhibitions on April 24, featuring works by artists Jo Norton, Penny Evans, Joan Ross, Melissa Spratt, Aaron Butt, and Pip Stalley. The shows, running until May 30, also include the Bleakley Collection, a group of First Nations objects curated by Robert Bleakley in the 1970s.
Artist Debra Wick is presenting a new series of hyper-realistic watercolor paintings focused on the intricate physics of raindrops at the Redlands Art Association. The exhibition, running from April 18 to May 15, showcases Wick’s unique self-taught technique involving masking fluid and layered washes to capture atmospheric reflections, alongside her earlier works and functional art pieces like painted umbrellas and pillows.
The Sisters, Servants of the Immaculate Heart of Mary (IHM) Motherhouse Gallery in Monroe, Michigan, recently hosted an exhibition featuring artworks created by incarcerated individuals from correctional facilities across the state. Organized by the University of Michigan’s Prison Creative Arts Project (PCAP), the show displayed pieces made from unconventional materials like soap and graham crackers, ranging from spiritual reflections to bright, hopeful compositions. The exhibit was curated from donated works by artists who are unable to keep their pieces or sell them directly due to Department of Corrections regulations.
The Griffith Regional Art Gallery recently debuted "Roots & Reflections," a community-focused exhibition featuring over 60 works from local artists. Curated by Melanie Toscan, the show spans diverse mediums including sculpture, painting, photography, and a collaborative 3D installation. A unique highlight of the exhibition is a section of anonymous, fixed-price paintings sold for $85, where the artist's identity remains a mystery to the buyer until the show concludes.
Kirkby Gallery has announced the opening of "ECHO," a solo exhibition by environmental artist Julie Dodd featuring sculptural works crafted from recycled and reclaimed materials. The show marks Dodd's first solo exhibition in a decade and showcases her practice of transforming discarded books and everyday objects into intricate forms that mimic natural patterns. Alongside the main event, the Entrance Gallery will feature "Supporting Households in Crisis," a research-based exhibition by Patricia McDonald-Holmes exploring food insecurity and community resilience in Knowsley.
The National Museum “Kyiv Art Gallery” has launched a major exhibition titled “Andriy Chebykin. MASTER AND WORKSHOP” to celebrate the 80th birthday of the renowned Ukrainian graphic artist and educator. The show features a comprehensive range of Chebykin’s work, from his classic 1970s etchings and 1990s nudes to recent pieces created during the full-scale invasion of Ukraine, such as “The Enemy Was Shot Down Over Tatarka.” Uniquely, the exhibition also includes works by his former students, highlighting his 55-year legacy at the National Academy of Fine Arts and Architecture.
Artist Jevon Brown, a Miamian of Bahamian, Jamaican, and Black Southern descent, discusses his multidisciplinary practice in an interview conducted in his Miami Beach apartment and studio. Brown works across textiles, silkscreen printing, fashion, and photography to explore cultural identity, belonging, queerness, and history. He describes how memories of Miami sunsets, family members like his uncle (a sneakerhead and hat collector), and ancestral references inform his creative process. Key works discussed include the "HAIREtage" series (2025), which uses materials like burlap and raffia to connect contemporary streetwear culture with African and Caribbean spirituality, and his inclusion in the exhibition "Material, Material World" at David Castillo Gallery.
Nine artists, including Hiroshi Sugimoto, Irene Neuwirth, and Umberto Pasti, share personal reflections on unforgettable gardens from around the world. Each contributor describes a specific garden that left a lasting impression, ranging from historic estates to wild natural landscapes, highlighting the sensory and emotional impact of these spaces.
The article is a scene calendar listing upcoming events in the Gainesville, Florida area, including art exhibitions and a theatrical production. Key visual art events include the Santa Fe College Student Juried Art Exhibition, the Santa Fe Springs Plein Air Paintout, the Gainesville Fine Arts Association's 'NEXT: High School and College Juried Exhibition', and the Harn Museum of Art's exhibition 'Florida in the Frame: A Century of Artists’ Reflections on the Sunshine State', which features works by Winslow Homer, John Singer Sargent, and Florida Highwaymen painters. The calendar also lists non-visual-art events such as the Levitt AMP Alachua Music Series and the Hippodrome Theatre's production of 'Million Dollar Quartet'.